Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged. By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives. In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives. In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational. Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – Arab Americans in Film traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes. Waleed Mahdi is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics. This interview is part of an NBN special series on "Mobilities and Methods". Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Episoder(2185)

Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)

Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)

How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Stu...

4 Aug 202136min

Frans-Willem Korsten, "Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption" (Hart Publishing, 2021)

Frans-Willem Korsten, "Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption" (Hart Publishing, 2021)

Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range...

4 Aug 20211h 11min

Annemarie Mol, "Eating in Theory" (Duke UP, 2021)

Annemarie Mol, "Eating in Theory" (Duke UP, 2021)

As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory (Duke UP, 2021), Annemarie Mol takes ...

29 Jul 202153min

Marcello Tarì, "There Is No Unhappy Revolution: The Communism of Destitution" (Common Notions, 2021)

Marcello Tarì, "There Is No Unhappy Revolution: The Communism of Destitution" (Common Notions, 2021)

The Marxist philosopher Theodor Adorno once quipped that much of his work was written without practical applications in mind, and that the constant demand for immediate practical relevance felt like b...

28 Jul 20211h 13min

Rafia Zakaria, "Against White Feminism: Notes on Disruption" (W. W. Norton, 2021)

Rafia Zakaria, "Against White Feminism: Notes on Disruption" (W. W. Norton, 2021)

Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly...

27 Jul 202148min

Lorenzo Fusaro, "Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy" (Haymarket Books, 2020)

Lorenzo Fusaro, "Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy" (Haymarket Books, 2020)

Gramsci’s concept of hegemony is often invoked, but usually as a means of cultural critique and analysis. However, my guest Lorenzo Fusaro argues in his recent book Crises and Hegemonic Transitions: F...

26 Jul 20211h 1min

Gayle Rogers, "Speculation: A Cultural History from Aristotle to AI" (Columbia UP, 2021)

Gayle Rogers, "Speculation: A Cultural History from Aristotle to AI" (Columbia UP, 2021)

In a world that purports to know more about the future than any before it, why do we still need speculation? Insubstantial speculations – from utopian thinking to high-risk stock gambles – often provo...

26 Jul 20211h 2min

Meryl Altman, "Beauvoir in Time" (Brill, 2020)

Meryl Altman, "Beauvoir in Time" (Brill, 2020)

Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles w...

23 Jul 20211h 7min

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