Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged. By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives. In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives. In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational. Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – Arab Americans in Film traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes. Waleed Mahdi is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics. This interview is part of an NBN special series on "Mobilities and Methods". Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Episoder(2182)

María Elena García, "Gastropolitics and the Specter of Race: Stories of Capital, Culture, and Coloniality in Peru" (U California Press, 2021)

María Elena García, "Gastropolitics and the Specter of Race: Stories of Capital, Culture, and Coloniality in Peru" (U California Press, 2021)

In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Maria Elena García about her wonderful new book Gastropolitics and the Spectre of Race: Stories of Capital, Cultur...

15 Apr 20221h 5min

Matt Sheedy, "Owning the Secular: Religious Symbols, Culture Wars, Western Fragility " (Routledge, 2021)

Matt Sheedy, "Owning the Secular: Religious Symbols, Culture Wars, Western Fragility " (Routledge, 2021)

In Owning the Secular: Religious Symbols, Culture Wars, Western Fragility (Routledge, 2021), Matt Sheedy, Visiting Assistant Professor at the University of Bonn, Germany, examines three case studies d...

15 Apr 202258min

Jonathan Beller, "The World Computer: Derivative Conditions of Racial Capitalism" (Duke UP, 2021)

Jonathan Beller, "The World Computer: Derivative Conditions of Racial Capitalism" (Duke UP, 2021)

In The World Computer: Derivative Conditions of Racial Capitalism (Duke UP, 2021) Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the o...

15 Apr 202259min

Intertextuality

Intertextuality

In this episode Kim and Chad talk about Julia Kristeva’s theory of “intertextuality.” Chad references Chapter 3 of Kristeva’s book Desire in Language: A Semiotic Approach to Literature and Art, Transl...

15 Apr 202212min

Death of the Author

Death of the Author

In this episode, Kim and Saronik discuss Roland Barthes’ essay “The Death of the Author” printed in Image Music Text, translated by Stephen Heath, New York: Hill and Wang, 1977. The image for this wee...

14 Apr 202212min

Autonomous Work of Art

Autonomous Work of Art

Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his Aesthetic Theory, and The Dialectic of Enlightenment (with help from Max Horkheimer). Pardis D...

12 Apr 202213min

James C. Ungureanu, "Science, Religion, and the Protestant Tradition: Retracing the Origins of Conflict" (U Pittsburgh Press, 2019)

James C. Ungureanu, "Science, Religion, and the Protestant Tradition: Retracing the Origins of Conflict" (U Pittsburgh Press, 2019)

The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Dr...

12 Apr 20221h 11min

G. S. Sahota, "Late Colonial Sublime: Neo-Epics and the End of Romanticism" (Northwestern UP, 2018)

G. S. Sahota, "Late Colonial Sublime: Neo-Epics and the End of Romanticism" (Northwestern UP, 2018)

Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern UP, 2018) re-constellates the dialectic...

12 Apr 202243min

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