IFH 225: How to Shot a Feature Film in 24 Hours with Ivan Malekin

IFH 225: How to Shot a Feature Film in 24 Hours with Ivan Malekin

How to Shot a Feature Film in 24 Hours with Ivan Malekin
Imagine shooting an entire feature film in 24 hours. How could you do something like that and not make it a bad stage play? Today's guest was not only able to do that but made a damn good film in the process. Ivan Malekin and his partner Sarah Jayne directed the feature film Friends, Foes & Fireworks in just one night (24 hours). Here's some info on the film.

An intimate New Year's Eve reunion of five female friends in the independent acting scene becomes a test of relationships when old tensions spark, truths are told, and rivalries are reignited. Will the group make it through the night together or will their friendship fizzle out like an overzealous fireworks display?
Filmed in a single night, the craziest and most chaotic night of the year - NYE - and relying entirely on improvisation, Friends, Foes & Fireworks is an ambitious Australian drama exploring relationships, love, friendship and the truths we try and fail to keep to ourselves.

We dive into what it took to make a film in 24 hours, did they use a script or scriptment? How many cameras? How many crew and much more. Get ready to be inspired and enjoy my conversation with Ivan Malekin.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Episoder(983)

IFH 330: To Film and Die in L.A - Micro-Budget Misadventures with Adam William Ward

IFH 330: To Film and Die in L.A - Micro-Budget Misadventures with Adam William Ward

Today on the show we have writer/director, Adam William Ward. His new film is called Wally Got Wasted. I brought him on the show to discuss the crazy misadventures he had shooting guerilla-style in th...

9 Jul 20191h 17min

IFH 329: Shooting a Micro Budget Film in a War Zone with Benjamin Gilmour

IFH 329: Shooting a Micro Budget Film in a War Zone with Benjamin Gilmour

Today on the is one of the bravest indie filmmakers I've ever had the pleasure of meeting, writer/director Benjamin Gilmour. His film Jirga was shot with a tw0 person crew, a Sony A7s Camera he purcha...

2 Jul 201946min

THROWBACK FRIDAY: How to Direct the Character, Not the Actor with Mark Travis

THROWBACK FRIDAY: How to Direct the Character, Not the Actor with Mark Travis

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil ...

28 Jun 20191h 54min

IFH 328: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

IFH 328: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a...

25 Jun 20191h 6min

IFH 327: Directing Films for Netflix and Mark Duplass with Alex Lehmann

IFH 327: Directing Films for Netflix and Mark Duplass with Alex Lehmann

Today on the show we have returning champion director Alex Lehmann. I asked him back on the show to discuss his new Netflix film Paddleton starring indie film legend Mark Duplass and Ray Ramano. Paddl...

21 Jun 201952min

IFH 326: Can You Help Me with IFH's Dream Guest List?

IFH 326: Can You Help Me with IFH's Dream Guest List?

So I'm conducting an experiment. Can the IFH Tribe and I get some of the most amazing filmmakers in history on the IFH Podcast? Well, let's see if we can make that dream come true. There is a list of ...

19 Jun 20198min

IFH 325: What Negative Filmmaking Story Are You Telling Yourself?

IFH 325: What Negative Filmmaking Story Are You Telling Yourself?

We all tell ourselves negative stories. I'm not good enough. I can't write that. I can't direct a feature film. These stories are killing us day in and day out. It took me 20+ years to finally change ...

18 Jun 201923min

IFH 324: What Makes a Great Screenplay with Stephen Follows (CROSSOVER EVENT)

IFH 324: What Makes a Great Screenplay with Stephen Follows (CROSSOVER EVENT)

What if someone could read over 12,000 scripts that were read by professional script readers, who gave the scripts an overall score as well as scores for specific factors including plot, dialogue, cha...

12 Jun 20191h 13min

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