Harriet Walter
In 2012, London’s Donmar Warehouse opened an all-female production of Julius Caesar, starring Dame Harriet Walter as Brutus and directed by Tony Award-nominated director Phyllida Lloyd. The production was set in a women’s prison, and it was the first of a trilogy of all-female productions, all starring Walter, that The Guardian would call “one of the most important theatrical events of the past 20 years.” Julius Caesar was featured on PBS’s Great Performances on March 29, which made it the perfect time to call up Dame Harriet to discuss her decades-long career. We asked her about gender in Shakespeare, playing Ophelia, Portia, and Brutus, and her 2016 book, Brutus and Other Heroines: Playing Shakespeare’s Roles for Women. Harriet Walter is one of the most acclaimed performers on the British stage. She won the 1988 Olivier Award for Best Actress, the Evening Standard Award for her work as Elizabeth I in the 2005 London revival of Mary Stuart, and has starred in Twelfth Night, Macbeth and Antony and Cleopatra at the Royal Shakespeare Company. She is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 2, 2019. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Say to All the World ‘This Was a Man’” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, and Dan Sterling at The Sound Company in London.

Episoder(297)

Shakespeare's France and Italy

Shakespeare's France and Italy

"Myself, a prince by fortune of my birth, . . . Have stooped my neck under your injuries And sighed my English breath in foreign clouds" —RICHARD II (3.1.16, 19–20) Shakespeare's plays are well stock...

20 Mai 201522min

Elizabethan Street Fighting

Elizabethan Street Fighting

"Blood hath been shed ere now, i' th' olden time, Ere humane statute purged the gentle weal; Ay, and since too, murders have been performed Too terrible for the ear." —MACBETH(3.4.91–94) From the due...

5 Mai 201530min

Myths About Shakespeare

Myths About Shakespeare

"It is not so. Thou hast misspoke, misheard. Be well advised; tell o'er thy tale again. It cannot be; thou dost but say 'tis so." —KING JOHN (3.1.5–7) Even if you’re not a Shakespeare scholar, there ...

22 Apr 201525min

Recounting Shakespeare's Life

Recounting Shakespeare's Life

Her father loved me, oft invited me, Still questioned me the story of my life From year to year—the battles, sieges, fortunes That I have passed. —Othello (1.3.149–152) What do we know about Shake...

8 Apr 201528min

Shakespeare in Black and White

Shakespeare in Black and White

"Our own voices with our own tongues" —CORIOLANUS (2.3.47) In one of two podcasts on Shakespeare and the African American experience, "Our Own Voices with Our Own Tongues" revisits the era when Jim C...

20 Mar 201530min

The Rarely Performed Shakespeare Plays

The Rarely Performed Shakespeare Plays

"As jewels lose their glory if neglected, So princes their renowns if not respected." —PERICLES (2:2:12–13) Every year, theaters across the United States and the world treat us to Shakespeare—which u...

20 Mar 201528min

A New First Folio Discovery

A New First Folio Discovery

"As truth's authentic author to be cited, 'As true as Troilus' shall crown up the verse" —TROILUS AND CRESSIDA (3.2.182–183) Not long ago, the world learned of a remarkable discovery: An old book in...

20 Mar 201520min

Pronouncing English as Shakespeare Did

Pronouncing English as Shakespeare Did

"Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue." —HAMLET (3:2:1–2) When Shakespeare wrote his lines, and actors first spoke them, how did they say the words—and wh...

20 Mar 201528min

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