64: Charlie Albright
HMA Podcast27 Jul 2019

64: Charlie Albright

On today's show, I'm so thrilled to talk to the amazing Pianist, Composer and Improviser, Charlie Albright!

Hailed as "among the most gifted musicians of his generation" with a "dazzling natural keyboard affinity" who "made quite an impression" by the Washington Post, American pianist/composer/improviser Charlie Albright has been praised for his "jaw-dropping technique and virtuosity meshed with a distinctive musicality" by The New York Times, and his "extravagance that had showmanship but never felt cheap" with his "ease and smoothness that refuses to airbrush the music, but animates it from within" by the Philadelphia Inquirer. Recipient of the prestigious Avery Fisher Career Grant and Gilmore Young Artist Award, Albright won the Ruhr Klavier Festival Young Artist Award presented by Marc-André Hamelin (Germany) and the Young Concert Artists International Auditions.

In addition to performing, Albright is sought after as a speaker, masterclass instructor, teacher, and competition judge. His debut commercial recording, Vivace, has sold thousands of copies worldwide and the first of a 3-part Schubert Series of live, all-Schubert recordings was released in 2017.

Recently, he made his Main Stage Carnegie debut with the American Symphony in January, and just returned from the Bergen International Festival in Norway (he was asked to fill in for Lang Lang after an injury in 2017, and returned for a sold-out solo recital and to do the honors of performing the yearly Grieg Concerto at Grieg Concert Hall.

-----

1:45 - Did you go to piano on your own as a child?

3:17 - Do you have perfect pitch? Can you play anything you hear?

3:45 - Did you play piano for pleasure or did parents make him practice?

4:38 - Did your piano teacher help train your ear?

6:07 - You can play the organ?

6:18 - When did you start to compose and improvise?

6:58 - Did you know theory at the time or was it all by sound?

8:15 - What kind of music did you listen to growing up?

9:13 - Favorite records or albums or artists growing up?

10:27 - Was it a shock to learn to read after playing by ear?

11:53 - What pieces did your teacher assign to you?

12:55 - Did playing Chopin influence your creativity?

14:01 - Do you have knowledeg in figured bass?

14:58 - The drawbacks of music theory

16:20 - Does the sound come first instead of the analysis?

16:27 - Did you experiment with music, harmonically?

17:42 - Do you take ideas from pieces you play?

18:10 - Give an example of taking an idea from a piece of music

19:33 - Can you imitate composer's trademark sounds?

20:26 - How did the training in Harvard and New England Conservatory influence you?

22:11 - What did the teachers do to develop you?

23:04 - What's been the reaction of your peers to your improvisation?

24:22 - How much time do you devote to repertoire vs improvisation?

25:44 - How did you feel about the music theory study at university?

26:12 - How did the music theory influence your approach to composition?

27:16 - When did you start seriously composing?

27:58 - Meeting Yo-Yo Ma for the first time

29:33 - Were you an undergraduate at the time?

29:53 - What was the rehearsal like?

30:41 - Was Yo-Yo Ma aware of your improvisational ability at the time?

31:33 - Did you feel like changing notes in the score for the concert with Yo-Yo Ma?

32:03 - Any interesting Yo-Yo Ma anecdotes?

32:57 - What is your temperament like? Do you get nervous?

36:34 - Talking about Marc-André Hamelin

37:49 - Was was the phone call with Hamelin like?

38:13 - Substituting for Lang Lang in a concert

39:30 - What do you think of Grieg and his music?

40:24 - Talking about improvising cadenzas

41:38 - What is going through your mind when you improvise in a cadenza?

43:17 - Main Stage Carnegie Hall debut with the Vivian Fine Piano Concerto

44:29 - Performing Jerry Lee Lewis' "Great Balls of Fire" as an Encore at Carnegie Hall

46:41 - HOT SEAT: Top 3 Jazz Musicians

47:36 - HOT SEAT: Top 3 Classical Composers before 1900

47:59 - HOT SEAT: Top 3 Etudes

48:12 - HOT SEAT: If you could improvise with anyone in history, who would it be?

48:30 - HOT SEAT: If you could meet Chopin, what would you ask him?

49:05 - HOT SEAT: Top 3 Composers after 1900

49:16 - HOT SEAT: Proudest Music Moment

50:24 - HOT SEAT: Top 3 Piano Concertos

50:49 - HOT SEAT: Top 3 Small Piano Pieces

51:18 - Do you know many of your concert pianist peers in the world?

52:45 - Do you know Lang Lang?

52:53 - HOT SEAT: Top 3 Concert Pianists

53:21 - Talking about Emanuel Ax with the Avery Fisher Career Grant

53:47 - Advice on Classical Improvisation

55:47 - How to get started with Classical Improvisation

57:45 - Upcoming projects in 2019

58:36 - Social Media Links

Episoder(84)

201: Counterpoint Panel: Why "Harmony" Classes Fail, Fux Myths, Bach Traps & Better Methods

201: Counterpoint Panel: Why "Harmony" Classes Fail, Fux Myths, Bach Traps & Better Methods

Counterpoint is the "huge topic" that crowns the Neapolitan method and the Paris Conservatoire tradition—and yet it's often taught today in ways that leave students confused, discouraged, and musicall...

5 Jan 1h 24min

182: Giovanna Barbati (Partimento and Improvisation on the Cello)

182: Giovanna Barbati (Partimento and Improvisation on the Cello)

Today I speak to cellist and viola da gamba player Giovanna Barbati, whose repertoire extends from early to contemporary music and who has a special interest in improvisation. She appears frequently a...

3 Jun 20241h 41min

144: Sietze de Vries (Classical Improviser, Organist)

144: Sietze de Vries (Classical Improviser, Organist)

Professor Sietze de Vries, famed for his mastery in classical improvisation, joins the show to talk about his education, training, approach to music, music education, and demonstrates classical improv...

17 Mai 20241h 37min

158: Nicholas Baragwanath (Hexachordal Italian Solfeggio)

158: Nicholas Baragwanath (Hexachordal Italian Solfeggio)

Professor Nicholas Baragwanath, author of the groundbreaking "Solfeggio Tradition" (published by Oxford University Press), returns to the show to talk about Hexachordal Italian Solfeggio. This was the...

17 Mai 20241h 9min

157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)

157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)

Professor Ewald Demeyere returns on the show to discuss his critical edition of Fenaroli's partimenti collection and discusses Fenaroli's approach to pedagogy and partimento realization.

1 Apr 20241h 59min

154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)

154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)

In this episode, I am joined by eminent professors Robert O. Gjerdingen, Giorgio Sanguinetti, Peter van Tour, and Rosa Cafiero, in a special panel session about the subject of partimento. We discuss t...

1 Mar 20241h 32min

174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)

174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)

I talk to Professor Niels Berentsen about the beginnings of improvised counterpoint, the reconstruction of incomplete music by Johannes Ciconia, computational analysis of counterpoint, teaching 15th/1...

1 Feb 20241h 19min

167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)

167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)

Today we have a special episode dedicated to Solfeggio, featuring Professors Nicholas Baragwanath, Job IJzerman, Robert O. Gjerdingen, and Peter van Tour. The famed students of the 18th-century Neapol...

1 Feb 20241h 23min

Populært innen Fakta

fastlegen
dine-penger-pengeradet
relasjonspodden-med-dora-thorhallsdottir-kjersti-idem
foreldreradet
rss-strid-de-norske-borgerkrigene
mikkels-paskenotter
treningspodden
rss-bisarr-historie
jakt-og-fiskepodden
rss-sunn-okonomi
sinnsyn
rss-kunsten-a-leve
hverdagspsyken
ukast
rss-bak-luftfarten
tomprat-med-gunnar-tjomlid
fryktlos
lederskap-nhhs-podkast-om-ledelse
gravid-uke-for-uke
rss-kull