Serene Khader, "Faux Feminism: Why We Fall for White Feminism and How We Can Stop" (Beacon Press, 2024)

Daniel Nemser’s Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico(University of Texas Press, 2017) examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power. Through four case studies spanning nearly 300 years of Spanish rule in colonial Mexico, Nemser illustrates how different modes of concentration -- centralized towns, disciplinary institutions, segregated neighborhoods, and general collections – reflected the prerogatives and imperatives of domination and expropriation. Compellingly, Infrastructures of Race argues that these spatial infrastructures and strategies were central and instrumental in the creation of racial identities and their inscription upon colonial subjects. Through designed and engineered spaces, racial identities were lived, sensed, and experienced, and as the built environment faded into barely noticeable infrastructure, race as well became naturalized. Infrastructures of Race provides essential historical background for present-day interrogations of how infrastructures – from aged water pipes to search engine algorithms – reinforce persistent racial inequalities. The challenges of de-racializing these often unnoticed foundations require a deep understanding of how race became so imbricated with technological environments. Through Nemser’s case studies, we can better apprehend the hundreds of years of oppression that have been built into our material lives. Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

28 Jun 20191h 3min

What happens when scholars approach the category of “indigenous” without presupposing its otherness? Edited by Paula López Caballero and Ariadna Acevedo-Rodrigo, Beyond Alterity: Destabilizing the Indigenous Other in Mexico (University of Arizona Press, 2018) is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity. As the editors explain in the podcast, the indigenous subject has been often assumed to be defined by difference, so scholars tend to overlook the existence of practices, ideas, and politics that do not align with preconceived, essentialized ideas about indigenous alterity. This book examines, on the one hand, the range of lived experiences within indigenous communities, and on the other, the ongoing construction of the category of “indigenous.” Its first section uncovers ways in which indigenous communities’ practices and politics were more similar to than distinct from those of their nonindigenous counterparts. In the podcast, Acevedo-Rodrigo discusses her chapter on the role of Spanish-language schools in indigenous towns during the Porfiriato. The second section explores the changing, debated meanings of “the indigenous” in Mexico in various fields of scientific inquiry. López Caballero synthesizes her findings on anthropological debates on what constituted the indigenous in the 1940s. The editors also make reference to the other contributions to this edited volume on topics from property rights to genomic research. Rachel Grace Newman is joining Smith College in July 2019 as Lecturer in the History of the Global South. She has a Ph.D. in History from Columbia University, and her dissertation was titled “Transnational Ambitions: Student Migrants and the Making of a National Future in Twentieth-Century Mexico.” She is also the author of a book on a binational program for migrant children whose families divided their time between Michoacán, Mexico and Watsonville, California. She is on Twitter (@rachelgnew). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Jun 20191h 20min

I am a child of the so-called transition in Bulgaria and growing-up I could never understand why my parents and grandparents would spend our family gatherings talking about the socialist past. It wasn’t until much later that I realized how much socialism and its end are imprinted on my grandparents’, my parents’ and my generation and that such dramatic changes cannot just be bygones. Kristen Ghodsee, an ethnographer and professor of Russian and East European Studies at the University of Pennsylvania, has spent many years digging into the layers of East European socialist and post-socialist experience trying to give voice to more nuanced narratives about this time, and I was very happy to once again have the chance to talk with her, this time about her book Red Hangover: Legacies of Twentieth-Century Communism (Duke University Press, 2017). In this very personal book with essays and short stories, Ghodsee describes the post-socialist realities of the victims of the greedy neoliberalism that has dismantled their social safety nets and expresses her frustration about the continuing tendency to reduce the twentieth-century East European state socialisms to Stalinism and the Gulags. While acknowledging the many crimes committed in the name of the communist ideal by these regimes, she insists that there were some good aspects and policies from which our present governments could learn, if they would be willing to leave aside the oversimplified and blackwashed tale they cherish so much. “After thirty of years of nursing this terrible hangover from the experience of twentieth century state socialism in Eastern Europe maybe it’s time that we take a little sip and start to clear our heads and figure out where we go from here” Ghodsee says. I invite you to listen and read what she has to say about our need for the proverbial hair of a dog* to sober us up after the heavy drinking of socialism in the twentieth century. Maybe a little bit more of the same could paradoxically help? Check out my previous interview with Kristen Ghodsee about her most recent book Second World, Second Sex and Ghodsee’s blog - https://kristenghodsee.com/blog *Note for ESL listeners: the proverb “a hair of the dog” is a shortening of “a hair of the dog that bit you” and it is when you drink a little bit of alcohol to cure a hangover. It comes from an old belief that when you are bitten by a rabid dog, you need to take a medicine containing a hair of the dog that bit you to be cured of rabies. Marina Kadriu is an international MA student in Anthropology at Simon Fraser University, Canada Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Jun 20191h 15min

Why does Korean cultural policy matter? In Cultural Policy in South Korea: Making a New Patron State (Routledge, 2018), Hye-Kyung Lee, a Senior Lecturer in Cultural and Creative Industries at Kings College, London, demonstrates the importance of South Korea is both an example in comparative cultural policy, and as a fascinating case study in its own right. The book offers historical analysis, as well as a major theoretical contribution in the form of the ‘new patron state’. The book charts the development and changes in cultural policy, from the project of national ‘modernisation’ to the Korean Wave. Thinking through questions of state theory and neoliberalism, as well as the role of culture in democracy, the book will be essential reading across the arts and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

25 Jun 201942min

In Worldmaking: Race, Performance, and the Work of Creativity (Duke University Press 2018), Dorinne Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential. Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance, aesthetics and politics, cross-racial identification/ multiracial collaboration, modes of embodiment, ethnography and genre, the integration of "creative" and "critical" writing. She is also the author of About Face: Performing Race in Fashion and Theater, and Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Jun 201948min

The historian Nick Estes traces two centuries of Indigenous-led resistance and anti-colonial struggle. Our History is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance (Verso, 2019) moves from settler colonialism and Indian Wars to the front lines of indigenous climate activism today. He places the #NoDAPL movement, to block Dakota Access oil pipeline at the Standing Rock Reservation in North Dakota in 2016, squarely within the tradition of indigenous resistance to settler erasure. The book weaves historical analysis into intergenerational stories and demonstrates that Standing Rock’s demands for native sovereignty and liberation are as much the outcome of history as they a harbinger of things to come. Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. @rydriskelltate Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Jun 201953min

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

21 Jun 20191h 7min

Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention.  In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis.  While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices.  While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Jun 20191h 18min