BONUS EPISODE: Big Budget Indie Films and Creative Freedom with Neill Blomkamp

BONUS EPISODE: Big Budget Indie Films and Creative Freedom with Neill Blomkamp

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.

Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.

Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.

If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.

In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 million budget.

District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it.

In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.

In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.

As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.

The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa.

By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.

As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry.

He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.

Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.

IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.

Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.

Not to give too much away, let's dig into my interview with our incredible guest, Neill Blomkamp.


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BONUS EPISODE: Secrets to Successful Low-Budget Films with Jason Blum

BONUS EPISODE: Secrets to Successful Low-Budget Films with Jason Blum

I'm excited to talk to a fellow low-budget independent filmmaker today. Granted, he does low-budget films on a completely different level than I or most people do at this point. But if we are going to talk about budget filmmaking, it is only fitting to have expert horror film and television producer, Jason Blum of Blumhouse Productions. Our chat sort out knowledge gems on Jason’s mentality behind his filmmaking and the budget strategy. Especially the ‘freedom’, he’s expressed in many other interviews, he gets from a low budget --- in the essence of the chances it allows him to take.Jason has over 200 production credits for numerous horror television and films franchises. The likes of BlacKkKlansman, Jordan Peele’s Get Out, The Normal Heart, Paranormal Activity, Elizabeth Moss’s Invisible Man, The Purge, etc. Black As Night, the Amazon original film, is one of the twenty-five projects he’s produced that have been released this year and streaming on various top streaming platforms.The story is about a  teenage girl with self-esteem issues who finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.He’s recognized for his multiple award-winning works and his production studio which is currently booked and busy with over fifteen projects lined up for the rest of the year to 2023.That is a testament to his company’s high-quality production. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative television series. They have produced over 150 movies and television series with theatrical grosses amounting to over $4.8 billion.Paranormal Activity: Next Of Kin will also be coming out this December. It is the second film in the franchise. Which continues to follow a young man who became the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him.All you horror and non-horror fans out there need no further introduction about our guest. Right in time for the Halloween spirits, please enjoy my 'spooky' chat with Jason Blum.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Okt 202250min

IFH 627: Creating Friday the 13th & the Horror of Hollywood with Sean S. Cunningham

IFH 627: Creating Friday the 13th & the Horror of Hollywood with Sean S. Cunningham

Sean S. Cunningham had a successful career of starting films cheap and fast. Originally from New York, Cunningham had a vast knowledge of directing films and came to Hollywood. He started about the same time Wes Craven did. Cunningham meets Craven and decided to make a comedy-romance film called Together (1971).Then they both shocked the world with the rape and ultra-violence of The Last House on the Left (1972). Craven directed the flick and Cunningham financed and produced. However Cunningham wanted to get a mix of comedy and horror and made Case of the Full Moon Murders (1973) and then started other comedy films like Manny's Orphans (1978) and Here Come the Tigers (1978) .Struggling in Hollywood Cunningham saw John Carpenter's Halloween (1978) and wanted to make a follow up type film but would possibly regret it. Cunningham brought Friday the 13th (1980) into the cinema in 1980, a year of many other horror films. Friday the 13th (1980) was a shocking, gory and violent film about camp counselors being slashed by a killer and had Betsy Palmer in the lead role. Little did Cunningham know that Friday the 13th would have never ending sequels. Cunningham gladly avoided all of them and Friday the 13th remains one of the most popular horror films in history. Instead Cunningham wanted to make it big when he brought a best-selling novel to the screen, A Stranger Is Watching (1982) with Rip Torn, but it was a disappointment. Cunningham went downhill with the over sexed teen comedy Spring Break (1983) and The New Kids (1985). Cunningham then produced House (1985) and several of its sequels. Cunningham next entered the world of underwater terrors after The Abyss (1989) was released. Cunningham did a follow up called DeepStar Six (1989), but it was a flop, however it beat another 1989 underwater thriller Leviathan (1989) at box office receipts.Cunningham was finished with directing and moved on to producing films and teaching. He produced The Horror Show (1989), My Boyfriend's Back (1993) and Friday the 13th's last sequel Jason Goes to Hell: The Final Friday (1993). Cunningham then did yet another follow up to Friday the 13th with Jason X (2001).Enjoy my conversation with Sean Cunningham.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Okt 20221h 15min

MONDAY MOTIVATION!: The Power of Your Filmmaking Mindset

MONDAY MOTIVATION!: The Power of Your Filmmaking Mindset

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Okt 20222min

American Film Market 2022 Badge Giveaway Contest

American Film Market 2022 Badge Giveaway Contest

IFH - American Film Market 2022 Badge Giveaway Contest!! AFM Badge giveaway - Two Executive Plus Badges. It's a full 5-day badge with access to all the panels. https://americanfilmmarket.com/badges-prices/ that sell for $995 each. Below are rules: M𝘶𝘴𝘵 𝘣𝘦 18+ 𝘵𝘰 𝘦𝘯𝘵𝘦𝘳. 𝘖𝘱𝘦𝘯 𝘵𝘰 𝘜.𝘚. 𝘙𝘦𝘴𝘪𝘥𝘦𝘯𝘵𝘴 𝘰𝘯𝘭𝘺. E𝘢𝘤𝘩 𝘸𝘪𝘯𝘯𝘦𝘳 𝘸𝘪𝘭𝘭 𝘳𝘦𝘤𝘦𝘪𝘷𝘦 𝘰𝘯𝘦 𝘈𝘍𝘔 2022 𝘌𝘹𝘦𝘤𝘶𝘵𝘪𝘷𝘦 𝘗𝘭𝘶𝘴 𝘉𝘢𝘥𝘨𝘦 𝘵𝘰 𝘢𝘵𝘵𝘦𝘯𝘥 𝘢𝘵 𝘸𝘪𝘯𝘯𝘦𝘳’𝘴 𝘰𝘸𝘯 𝘦𝘹𝘱𝘦𝘯𝘴𝘦 𝘢𝘯𝘥 𝘱𝘦𝘳 𝘈𝘍𝘔 𝘎𝘶𝘪𝘥𝘦𝘭𝘪𝘯𝘦𝘴. 𝘕𝘰 𝘱𝘶𝘳𝘤𝘩𝘢𝘴𝘦 𝘯𝘦𝘤𝘦𝘴𝘴𝘢𝘳𝘺, 𝘷𝘰𝘪𝘥 𝘸𝘩𝘦𝘳𝘦 𝘱𝘳𝘰𝘩𝘪𝘣𝘪𝘵𝘦𝘥. Open to ALL IFH Tribe members. Submit to support@indiefilmhustle.com why you and your film deserves to get one of these coveted Badges that cost $995 each.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Okt 20223min

IFH 626: Creating Hocus Pocus: My Life in Horror and Nightmare Cinema with Mick Garris

IFH 626: Creating Hocus Pocus: My Life in Horror and Nightmare Cinema with Mick Garris

I am extremely excited to have on the show today a fellow podcaster, established producer, director, and writer, Mick Garris. Mick’s podcast, Post Mortem with Mick Garris, dives deep into the devious minds of the greatest filmmakers and creators of your worst nightmares to bring their distinctive visions to life in fascinating one-on-one conversations. He’s renowned for his classic screen adaptation of Stephen King’s books like Sleepwalkers (1992), The Shinning and The Stand. and creator of 2005, Masters of Horror series.The California native began his passion for storytelling as early as 12 years old - writing short stories. He launched his passion onto the journalism path at just 16 years old. Driven by curiosity, he freelanced as a film and music critic and landed interviews with the likes of Jimi Hendrix, Rod Serling, and Ray Bradbury in the 70s. It’s remarkable what Mick accomplished in a time where everyone needed to know someone to get a foot in the door, let alone that early in life and without the help of social media. I guess folks were intrigued by his talent and drive.While doing film criticism, Mick wrote specs, publications for magazines, and did some filming on 8mm. The guy lived the dream. The hard work began to pay off. His agent, Rick Jaffa read some of his specs, believed in him, and introduced Mick to Steven Spielberg. Mick ended up writing the first episode of the Spielberg sci-fi series, Amazing Stories, and seven other episodes.He's credited for writing screenplays like Psycho IV: The Beginning, Fly II, and the She-Wolf of London series. He was also was an editor on Spielberg’s other project, *Batteries Not Included, in which aliens help a feisty old New York couple in their battle against the ruthless land developer who's out to evict them.Garris has written and directed a lot of other horror classics such as Halloween comedy favorite, Hocus Pocus. The film follows a villainous comedic trio of witches who are inadvertently resurrected by a teenage boy in Salem, Massachusetts, on Halloween night.Garris and I talked about his incredibly difficult yet fun experience shooting his small budget directorial debut, feature sequel Critters 2. In the film, Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.The man's contribution to the horror genre has amazing. Can't wait for you to catch up on my conversation with Mick Garris.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Okt 20221h 16min

BONUS EPISODE: Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez

BONUS EPISODE: Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez

Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo SanchezWho hasn't heard of the now legendary indie film rags to riches tale of  The Blair Witch Project? Every film student from Los Angeles to Mumbai heard the story of how two young film students spent $27,000 (mostly from friends, family and credit cards) to make a little indie horror film that ended up grossing $250 million worldwide.Directors Eduardo Sanchez and Daniel Myrick shot The Blair Witch Project in a new way which would later be called "found footage." Without The Blair Witch Project, there is no [easyazon_link identifier="B00304LF0W" locale="US" tag="whatisbroke-20"]Paranormal Activity[/easyazon_link], No [easyazon_link identifier="B00AEFXNGE" locale="US" tag="whatisbroke-20"]Cloverfield[/easyazon_link], No [easyazon_link identifier="B003L20IEW" locale="US" tag="whatisbroke-20"]The Last Exorcism[/easyazon_link].Today's guest Eduardo Sanchez goes back to the late 90's and shares his experience on what it was like to be in the center of The Blair Witch Project hurricane. What it was like being on the cover of Time Magazine and how did it feel to be the toast of Hollywood...for a period of time.We also discuss the aftermath, how his career grew post Blair Witch and crazy stories of Hollyweird.Enjoy my conversation with Eduardo Sanchez.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Okt 20221h 34min

IFH 625: Indie Film Hustle Success Story - American Murderer with Matthew Gentile

IFH 625: Indie Film Hustle Success Story - American Murderer with Matthew Gentile

Matthew Gentile is an award-winning filmmaker based in Los Angeles.He most recently wrote and directed his first feature, AMERICAN MURDERER: a true-crime drama about a charismatic conman who became the FBI’s most unlikely and elusive top ten fugitive. Photographed in Utah during the height of the pandemic, AMERICAN MURDERER stars Tom Pelphrey, Ryan Phillippe, Idina Menzel, Jacki Weaver, Shantel Vansanten, Paul Schneider, Moises Arias, and Kevin Corrigan. Traveling Picture Show Company produced the film with Gigi Films, Productivity Media Inc, and Radiant Films International.  A graduate of the directing program at the AFI Conservatory, Matthew’s thesis films FRONTMAN (which won 12 awards including the Student Emmy for Best Directing), and LAWMAN played over 100 festivals worldwide.A Brooklyn native, Matthew holds a BA in English & Film Studies from Connecticut College and an MFA in Directing from the American Film Institute.Please enjoy my conversation with Matthew Gentile.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Okt 20221h 2min

MONDAY MOTIVATION!: Blaze Your Own Filmmaking Trail

MONDAY MOTIVATION!: Blaze Your Own Filmmaking Trail

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Okt 20222min

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