IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).

Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.

Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.

Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.

Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.

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Episoder(967)

IFH 702: How to Make Four Features in One Year with Chad Archibald & Cody Calahan

IFH 702: How to Make Four Features in One Year with Chad Archibald & Cody Calahan

Chad Archibald and Cody Calahan are Canadian film directors and producers known for their work in the horror genre. They have collaborated on several projects together, often through their production company, Black Fawn Films.Chad Archibald and Cody Calahan co-founded Black Fawn Films in 2007 with a focus on creating independent horror films. They have since produced and directed numerous feature films, gaining recognition in the Canadian horror scene.Some of their notable collaborations include: "Antisocial" (2013), "The Drownsman" (2014, "Bite" (2015), "Let Her Out" (2016), and "The Heretics" (2017).Chad Archibald and Cody Calahan have established themselves as prominent figures in the Canadian horror film industry, known for their unique storytelling and visually striking movies.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Jul 20231h 21min

IFH 701: Writing for TV/Streaming Platforms in Today's World with Michael Jamin

IFH 701: Writing for TV/Streaming Platforms in Today's World with Michael Jamin

Today on the show we have writer and showrunner Michael Jamin. Michael has been writing for television since 1996. His many credits include Just Shoot Me, King of the Hill, Beavis & Butthead, Wilfred, Out of Practice, Rules of Engagement, Lopez and Tacoma FD.He’s also served as Executive Producer/Showrunner on Glenn Martin DDS, Maron, and Rhett & Link’s Buddy System. Michael currently lives in Los Angeles where he's working on a collection of personal essays to be released in 2020. Michael also launched a new course to help writers interested in working in streaming/television. It's called The Showrunner's Guide to TV Writing. Here's the pitch by Michael.I've watched a bunch of Masterclass videos. They feature amazingly talented writers talking about their craft. At $200, it's a great way to get exposed to their genius. My course is not about getting you exposed. And I want to do more than just inspire you. I do a lot of hand-holding in these lessons. I show you how to take a kernel of an idea, break it into a story with act breaks, then develop that story from outline to script.I lay out the exact process that I use every day to write stories that make people laugh and cry. It's about creating an easily managed structure so that the creative process isn't so daunting. You should continue to draw inspiration from the masters. I certainly do. But if you need more than just inspiration, I can be your guide.Enjoy my conversation with Michael Jamin.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Jul 202349min

IFH 700: How to Be a Screenwriter in Hollywood with Marshall Herskovitz

IFH 700: How to Be a Screenwriter in Hollywood with Marshall Herskovitz

Our guest today is producer, director and screenwriter Marshall Herskovitz. Many of his production projects have been in partnership with his long-time filmmaking collaborator, Edward Zwick whose films, he’s produced and written half of. Their decades-long filmmaking partnership was launched as co-creators of the 1987 TV show, ThirtySomething. Now, Marshall had already written for the TV show, Family, in 1976. So his understanding of TV was pivotal in the success of ThirtySomething.Other projects he’s credited for executive producing or creating include Traffic (2000), The Last Samurai (2003), Nashville (TV show 2016), Blood Diamond, and Women Walks Ahead(2017), starring the incomparable, Jessica Chastain.Marshall show, ThirtySomething, which only ran for four-season was quite successful. Co-created with Zwick, the follows the stories and journeys of seven thirtysomethings living in Philadelphia who struggle with everyday adult angst.[presto_player id=41018]The show's success earned over a dozen Primetime Emmy and Golden Globe awards, and personal honors for Marshall from the Writers Guild and a Directors Guild.Herskovitz's filmography is pretty adventurous. We discussed as many as we could in this interview and he was totally down for the ride. But if we are to highlight some must-mentions, Traffic will get the spot. Herskovitz co-produced Traffic in 2000 alongside esteem producer, Laura Bickford and directed by Zwick.The film holds a constant 93% approval rating on Rotten Tomatoes and won numerous Oscars BAFTA, Screen Actors Guild, and Golden Globes awards in 2001.It followed through grossing a total of $207.5 million on its $46 million budgetThe President appoints a conservative judge to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.Another classic of his is the 1999 TV show, Once and Again. A divorced father and a soon-to-be-divorced mother meet and begin a romantic courtship which is always complicated by their respective children and their own life problems.Marshall dropped all sorts of knowledge bombs on the tribe this week. You have to listen to the episode to hear all those extra deets he shared with us about the attempts at rebooting ThirtySomething and many more.Enjoy this conversation with Marshall Herskovitz.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

13 Jul 20231h 44min

IFH 699: Writing for Spielberg & Creating the Cult Classic Tremors with S.S. Wilson

IFH 699: Writing for Spielberg & Creating the Cult Classic Tremors with S.S. Wilson

S.S. Wilson, the screenwriter of such films as Tremors and Short Circuit, has just finished his second novel Fraidy Cats. Wilson also wrote a book on special effects, stop-motion animation, PUPPETS, AND PEOPLE. In 1983 Wilson and Maddock sold their spec script SHORT CIRCUIT. Directed by John Badham, it was their first produced feature. In quick succession, they wrote SHORT CIRCUIT 2, BATTERIES NOT INCLUDED, GHOST DAD; and served as consultants on Steven Spielberg’s animated THE LAND BEFORE TIME.In 1990 they sold another spec, TREMORS, on which they also served as producers. Directed by fellow USC alum Ron Underwood and starring Kevin Bacon, Fred Ward, Michael Gross, and Reba McEntire, the film became a revered cult classic, spawning three sequels and a TV series. Wilson and Maddock joined with Nancy Roberts (producer of all the Tremors sequels) and Ron Underwood to form Stampede Entertainment in 1992. The first Stampede project was HEART AND SOULS at Universal, starring Robert Downey, Jr.The TREMORS franchise grew with Wilson debuting as a director on TREMORS 2: AFTERSHOCKS for Universal Family Home Entertainment. During the same time period, he and Maddock wrote the green-light draft of Warner Bros. 1999 tent pole release WILD WILD WEST, starring Will Smith.In 2001 it was TREMORS 3: BACK TO PERFECTION, with Stampede partner Brent Maddock directing and Wilson handling the second unit. 2004 saw both the debut of TREMORS: THE SERIES for the Sci-Fi Network (Wilson co-created and co-executive produced with Maddock and Roberts) and TREMORS 4: THE LEGEND BEGINS, with Wilson again at the helm.In addition to screenwriting, Wilson is branching out into fiction. His first book is an action-adventure tale Tucker’s Monster.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Jul 202337min

IFH 698: Writing the 90 Day Screenplay with Alan Watt

IFH 698: Writing the 90 Day Screenplay with Alan Watt

Today on the show we have screenwriter and best-selling author Alan Watt. Alan Watt is the author of The 90-Day Novel, Amazon’s #1 book on writing, as well as The 90-Day Rewrite: The Process of Revision and The 90-Day Screenplay: From Concept to Polish. He runs the publishing company, The 90-Day Novel Press which has also published The 90-Day Play. Watt has written screenplays for numerous production companies and is the author of the L.A. Times bestselling novel Diamond Dogs.He has taught everyone from award-winning authors to A-list screenwriters, USC business school students, journalists, poets, actors, professional athletes, war veterans, housewives, doctors, lawyers, maximum security prisoners, television showrunners, Emmy-winning directors, and first-time writers.Many of his students have gone on to successful careers, writing New York Times and International bestsellers, appearing on Oprah, winning major literary awards, becoming top screenwriters and television show-runners, and most importantly, developing a craft and methodology that delivers consistent results.We get into the weeds on how to write a screenplay in 90 days. Enjoy my talk with Alan Watt.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

6 Jul 20231h

IFH 697: Building a Filmmaking Brand on Youtube with Darious Britt

IFH 697: Building a Filmmaking Brand on Youtube with Darious Britt

Darious Britt is a filmmaker, YouTuber, and educator known for his work in the film and online video industry. He is popular for his YouTube channel "D4Darious," where he shares filmmaking tips, tutorials, and insights to help aspiring filmmakers improve their craft. On his channel, he covers various aspects of filmmaking, including screenwriting, cinematography, directing, and post-production.Darious Britt's approachable teaching style and informative content have earned him a significant following on YouTube, and he has become a source of inspiration and knowledge for many aspiring filmmakers and content creators. He has also collaborated with other creators and professionals in the industry to share their experiences and expertise with his audience.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Jul 20232h 33min

IFH 696: How I Wrote Birdman with Oscar® Winner Alexander Dinelaris

IFH 696: How I Wrote Birdman with Oscar® Winner Alexander Dinelaris

Alexander Dinelaris is an Academy Award and Golden Globe winning screenwriter for "Birdman (or The Unexpected Virtue of Ignorance)", a co-producer on the three time Academy Award® winning film "The Revenant", and the book writer for the Broadway musical "On Your Feet! The story of Emilio and Gloria Estefan", as well as "The Bodyguard Musical" which began on the West End and now performs worldwide.He is the screenwriter and producer of the upcoming feature film, “Jekyll & Hyde” which he is readapting for the London stage. Alexander also wrote the screenplay for "Carmen" which was directed by Benjamin Millepied and premiered at the 2022 Toronto International Film Festival.film company, Lexicon, is currently developing "State of Motion", a story by Marco Perego Saldana, written by Alexander. Lexicon is also producing "In The Summers" written by Alessandra Lacorazza and "Consurgo", which was written by Alexander.He recently teamed with Grammy winner, Residente, to write a historical film about Puerto Rico. Alexander will be making his directorial debut with a film adaptation of his play, "Still Life" in January of 2024.Please enjoy my conversation with Alexander Dinelaris.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Jun 20231h 15min

IFH 695: Writing Screenplays that Actually Sell with Lucy V. Hay

IFH 695: Writing Screenplays that Actually Sell with Lucy V. Hay

Today on the show we have Lucy V. Hay from Bang2Write. Lucy is an author and script editor, living in Devon with her husband, three children, and six cats. Lucy is the associate producer of Brit Thrillers Deviation (2012)and Assassin (2015) both starring Danny Dyer.In addition to script reading and writing her own novels, Lucy also blogs about the writing process, screenwriting, genre, careers and motivation and much more at her blog Bang2write, one of the most-hit writing sites in the UK.Enjoy my conversation with Lucy V. Hay.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

27 Jun 20231h 6min

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