
Anna Kornbluh, "Immediacy: Or, The Style of Too Late Capitalism" (Verso, 2024)
What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh’s newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism’s economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
17 Mar 202448min

Ellen E. Jones, "Screen Deep: How Film and TV Can Solve Racism and Save the World" (Faber and Faber, 2024)
Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC’s Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
16 Mar 202448min

Lisa Messeri, "In the Land of the Unreal: Virtual and Other Realities in Los Angeles" (Duke UP, 2024)
In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal: Virtual and Other Realities in Los Angeles (Duke UP, 2024), Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
16 Mar 20241h 9min

Ali Bhagat, "Governing the Displaced: Race and Ambivalence in Global Capitalism" (Cornell UP, 2024)
Governing the Displaced: Race and Ambivalence in Global Capitalism (Cornell UP, 2024) answers a straightforward question: how are refugees governed under capitalism in this moment of heightened global displacement? To answer this question, Ali Bhagat takes a dual case study approach to explore three dimensions of refugee survival in Paris and Nairobi: shelter, work, and political belonging. Bhagat's book makes sense of a global refugee regime along the contradictory fault lines of passive humanitarianism, violent exclusion, and organized abandonment in the European Union and East Africa. The book highlights the interrelated and overlapping features of refugee governance and survival in these seemingly disparate places. In its intersectional engagement with theories of racial capitalism with respect to right-wing populism, labor politics, and the everyday forms of exclusion, the book is a timely and necessary contribution to the field of migration studies and to political economy. Ali Bhagat is a PhD in Political Studies (Queen's University) and works largely on the topic of global displacement in relation to racial capitalism. As an international political economist, he is interested in the intersections of race, class, and sexuality and has worked on issues pertaining to LGBTQ+ refugees in particular. His work is based in qualitative methods drawing from interviews, policy analysis, and other ethnographic techniques. Ali’s work cuts across the everyday political economy of housing, work, finance, and political belonging. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
14 Mar 202450min

Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)
How do art schools influence music? In No Machos or Pop Stars: When the Leeds Art Experiment Went Punk (Duke UP, 2022), Gavin Butt, a Professor of Fine Art at Northumbria University, Newcastle, tells the story of art, music and higher education in Leeds in the mid-1970s. Using archives and interviews, as well as analysis of the music and art of the era, the book shows the importance of art and art theory to a huge range of bands, including Gang of Four, Scritti Politti and Soft Cell. The analysis also takes a critical perspective on art, music and the era, thinking through the importance of class, gender, and racial inequalities to punk and post-punk. A rich and detailed defence of the importance of arts education, the book will be of interest across the arts and humanities, as well as for anyone wanting to know more about why Leeds matters! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
13 Mar 202448min

Daniel Tutt, "How to Read Like a Parasite: Why the Left Got High on Nietzsche" (Repeater, 2024)
A how-to guide for the left on how to overcome Nietzsche's divisive and damaging influence. How to Read Like a Parasite: Why the Left Got High on Nietzsche (Repeater Books, 2024) overturns the whitewashed and defanged version of Nietzsche that has been made popular by generations of translators and academic philosophers who have presented his work as apolitical and without a core reactionary agenda. The central argument of the book is that Nietzsche’s philosophy does have a center, and that the left learns a great deal from Nietzsche when we read him as driven by a highly sophisticated reactionary political vision that informs all his major concepts and ideas. The most important Nietzschean concepts — from perspectivism, ressentiment, eternal return to the pathos of distance — are analyzed in the historical context in which Nietzsche lived and wrote, and several case-studies of prominent left-Nietzscheans from Jack London, Gilles Deleuze, Wendy Brown to Huey Newton are discussed. How to Read Like a Parasite makes a persuasive case for how we can overcome Nietzsche’s damaging influence on the left, showing us how to read and understand his work without becoming victims of it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
12 Mar 202452min

Surya Parekh, "Black Enlightenment" (Duke UP, 2023)
In Black Enlightenment (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. Black Enlightenment points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
12 Mar 20241h 8min

Xin Gu, "Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries" (Routledge, 2023)
How can artists survive today? In Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries (Routledge, 2023), Dr Xin Gu, Director of the Master of Cultural and Creative Industries at Monash University and an expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Diversity of Cultural Expression, examines contemporary labour conditions for cultural workers. Drawing on detailed historical and global case studies, as well as up to date analysis of changing working practices, the book offers a new theorisation of the role of culture in society. The book is the basis for a major reassessment of how art and culture function in our global context, and will be essential reading across the humanities and social sciences, as well as for anyone interested in cultural industries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
11 Mar 202449min




















