BPS 201: How to Get IP and Life Rights for Your Screenplay with David Kessler

BPS 201: How to Get IP and Life Rights for Your Screenplay with David Kessler

Originally from Philadelphia, David attended that city’s “Fame” high school, Creative And Performing Arts, where his classmates included QuestLove and Boyz II Men. He then graduated from Parsons School of Design in New York, and worked as a graphic designer for ad agencies, designed book covers, movie posters, and indie film titles.

He impulsively moved to Los Angeles in 2000 and became a stand-up comic for a while, performing at The Improv, The Vancouver Comedy Festival, and in sketches on “The Late Late Show With Craig Ferguson” and “The Showbiz Show with David Spade”. But he tired of comedy clubs after a few years and focused on writing instead. In 2006, his “Will & Grace” spec made it to the semi-finals of the Warner Bros. Comedy Workshop.

Switching to drama, he optioned the book “Minamata” (and the life rights of the author), about the experiences of journalist W. Eugene Smith photographing mercury poisoning victims in Japan. He wrote the screenplay in six weeks, and it got him a literary manager. Then Johnny Depp’s company came on board to produce with Depp himself as the star. Filming on MINAMATA completed in the Spring of ’19, with an expected release in Fall 2021. “Minamata” premiered at the Berlin Film Festival in 2020 and has since been picked up by Samuel Goldwyn Films for domestic distribution. It also stars Bill Nighy, Hiroyuki Sanada, Tadanobu Asano, and the singer Katherine Jenkins.

His follow up, DREAMERS (based on the book John Lennon Vs. The US), is about John Lennon’s immigration battle with the Nixon administration which legally set the stage (many years later) for DACA/The Dream Act.

David was recently hired by the director of “Minamata”, Andrew Levitas, to rewrite a script about the two brothers who owned Adidas and Puma and who battled each other for decades. That project, “Adidas V Puma”, is currently out to actors and mentioned in “The Hollywood Reporter” in early March 2021.

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Episoder(590)

BPS 492: How One of the WORST Movies Ever Made Became a Cult Classic with Jackey Neyman

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BPS 491: The Screenwriting Advice Hollywood Writers Actually Use with Andrew Bloomenthal

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1 Okt 49min

BPS 490: He Waited 11 YEARS to Make His Movie—Then Jimmy Kimmel Changed Everything with Don Barris

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24 Sep 1h 14min

BPS 489: He Made 1,500 Short Films Before Hollywood Took Notice with Michael Rousselet

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What happens when Hollywood keeps saying no, but you refuse to stop making movies?Filmmaker and screenwriter Michael Rousselet shares the unconventional path that took him from USC film school to crea...

17 Sep 1h 10min

BPS 488: How The Asylum Makes Movies That Actually Make Money with David M. Latt

BPS 488: How The Asylum Makes Movies That Actually Make Money with David M. Latt

How do you build an independent film studio that produces movies constantly without betting the entire company on every release?In this episode, David M. Latt, co-founder of The Asylum, breaks down th...

10 Sep 47min

BPS 487: The Brutal Truth About Making Horror Movies with Harrison Smith

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Success in filmmaking rarely comes from waiting for permission.In this episode, horror filmmaker Harrison Smith shares the lessons he learned from building a career through writing, producing, and dir...

3 Sep 1h 18min

BPS 486: Wes Craven's Secret to Writing Great Movies with Glenn Benest

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What does it really take to become a professional screenwriter?In this fascinating conversation, Glenn Benest—screenwriter of two Wes Craven films, producer, novelist, and longtime Hollywood mentor—sh...

27 Aug 54min

BPS 485: The Screenwriting Blueprint Every First-Time Writer Needs with David Hohl

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Writing a screenplay is easy. Writing one that Hollywood actually wants to read is something entirely different. In this episode, veteran screenplay consultant David Hohl shares decades of experience ...

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