138: Nicholas Baragwanath
HMA Podcast20 Jun 2022

138: Nicholas Baragwanath

0:00 Start
1:34 How has the book, "The Solfeggio Tradition", been received? 6:43 Italian solfeggio explained in 4 minutes
11:41 Should children delay singing solfeggio until their voice has broken?
14:15 Did 18th-century plainsong sound more like galant music rather than medieval music?
16:10 What about Palestrina?
19:35 An example of a lesson in Italian solfeggio
22:33 How do you learn to accompany a melody line by sight with the correct harmony?
28:00 How do you follow the rules of counterpoint when switching between hexachords?
32:33 How do you know when there is a change of syllable vs a continuation of a melisma?
34:57 Does the appoggiatura take the target note's syllable or have its own?
36:20 Up 4th Down 5th Bass Motion in Italian Solfeggio
37:19 Mozart improvisation solfeggio lesson (K. 545)
41:19 Notation is the curse of the modern musician
48:02 Did Mozart know Italian solfeggio?
51:10 Why did the Germans complain about the Italians keeping solfeggio as a trade secret?
53:11 Were violinists like Paganini, Corelli and Vivaldi familiar with Italian solfeggio?
57:11 Did the Italian Maestros abandon teaching solfeggio syllables if the students struggled with pitch?
59:11 Did Italian solfeggio completely die out in the 19th-century?
1:00:49 Did Italian musicians think of the bass in terms of solfeggio syllables?
1:05:56 What was the 18th-century Italian understanding of Keys and Tonality?
1:09:02 What are good solfeggio manuscripts to practice to with and how much proportion of time is spent worrying about syllable placement vs actual singing?
1:12:10 Do we have access to 18th-century plainchant that doesn't sound like medieval music?
1:17:19 Is there any value to practicing solfeggi exercises with "Ah" even if we don't know which syllables to use?
1:18:45 What are your favorite solfeggi collections?
1:19:46 What's your opinion on Johann Fux and his method of teaching counterpoint?
1:21:19 What do you think of Nicola Sala's counterpoint treatise?
1:22:39 How does your solfeggio expertise inform the way you would teach partimento?
1:25:08 Are those manuals of singing by maestros who changed to Fixed Do still useful for learning diminution?
1:25:57 What's the state of Italian solfeggio research today?

Episoder(84)

201: Counterpoint Panel: Why "Harmony" Classes Fail, Fux Myths, Bach Traps & Better Methods

201: Counterpoint Panel: Why "Harmony" Classes Fail, Fux Myths, Bach Traps & Better Methods

Counterpoint is the "huge topic" that crowns the Neapolitan method and the Paris Conservatoire tradition—and yet it's often taught today in ways that leave students confused, discouraged, and musicall...

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182: Giovanna Barbati (Partimento and Improvisation on the Cello)

182: Giovanna Barbati (Partimento and Improvisation on the Cello)

Today I speak to cellist and viola da gamba player Giovanna Barbati, whose repertoire extends from early to contemporary music and who has a special interest in improvisation. She appears frequently a...

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144: Sietze de Vries (Classical Improviser, Organist)

144: Sietze de Vries (Classical Improviser, Organist)

Professor Sietze de Vries, famed for his mastery in classical improvisation, joins the show to talk about his education, training, approach to music, music education, and demonstrates classical improv...

17 Mai 20241h 37min

158: Nicholas Baragwanath (Hexachordal Italian Solfeggio)

158: Nicholas Baragwanath (Hexachordal Italian Solfeggio)

Professor Nicholas Baragwanath, author of the groundbreaking "Solfeggio Tradition" (published by Oxford University Press), returns to the show to talk about Hexachordal Italian Solfeggio. This was the...

17 Mai 20241h 9min

157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)

157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)

Professor Ewald Demeyere returns on the show to discuss his critical edition of Fenaroli's partimenti collection and discusses Fenaroli's approach to pedagogy and partimento realization.

1 Apr 20241h 59min

154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)

154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)

In this episode, I am joined by eminent professors Robert O. Gjerdingen, Giorgio Sanguinetti, Peter van Tour, and Rosa Cafiero, in a special panel session about the subject of partimento. We discuss t...

1 Mar 20241h 32min

174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)

174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)

I talk to Professor Niels Berentsen about the beginnings of improvised counterpoint, the reconstruction of incomplete music by Johannes Ciconia, computational analysis of counterpoint, teaching 15th/1...

1 Feb 20241h 19min

167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)

167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)

Today we have a special episode dedicated to Solfeggio, featuring Professors Nicholas Baragwanath, Job IJzerman, Robert O. Gjerdingen, and Peter van Tour. The famed students of the 18th-century Neapol...

1 Feb 20241h 23min

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