IFH 140: 6 Mistakes To Avoid Your First Day On a Film Set

IFH 140: 6 Mistakes To Avoid Your First Day On a Film Set

6 Mistakes To Avoid Your First Day On a Film Set
1. Arriving Late
If you’re not early, you’re late. I aim to get to work at least 15 minutes early each day on a film set. This gives me time to setup, read my call sheet and sides, cram in some extra breakfast and make my boss a coffee. If you are late on day one you instantly create a bad reputation for yourself and this industry is built on reputation and relationships. Set your alarm early for the first day, pick out what you need to wear the night before and make sure you’ve had a look at where you need to get to so you don’t get lost.
2. Forgetting Names
No one will remember your name but don’t let that be an excuse to forget theirs. It’s great if you can remember as many names as possible on your first day on a film set, at least those in your department. This will make you stand out and give you the best chance of them remembering you. I sometimes even write down people’s names in a notebook or phone when they aren’t looking so you can refer back to it. Alternatively, you can also ask the production office for a crew list to help you remember who’s who.
3. Asking An Actor What They Do
You’ll be trying small talk with whoever is standing around. It’s pretty embarrassing when you ask an actor what department they are in or what they do. Embarrassing for them I guess, as they expect that you’ll know them from the seven short films they released on Vimeo last year. As long as you are polite I’m sure they’ll get over it. I’ve asked Mel Gibson’s son what his last name was. He politely replied ‘Gibson’. That makes sense, I thought.



4. Phone Ringing During A Take
This is even more embarrassing than when you wet yourself in kindergarten and had to go to sick bay to get some spare clothing. Don’t let your phone ring on set, especially during a take. At least have it on silent or even better, just turn it off if you don’t need it for some kind of emergency calls. Your Facebook and Instagram updates can wait until you get home. If your phone does ring during a take I can guarantee the crew will remember who you are and be hassling you each day until you provide a case of beer for your sins.
5. Walking Through The Back Of Shot
Film sets can be a daunting place at the best of times with crew members rushing about knowing exactly what to do and where to be. You’ll find it hard on day one to even find a place to stand that is out of the way. Have a good look at where the cameras are pointing and make sure you don’t settle in the back of the shot. It’s always embarrassing when you hear “Cut!” and the director berates the person that was standing in the shot only to realize that was you…
A safe bet is near all the equipment trolleys. Usually, this is fairly close to set but enough out of the way until you discover your place on set.
6. Standing In The Actor’s Eye line
An eye line refers to where an actor is looking in the scene. It may be directly at the other actors, it could be out to the horizon or it could be an imaginary moving car that is driving in the distance. So, why should you stay clear of it? Actors are performers and they need to feel secure during filming.
You’d likely not love fifty people gawking while you feign ‘true love’ and awkwardly kiss your sweaty co-star in a claustrophobic studio. Such a kiss could only be made worse by a wandering PA aimlessly ambling into their line of sight. If you need to be close to the action during the scene, try and hide yourself behind some equipment or set dressing so that you remain inconspicuous. Alternatively, turn your back to them or simply look down at the ground while the scene is played out. Don’t move around and fidget.

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Episoder(977)

IFH 827: Turning a Script into a Movie: The Indie Filmmaking Story of Jamie Buckner

IFH 827: Turning a Script into a Movie: The Indie Filmmaking Story of Jamie Buckner

Jamie Buckner’s filmmaking journey is one built on passion, persistence, and pure creative drive. After exploring careers in music, architecture, and art, he realized filmmaking combined everything he loved into one pursuit. Starting as a production assistant, Jamie worked his way through Hollywood’s ranks on major films like Seabiscuit, The Departed, and John Wick: Chapter Two. But while learning from industry giants, he continued writing his own scripts — most notably Split, a romantic comedy centered around bowling. Determined to bring his vision to life, Jamie self-financed the project, ran a successful Kickstarter campaign, and transformed a short proof-of-concept into a full feature film.His experience on Split became a masterclass in independent filmmaking — from balancing day jobs to managing budgets, post-production challenges, and distribution. The result was a feel-good movie that found audiences on multiple streaming platforms. Through his story, Jamie reminds aspiring filmmakers that creativity must be paired with discipline, resourcefulness, and an unshakable belief in your own ideas. His message is simple but powerful: if storytelling is in your blood, keep writing, keep filming, and never stop creating — because that’s what makes you a true filmmaker.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Nov 1h 11min

IFH 826: How to Turn a Script Into a Movie Without Hollywood’s Help with Chris Jay

IFH 826: How to Turn a Script Into a Movie Without Hollywood’s Help with Chris Jay

Chris Jay, once a touring musician with the rock band Army of Freshmen, found a new creative path when the music industry shifted and opportunities dried up. Instead of giving up, he and his bandmate Aaron Goldberg turned to filmmaking, writing and producing their first feature, The Bet. Without studio backing or formal film education, the duo learned everything from scratch — from writing the screenplay to formatting scripts manually and raising money independently. Their story became a lesson in perseverance, proving that filmmaking success often starts with resourcefulness and a willingness to learn by doing.Despite budget limitations and countless challenges during production, The Bet made it to completion and secured distribution on major platforms like iTunes, Amazon, and cable VOD. Featuring wrestling legend Roddy Piper in one of his final roles, the film stands as a testament to the power of determination and creative problem-solving. For Chris, the project wasn’t just about making a movie — it was about proving that great stories can come to life outside of Hollywood when passion, teamwork, and persistence lead the way.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Okt 1h 19min

IFH 825: The Untold Stories of Women in Action Cinema with Melanie Wise

IFH 825: The Untold Stories of Women in Action Cinema with Melanie Wise

Melanie Wise, a former model and actress, discusses her transition to producing due to height-related challenges in acting. She produced the horror action film "Hannah's Gift," which she also starred in, and faced issues with lost masters and ineffective editors.Wise co-founded the Artemis Film Festival to showcase women in action roles, highlighting historical female contributions and contemporary achievements. The festival, fan-backed and media-partnered, aims to prove the marketability of women in action films. Wise also discusses the potential of VR technology and its impact on storytelling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Okt 52min

IFH 824: The Screenwriting Secrets Every Indie Writer Needs to Know with Dan Benamor

IFH 824: The Screenwriting Secrets Every Indie Writer Needs to Know with Dan Benamor

Dan Benamor began his film career as an intern, quickly working his way up to head of development at a small production company. That experience gave him a deep understanding of story and the industry, shaping his perspective on what makes a screenplay stand out: confidence, strong character work, and purposeful storytelling. While he has tried directing, Dan discovered that his true passion lies in writing. He believes the hardest part of the process is in the planning and development stage, where theme, character arcs, and structure are carefully mapped out. Once the blueprint is clear, writing becomes the rewarding part — a process he mastered through developing dozens of scripts and watching them come to life on screen.That skill set came full circle with Initiation, the indie horror-thriller he co-wrote with his cousin Oren, who directed the film. The story follows strangers forced into a deadly cult ritual, blending genre thrills with deeper meaning about inner strength and survival. Despite being a low-budget production, the film secured distribution through Gravitas Ventures and earned strong reviews, showing that ingenuity and disciplined storytelling can overcome resource limitations. Dan’s journey is proof that with persistence, craft, and a confident voice, independent filmmakers can create work that resonates with both audiences and industry professionals.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Okt 40min

IFH 823: The Secret to Getting Noticed as a Screenwriter with James Moorer

IFH 823: The Secret to Getting Noticed as a Screenwriter with James Moorer

James Moorer is a screenwriter whose path into Hollywood began with early experiments in short films and years of disciplined study. Starting out as a PA, he worked his way up while sharpening his craft through seminars, classes, and relentless writing. He quickly learned that screenwriting is more than just putting words on the page — it’s also about understanding the business side of the industry and building credibility step by step. His philosophy is simple: every script, meeting, or assignment should “move the needle” toward progress, even if the rewards aren’t immediate.What sets James apart is his focus on relationships and professionalism. He believes that a writer’s reputation is as important as their work, and that openness to feedback separates amateurs from professionals. This approach helped him secure management with Purple Skull, not through cold queries, but through trust and collaboration. By embracing notes and staying consistent in both writing and networking, James shows that screenwriting success isn’t about one big break, but about persistence, adaptability, and steady growth in the craft and the business.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

7 Okt 1h 10min

IFH 822: From Video Games to the Big Screen: The Filmmaking Journey of Nicole Jones-Dion

IFH 822: From Video Games to the Big Screen: The Filmmaking Journey of Nicole Jones-Dion

Nicole Jones-Dion, a screenwriter, director, and producer, shared her unconventional path into filmmaking, beginning in the world of video games and comics before moving into film. Known for her work on projects like Tekken 2, Dracula: The Dark Prince, and the SyFy thriller They Found Hell, she has built a career in genre storytelling that blends sci-fi, horror, and action. Her persistence paid off after writing more than fifteen spec scripts and seizing opportunities to rewrite and adapt existing material, which she says makes up most of Hollywood screenwriting.Nicole’s approach emphasizes discipline, structure, and character-driven storytelling, ensuring her projects are both creative and marketable. She also found success with crowdfunding, raising nearly $20,000 for her short horror film Debris, which explored the legend of a cursed samurai sword. The campaign’s popularity proved the power of a strong concept and led to festival recognition. With her directorial debut Stasis and other projects in development, Nicole continues to explore stories that challenge audiences while entertaining them. Her journey demonstrates the importance of adaptability, hard work, and never stopping the pursuit of growth as a filmmaker.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

30 Sep 37min

IFH 821: Filmmaking Without Permission: The Independent Journey of Clarke Scott

IFH 821: Filmmaking Without Permission: The Independent Journey of Clarke Scott

Clarke Scott, an Australian writer, director, and commercial photographer, shared his unconventional path into filmmaking after leaving behind academia and corporate work. A chance encounter in the Himalayas reignited his creative spark, leading him to dive into the DSLR revolution and embrace filmmaking as both an artistic outlet and a practical career. His debut feature, 1000 Moments Later, was a fully independent production he wrote, directed, shot, and edited himself — a bold decision driven by his refusal to wait for permission or compromise his creative voice.Clarke opened up about the challenges of independent filmmaking, from battling weather and limited budgets to convincing actors to join his project on back-end deals. He stressed the importance of patience, resourcefulness, and building a body of work rather than chasing quick wins like Sundance. For Clarke, the future of filmmaking lies in using available tools, leveraging local resources, and proving one’s ability to finish projects with vision and determination. His story is a testament to the power of grit and creativity in bringing films to life outside the traditional studio system.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Sep 1h 1min

IFH 820: Screenwriting, The BAM Method, And How To Write A Screenplay That Stands Out with Mike Bierman

IFH 820: Screenwriting, The BAM Method, And How To Write A Screenplay That Stands Out with Mike Bierman

Award-winning screenwriter Mike Bierman has carved an unconventional path into the world of storytelling, moving from reading his daughter’s audition scripts to building a reputation as both a prolific writer and founder of the Facebook group Screenwriters Who Can Actually Write. In this conversation, he shares his journey into screenwriting, his tough-love philosophy for aspiring writers, and the methods he uses to keep scripts sharp, lean, and engaging. Bierman’s unique approach, known as the BAM method (Bierman Asynchronous Method), flips traditional writing on its head by starting with the ending and working backward, ensuring that every scene pushes the story forward.Alongside his process, Mike offers candid insights into the common pitfalls of beginners, from formatting missteps to the trap of relying too heavily on software. He emphasizes that writing is not about perfection on the first draft but about committing words to the page and refining them. His upcoming book, Secrets of Screenwriting: Collected Essays, distills his no-nonsense advice into practical lessons for writers who want to treat screenwriting as a serious craft. Whether through his group, his book, or his methods, Mike challenges writers to move beyond excuses, face the blank page, and create stories that truly stand out.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Sep 1h 59min

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