Violent Majorities 2.1: Peter Beinart on Long-Distance Israeli Ethnonationalism (LA, AS)

In contemporary Manila, slums and squatter settlements are peppered throughout the city, often pushing right up against the walled enclaves of the privileged, creating the complex geopolitical pattern of what sociologist Marco Garrido calls the “patchwork city.” Synthesizing literature in political sociology and urban studies, Garrido shows how experiences along the housing divide in Manila constitute political subjectivities and shape the very experience of democracy in contemporary Philippines. The Patchwork City: Class, Space and Politics in Metro Manila (University of Chicago Press, 2019) is a beautifully written ethnography is divided into two parts. In the first part, Garrido documents the fragmentation of Manila into a mélange of spaces defined by class, particularly slums and upper- and middle-class enclaves. He calls the pattern of urban fragmentation “interspersion” and persuasively argues that it is a spatial form distinct to cities in the Global South. This distinction is marked not by increasing segregation (as is the case with cities in the Global North) but by increasing proximity and dependence. For enclave residents, the proximity of slums is a source of insecurity, compelling them to impose spatial boundaries on slum residents. For slum residents, the regular imposition of these boundaries creates a pervasive sense of discrimination. Within this everyday, and almost normalized, sense of discrimination, the urban poor and middle class emerge not as labor and capital but as “squatters” and “villagers,” Manila’s name for subdivision residents. In other words, economic identities are unflinchingly spatialized. In the second part, Garrido looks beyond urban fragmentation to delineate its effects on class relations and politics, arguing that the proliferation of these slums and enclaves and their subsequent proximity have intensified class relations. Going beyond the realm of “the urban”, Garrido examines the politicization of this socio-spatial divide with the specific case of the populist president Joseph Estrada. The book ultimately argues that the two sides – middle-class and urban poor – are drawn into contention over not just the right to the city, but the nature of democracy itself. In all, The Patchwork City illuminates how segregation, class relations, and democracy are all intensely connected. It makes clear, ultimately, that class as a social structure is as indispensable to the study of Manila—and of many other cities of the Global South—as race is to the study of American cities. Sneha Annavarapu is a doctoral candidate in the Department of Sociology at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

2 Apr 202045min

Global history records an astonishing variety of forms of social organization. Yet almost universally, males subordinate females. How does the relationship between men and women shape the wider political order? Valerie M. Hudson, Donna Lee Bowen, and Perpetua Lynne Nielsen's new book The First Political Order: How Sex Shapes Governance and National Security Worldwide (Columbia University Press, 2020) is a groundbreaking demonstration that the persistent and systematic subordination of women underlies all other institutions, with wide-ranging implications for global security and development. Incorporating research findings spanning a variety of social science disciplines and comprehensive empirical data detailing the status of women around the globe, the book shows that female subordination functions almost as a curse upon nations. A society’s choice to subjugate women has significant negative consequences: worse governance, worse conflict, worse stability, worse economic performance, worse food security, worse health, worse demographic problems, worse environmental protection, and worse social progress. Yet despite the pervasive power of social and political structures that subordinate women, history—and the data—reveal possibilities for progress. The First Political Order shows that when steps are taken to reduce the hold of inequitable laws, customs, and practices, outcomes for all improve. It offers a new paradigm for understanding insecurity, instability, autocracy, and violence, explaining what the international community can do now to promote more equitable relations between men and women and, thereby, security and peace. With comprehensive empirical evidence of the wide-ranging harm of subjugating women, it is an important book for security scholars, social scientists, policy makers, historians, and advocates for women worldwide. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

1 Apr 20201h 39min

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

30 Mar 202051min

Has can the performing arts confront racial inequality? In Racial and Ethnic Diversity in the Performing Arts Workforce (Routledge, 2020), Tobie S. Stein, Professor Emerita in the Department of Theater, Brooklyn College, CUNY, analyses the longstanding failure of America’s performing arts industry to address issues of diversity. Drawing on interviews with 70 practitioners, as well as a rich and detailed engagement with the structures of the performing arts industry and cultural policy, the book makes clear the unequal opportunities and career paths that result from racial inequality. The book also draws on co-authors to reflect historical, institutional, and international perspectives, adding depth and breadth to an already excellently extensive account. It is an essential read across the humanities and social sciences, as well as for anyone interested in arts and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Mar 202033min

What do prisoner laborers, graduate students, welfare workers, and college athletes have in common? According to sociologist Erin Hatton, they are all part of a growing workforce of coerced laborers. Coerced: Work Under Threat of Punishment (University of California Press, 2020) explores this world of coerced labor through an unexpected and compelling comparison of these four groups of workers, for whom a different definition of "employment" reigns supreme—one where workplace protections do not apply and employers wield expansive punitive power, far beyond the ability to hire and fire. Because such arrangements are common across the economy, Hatton argues that coercion—as well as precarity—is a defining feature of work in America today. Theoretically forceful yet vivid and gripping to read, Coerced compels the reader to reevaluate contemporary dynamics of work, pushing beyond concepts like "career" and "gig work." Through this bold analysis, Hatton offers a trenchant window into this world of work from the perspective of those who toil within it—and who are developing the tools needed to push back against it. In this interview, Hatton and I discuss how she chose her unique cases for the book (graduate students, inmates, workfare workers, and college athletes), coercion related to status, agency and resistance, and the often harsh, punitive power of work supervisors and employers. I recommend this book for students, professors, and anyone else interested in labor, social stratification, qualitative methods, and culture. Erin Hatton, PhD, is an associate professor in the SUNY Buffalo Department of Sociology. Professor Hatton’s research focuses on work and political economy, while also extending into the fields of social inequality, labor, law and social policy. You can find her on Twitter at @eehatton. Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Mar 202051min

Joshua Foa Dienstag, Professor of Political Science and Law at UCLA, considers, in his new book, the interaction between our experiences in watching films and our positions as citizens in a representative democracy. In both situations, as an audience member watching a movie and as a citizen in a representative republic, we need to understand the interactions we have with others, and consider how we experience representation, in politics and in film. These are not necessarily spaces and concepts that are usually woven together, but Dienstag makes the case that they should be considered in regard to each other because they both are forms of representation, and important emotional dimensions are threaded through each form. Cinema Pessimism: A Political Theory of Representation and Reciprocity (Oxford University Press, 2019) begins by diving into the idea of representative government, especially in contrast to idealized notions of direct democracy. Dienstag examines some of the history of political thought about representative democracy and focuses on the contemporary dialogue among political theorists about reciprocity as both necessary and difficult in the representation relationship. If we could have more fully reciprocal relationships with our elected officials, inequality and corruption might not be problematic issues. Given that our democracy has grown substantially since the early days of the republic, we, as citizens, are far less connected to our elected officials. Cinema Pessimism holds up a mirror to this question of the estrangement of political representation and examines our experiences in context of filmic representations, which are structured to engage us emotionally and through images that “look like us.” Thus, Dienstag weaves together our experiences as audience members, where we see narrative constructions of these issues of representation and reciprocity, and our political experiences of the same. In both cases, Dienstag warns that we are becoming disconnected—disconnected from individuals in our lives, from our roles as citizens, and from actual emotional engagement with others—and this disconnection is particularly problematic when the idea of representation and reciprocity is predicated on connections. Cinema Pessimism toggles between thinking about the political experiences of citizens and the emotional and visual experiences of audience members, tracing out the overlapping components of these often-separated roles. Dienstag’s analysis combines visual cultural artifacts and political theory, focusing our thinking on the danger that representative politics may pose for freedom and equality. Cinema Pessimism examines a number of cinematic artifacts, some more overtly political than others, in the course of discussing what we see, feel, and experience as viewers and audience members. This novel and rigorous analysis will be of interest to many readers, bringing together a variety of fields and disciplines, including political theory, philosophy, media studies, cultural studies, and film studies. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Mar 202058min

An Interview with Todd McGowan about his recent Emancipation After Hegel: Achieving a Contradictory Revolution (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. Emancipation After Hegel also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai. Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Mar 202050min

In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape. Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Mar 202053min