BONUS EPISODE: Big Budget Indie Films and Creative Freedom with Neill Blomkamp

BONUS EPISODE: Big Budget Indie Films and Creative Freedom with Neill Blomkamp

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.

Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.

Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.

If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.

In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 million budget.

District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it.

In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.

In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.

As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.

The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa.

By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.

As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry.

He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.

Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.

IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.

Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.

Not to give too much away, let's dig into my interview with our incredible guest, Neill Blomkamp.


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Episoder(970)

IFH 280: Misadventures in Micro-Budget Filmmaking with James Morosini

IFH 280: Misadventures in Micro-Budget Filmmaking with James Morosini

Today's guest is actor/writer/director James Morosini. His film Threesomething is a micro-budget film that he jumped off a cliff to make. With this being his first feature film as a director he definitely had some misadventures. In this interview,​ we go into the details of his journey making and distributing his film. We also discuss how he made a clip from the film go viral on YouTube. Zoe, Charlie, and Isaac spend a night flirting with the idea of a threesome... until it finally happens and all hell breaks loose. While two fall deeply in love, two test their sexual limits. They each discover fantasies they never thought they had and try things they never thought they would. This sexy comedy will make you squirm with its hilarious awkwardness and challenge your ideas of sex, love, and friendship.In the show notes James wrote an amazing article detailing his misadventures so when you are do listen to the interview the article is required reading.Enjoy my conversation with James Morosini.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Nov 201839min

IFH 279: How to Self Distribute Your Niche Indie Film with Brad Olsen

IFH 279: How to Self Distribute Your Niche Indie Film with Brad Olsen

Today's guest is returning champion Brad Olsen, director of the documentary Off the Tracks. This time we discuss his misadventure in distribution. After meeting over 40 traditional distributors Brad decided the best path for his film was self-distribution​. I've always said that self-distribution​ is not for everyone but with Off the Tracks it makes perfect sense. We discuss how he got the word out of his film, got in the press that was in his niche and how he engaged with the audience he was trying to reach. We talk numbers, success, ​and failures. It's a pretty eye-opening interview. So if you are thinking of self-distributing​g your indie film take a listen to this episode first. Enjoy my conversation with Brad Olsen.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Nov 201858min

IFHTV Update: BLACK FRIDAY WEEK LONG SALE

IFHTV Update: BLACK FRIDAY WEEK LONG SALE

Black Friday week is finally here. I wanted to do something special for the IFH Tribe this week so I decided to create a special sale for you guys. Between Today and Cyber Monday, if you sign up for Indie Film Hustle TV receive another FREE MONTH to give to someone else at no additional charge.All you need to do is sign up for IFHTV and we'll email you a nice e-gift card you can give to your friend, colleague, family or anyone you like.Head over to Indie Film Hustle TV and sign up. We have a TON of new feature films, docs, courses, and interviews. I'll be releasing a December IFHTV Update soon with all the new content we have planned for you. Happy Black Friday week and Turkey Day! Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Nov 20183min

IFH 278: Final Cut Pro X SUCKS...Or Does It_ with Brad Olsen

IFH 278: Final Cut Pro X SUCKS...Or Does It_ with Brad Olsen

Today's guest is Brad Olsen, director of the documentary Off the Tracks. If you don't know the story about the major debacle that was the release of Apple's Final Cut Pro X get ready to jump into the deep end of editing lore. In 2011 Apple ended Final Cut Pro as we knew it and started over with a brand new video editing application: Final Cut Pro X. The disruption from this change is still being felt by the film, television, and video industries to this day. With misinformation running amok, Off The Tracks aims to clear the air once and for all. Industry insiders discuss Apple's controversial decision to redesign the video editing application Final Cut Pro.This documentary explores why the release of Final Cut Pro X upset video editors and how the software is being used today. Off the Tracks features exclusive interviews with the creative professionals who use the software and the developers who created it. Why did Apple make Final Cut Pro X?I love this documentary about Final Cut Pro X so much I had to have it on Indie Film Hustle TV. Brad not only loved the idea but he also agreed to jump on the show to discuss why he decided to make a doc about a piece of editing software. He's laughing all the way to the bank.Enjoy my conversation with Brad Olsen.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Nov 20181h 15min

IFH 277: My IFH Daily Routine & How It Can Help You Make Your Film

IFH 277: My IFH Daily Routine & How It Can Help You Make Your Film

So many members of the IFH Tribe always ask me on what my daily routine looks like. I decided to not only share my daily routine but also give you tips on how to create your own daily routine. I found that once I created this routine my life started to change. I wanted to share with you what I do every day to make Indie Film Hustle and IFHTV going and growing.4:30 am - Wake up and get ready for the day4:45 am - Drink my protein shake and drink water5:00 am - Hit the Gym for 1-2 hours of working out (most days just one hour)6:30 am - 8:00 am: Help my wife with the morning routine8:00 am - 6:00 pm: Start my IFH dayAnswer EmailsPrep for interviewsInterviewsWrite BlogsCreate IFHTV ContentSocial Media MarketingWithin the day I set aside 2 hours for meditation (extremely important)6:00 pm - 8:00 pm: Family Time8:00 pm - 9:30 pm: TV and Wife Time9:40 pm - SleepTip: I drink over a gallon of water a day. This helps with so many things I can't even tell you.In this episode, I go into great detail on my routine and give you a bunch of tips on how to create a daily routine to help you achieve your dreams.Thanks again for all the support and happy streaming!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

13 Nov 201827min

IFH 276: How to Direct a Micro-Budget Feature with William Dickerson

IFH 276: How to Direct a Micro-Budget Feature with William Dickerson

Today on the show we have an author, filmmaker and screenwriter Willaim Dickerson. William is the author of the book DETOUR: Hollywood: How To Direct a Microbudget Film (or any film, for that matter).William Dickerson is an award-winning screenwriter, director, and author, whose debut feature film, Detour, was released theatrically and On-Demand worldwide. He has a Master of Fine Arts from the American Film Institute and teaches Directing at the New York Film Academy.William and I had a great conversation on how he put together his micro-budget feature. We go deep into the process so get ready to take notes.Enjoy my conversation with Willaim Dickerson.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Nov 20181h 11min

IFH 275: Indie Film Hustle TV is LIVE! It's NETFLIX for Filmmakers & Screenwriters

IFH 275: Indie Film Hustle TV is LIVE! It's NETFLIX for Filmmakers & Screenwriters

Today is the day. IFHTV is LIVE! Go check it out at www.indiefilmhustle.tv. It's taken me months getting this ready for you and I hope you love it as much as I do. It has been a dream of mine to have a place where filmmakers, screenwriters and content creators could go to get their "fix" of filmmaking behind the scenes, interviews, documentaries, online education, and feature films. This has truly been a labor of love. Here's what you can expect from Indie Film Hustle TV.IFHTV will be the world's first Netflix meets Masterclass style streaming services dedicated to filmmakers, screenwriters and content creators. Thousands of videos to help you on your filmmaking and screenwriting journey. IFHTV is available worldwide and will be accessible on over 1000 devices including, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player. Coming soon iOS devices and Android devices Apps.So what are you waiting for? Head over to www.ifhtv.com, kick the tires and let me know what you think. Please send feedback to ifhsubmission@gmail.com. I really want to make IFHTV the best it can be and I need your feedback.Price is $10.99/month or $120.00/year. After Feb 1st it goes up to the normal price of $13.99/mth and $150/yr so if you are interested sign up now to get that limited time price for the life of your subscription. Go to www.ifhtv.com.Thanks again for all the support and happy streaming!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

1 Nov 201818min

IFH 274: Distribution Myths, VOD and AFM with Linda Nelson

IFH 274: Distribution Myths, VOD and AFM with Linda Nelson

Today on the show we have returning champion Linda Nelson from Indie Rights. I wanted to bring Linda back to discuss how much the distribution game has changed in the three years since she was last on the show. We also discuss the American Film Market and how to work it properly.Nelson Madison Films/Indie Rights was founded by Michael Madison and Linda Nelson because they believed that the future was bright for independent artists and that there was a better way to produce and distribute movies. They have been in business since 2000, when they produced their first film, NSYNC BIGGER THAN LIVE a Giant Screen Movie that played to sold-out crowds worldwide.Known for innovation. SHIFTED, their first digital feature, was the first movie on Amazon's UnBox (the predecessor of Amazon Video) and was used by Amazon to promote their platform for over five years. DELIVERED was the first independent feature to edit and master a 4K movie using Adobe CS5. Articles in Variety, HDVideoPro and an Adobe Success Story followed. Partnerships were forged early on with the leading digital platforms including Amazon, Google, Cinedigm, MGo and Adrise, and these partnerships ensure that Indie Rights can offer the very best audience opportunities for their own films, as well as the more than 300 other filmmakers they work with.Linda Nelson began her career as an international investment banker, IT executive an entertainment real estate developer. After meeting Michael Madison, she pivoted into the movie business finally realizing her artistic potential. As an Executive Producer on NSYNC, she quickly realized that she was interested in being more "hands-on" and was the DP for her next film, SHIFTED. As a Producer on DELIVERED, she was finally able to gain experience in all aspects of the financing, development, production and distribution phases of moviemaking.I can't recommend Indie Rights highly enough. If you have a feature film that needs distribution do yourself a favor and check them out. Enjoy my eye-opening conversation with Linda Nelson.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

31 Okt 20181h 32min

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