David Hesmondhalgh, “Why Music Matters” (Wiley Blackwell, 2014)

David Hesmondhalgh, “Why Music Matters” (Wiley Blackwell, 2014)

What is the value of music and why does it matter? These are the core questions in David Hesmondhalgh‘s new book Why Music Matters (Wiley Blackwell, 2014). The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global aspects of music’s role and position in society. The book seeks to argue against some common positions in music, reasserting the importance of embodied experiences, such as dancing, whilst taking issue with the idea of the rock star as hero. Moreover Hesmondhalgh shows the social position and social structures surrounding music, whilst remaining attentive to the aesthetic qualities of both genres and individual pieces of music. Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Episoder(2073)

John H. Summers, “Every Fury on Earth” (Davies Group, 2008)

John H. Summers, “Every Fury on Earth” (Davies Group, 2008)

The vast majority of historians write history. Perhaps that’s good, as one should stick to what one knows. But there are historians who braves the waters of social and political criticism. One thinks of Arthur Schelsinger Jr., Richard Hofstadter, Christopher Lasch, Robert Conquest, Richard Pipes, Eric Hobsbawm, E. P. Thompson, and more recently Tony Judt, Sean Wilentz and Victor Davis Hanson. Today I had the good fortune to speak with a historian who is virtually sure to enter the top rank of historian-public intellectuals, John H. Summers. Indeed, he already has. He’s published numerous probing essays on academic life, anarchism, the Left, sex scandals, anti-Americanism, the fate of newspapers, and, of course, many of the great American public intellectuals (he’s at work on a biography of C. Wright Mills). Summers does what all critics worth their salt do: comfort the afflicted and afflict the comfortable. Just read his remarkably insightful “All the Priviledged Must Have Prizes” about his experience teaching at Harvard. (Also, read the comments attending article, where current Harvard students unwittingly prove Summers’ main points). We must be grateful, then, that the folks at the Davis Group Press have elected to publish a collection of Summers’ finely crafted essays in Every Fury on Earth (2008). The book is challenging, thought-provoking, and courageous. John H. Summers does not blink. You will agree with some of the things he says, and you will disagree with others. That, of course, is the fun of it. BTW: If you have a relative or friend who is an academic, this book would make a perfect holiday gift. If you are an academic, indulge yourself and buy it. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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