BPS 363: Editing for Directors with Gael Chandler

BPS 363: Editing for Directors with Gael Chandler

Television editor and author Gael Chandler is on the hot mic today. Most of you may know by now that I started out in post as an editor. Anytime I have another editor on it’s like sailors recalling old battle stories, which are always very entertaining. It is a whole other world when a director says, ‘CUT!’ to the final scene and the elves of film production, EDITORS, get to work. While I am curious to hear Geal’s stories from behind the scenes, I would like to focus first on her new book, Editing for Directors: A Guide for Creative Collaboration which was released in August of 2021. This is her fifth publication which shares tools and lessons from her expert experience in film production/editing.

Gael has been nominated twice for the Cable Emmy award for comedy editing and has taught editing practices and history at Loyola Marymount University and California State Universities at Long Beach, Los Angeles, and Northridge.Editing for Directors: A Guide for Creative Collaboration focuses on how directors should be working with editors. It guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film.

This thorough, well-illustrated book:Describes the artistic, organizational, and technical skills editors bring to the party; with tools on what directors should look for when hiring an editor and the best ways to work with an editor; It further explains how and why directors should plan for editing before they shoot a frame. An entire chapter is devoted to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing while defining and discussing cutting-room terms, practices, and workflows.Gael filmography credits her editing on wonderful 90s television shows like Max Headroom, Deep Dark Secrets, A Mom for Christmas, Family Matters, and The Very Retail Christmas.

Some of her other books include Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know and Cut by Cut: Editing Your Film or Video.It’s always fun to hear unique stories from seasoned technicians and the huge technological revolution or evolution their line of work has had to face as well as their adaptation processes.

Please enjoy my conversation with Gael Chandler.

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Episoder(565)

BPS 366: Using Filmmaking for Change in the World with Jon Fitzgerald

BPS 366: Using Filmmaking for Change in the World with Jon Fitzgerald

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BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.Ismael Gomez is a C...

2 Mai 20241h 2min

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BPS 364: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a...

25 Apr 20241h 4min

BPS 362: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador

BPS 362: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if...

11 Apr 20241h 20min

BPS 361: How to Squeeze Money Out of Your Indie Film with Patrick Solomon

BPS 361: How to Squeeze Money Out of Your Indie Film with Patrick Solomon

Today on the show we have filmmaker and Filmtrepreneur Patrick Solomon. Patrick is the mastermind behind the celebrated film Finding Joe.Finding Joe is an exploration of famed Mythologist Joseph Campb...

4 Apr 202457min

BPS 360: Making and Selling a Niche Indie Film with Rob Smat

BPS 360: Making and Selling a Niche Indie Film with Rob Smat

Today on the show we have writer/director Rob Smat. His niche film is THE LAST WHISTLE. It is a Football Drama with a budget 125K, the crew was almost entirely film students, shot in 13 days in Texas,...

28 Mar 20241h 16min

BPS 359: When Hip-Hop, Skateboarding and Filmmaking Collide with Jeremy Elkin

BPS 359: When Hip-Hop, Skateboarding and Filmmaking Collide with Jeremy Elkin

In today’s episode, we take you back to the late 90s and early 80s hip-hop and skateboarding culture in New York City with director Jeremy Elkin’s new documentary, ‘All The Streets Are Silent: The Con...

21 Mar 202428min

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