141: Job IJzerman (Harmony, Counterpoint, Partimento)
HMA Podcast21 Des 2023

141: Job IJzerman (Harmony, Counterpoint, Partimento)

0:00 Intro

0:36 Start

1:29 Refinements in approach to teaching with "Harmony, Counterpoint, Partimento" since last interview

6:21 Understanding the patterns in the book as "pure sounds"

9:59 Domenico Scarlatti: Sonata K. 82

10:25 Thinking of cadences as schema and things that are polyphonic rather than modern terminology like PAC or IAC

16:58 Joseph Haydn: "Surprise" Symphony No. 94

18:41 Thinking of 3-part harmony as complete instead of 4-part harmony missing a voice?

26:52 Antonio Vivaldi: La Primavera

39:32 Where do you typically take your musical examples from in the book?

41:08 Joseph Haydn: Symphony No. 43 ("Mercury"), 4th mvt

47:09 How does someone learn the different ways to accompany a melody line?

50:16 Francesco Durante partimento

52:28 Francesco Durante partimento realized as a duo live example

55:35 Arcangelo Corelli: tempo di gavotta

56:41 Arcangelo Corelli: tempo di gavotta, live example

1:01:16 In the early 18th-century, nobody spoke of "half cadences", which was a term that didn't exist

1:03:39 Did they think in terms of modes in the early 18th-century for composition?

1:04:43 The Discant Cadence

1:06:43 Job plays Bach BWV928 excerpt live

1:10:47 On the fluidity of voices dropping in and out versus strictly having 4-voices SATB "chorale-style"

1:13:13 Richard Wagner: Tristan Vorspiel

1:18:58 Richard Wagner was a musical great-grandchild of Padre Martini

1:24:13 Robert Schumann

1:25:29 Johannes Brahms

1:26:47 Tchaikovsky

1:29:52 How do new conservatory students react to your method?

1:32:29 How have other colleagues and professors reacted to your method?

1:34:20 Some conservatories have taken HCP as a compulsory book for 1st and 2nd year students

1:36:55 EXCLUSIVE: New Renaissance Counterpoint Book announced!

1:39:07 Wrapping Up

1:39:35 Outro

Episoder(84)

201: Counterpoint Panel: Why "Harmony" Classes Fail, Fux Myths, Bach Traps & Better Methods

201: Counterpoint Panel: Why "Harmony" Classes Fail, Fux Myths, Bach Traps & Better Methods

Counterpoint is the "huge topic" that crowns the Neapolitan method and the Paris Conservatoire tradition—and yet it's often taught today in ways that leave students confused, discouraged, and musicall...

5 Jan 1h 24min

182: Giovanna Barbati (Partimento and Improvisation on the Cello)

182: Giovanna Barbati (Partimento and Improvisation on the Cello)

Today I speak to cellist and viola da gamba player Giovanna Barbati, whose repertoire extends from early to contemporary music and who has a special interest in improvisation. She appears frequently a...

3 Jun 20241h 41min

144: Sietze de Vries (Classical Improviser, Organist)

144: Sietze de Vries (Classical Improviser, Organist)

Professor Sietze de Vries, famed for his mastery in classical improvisation, joins the show to talk about his education, training, approach to music, music education, and demonstrates classical improv...

17 Mai 20241h 37min

158: Nicholas Baragwanath (Hexachordal Italian Solfeggio)

158: Nicholas Baragwanath (Hexachordal Italian Solfeggio)

Professor Nicholas Baragwanath, author of the groundbreaking "Solfeggio Tradition" (published by Oxford University Press), returns to the show to talk about Hexachordal Italian Solfeggio. This was the...

17 Mai 20241h 9min

157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)

157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)

Professor Ewald Demeyere returns on the show to discuss his critical edition of Fenaroli's partimenti collection and discusses Fenaroli's approach to pedagogy and partimento realization.

1 Apr 20241h 59min

154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)

154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)

In this episode, I am joined by eminent professors Robert O. Gjerdingen, Giorgio Sanguinetti, Peter van Tour, and Rosa Cafiero, in a special panel session about the subject of partimento. We discuss t...

1 Mar 20241h 32min

174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)

174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)

I talk to Professor Niels Berentsen about the beginnings of improvised counterpoint, the reconstruction of incomplete music by Johannes Ciconia, computational analysis of counterpoint, teaching 15th/1...

1 Feb 20241h 19min

167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)

167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)

Today we have a special episode dedicated to Solfeggio, featuring Professors Nicholas Baragwanath, Job IJzerman, Robert O. Gjerdingen, and Peter van Tour. The famed students of the 18th-century Neapol...

1 Feb 20241h 23min

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