RR Patreon T2 Free Content Ayesha Adamo: The Open Fluidity of No-Mind, The Acéphale, & 'Endarkenment'

Ayesha Adamo is an academic, performing artist, and filmmaker currently working towards a PhD in Religion at Rice University under Jeffrey J. Kripal. Her dissertation project explores fluid cosmological ideas, both historically and in current quantum mechanics. She holds an MA in Religious Studies from Universiteit van Amsterdam’s Centre for the History of Hermetic Philosophy & Related Currents and is a graduate of Barnard College, Columbia University, with a degree in music. Rumor has it she was once in an Asian pop band on EMI Records. Her most recent articles can be found in Anthropology of Consciousness and Religious Studies Review. She is also an ordained Hierophant and Grand Chief of Temple of Thelema.

In this discussion, we first look at Georges Bataille and his interpretation of the Acéphale. Bataille (1897-1962) was a philosopher and intellectual, interested in surrealism, and anti- fascist, who, in 1937 founded two groups with the goal of exploring how combinations of power and ‘the sacred’ were at play in society. The first group was called the College of Sociology that gave lectures (exoteric group); the second group was Acéphale, an esoteric ‘secret society.’ Additionally, a public review by the same name, whose emblem was a headless man, was published in 1936. Ayesha talks a bit about this Acéphale emblem and what this represents, including remarks about the connections to Aleister Crowley’s concept of The Abyss; the notion of receptivity, and the difference between the ‘magical’ and ‘mystical’ currents.

Moving from Bataille to George Balanchine, the famous choreographer who co-founded the New York City Ballet Company in 1948; Balanchine is probably most known for his plotless ballets and minimalism, and has a famous quote, “Don’t think Dear, just do!’ Ayesha shares how are she is linking these two figures and the concept of the Acéphale. She is currently thinking about how the meditative state is the artist’s state as well.

Ayesha then expands on her 2023 article, “The League of Endarkenment: Hakim Bey and the Way of Disappearance into Nature” talking about “Endarkenment” and how this fits into this same area of headlessness, the mandrake, and disappearance.

Lastly, taken from her paper abstract, Ayesha talks more about what she means by “the open fluidity of no-mind” and “the performance of headless meditation.”

*Note 1: I mistakenly say ‘Endarkment’ instead of ‘Endarkenment’ (my apologies!); plus, around the 29:00 minute mark, the name ‘D.T. Suzuki’ is unfortunately cut off due to audio issues. Please find more information about Suzuki in the program notes below.

*Note 2 (Not Ignoring the Elephant in the Room): Peter Lamborn Wilson, who wrote under the name ‘Hakim Bey,’ was a controversial figure, and unfortunately, rumors have arisen surrounding some of his writings regarding NAMBLA. Accusations were made by a particular website (run by one person, a fellow anarchist) against Wilson, and due to the nature of the internet, damaging assumptions were made. This article A Tribute to Peter Lamborn Wilson - The Brooklyn Rail is a collection of testimonials, and discusses this matter in more detail, giving much needed context.

PROGRAM NOTES:

Ayesha Adamo | Student | The People of Rice | Rice University

Ayesha Adamo | Rice University - Academia.edu

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Ayesha Adamo

https://www.hds.harvard.edu/faculty-research/programs-and-centers/program-evolution-spirituality#:~:text=The%20Program%20for%20the%20Evolution%20of%20Spirituality%20%28PES%29,also%20prepares%20students%20for%20ministry%20in%20these%20mov (More information forthcoming regarding this program and how to join remotely!)

It Takes a Lunatic | Officiële Netflix-website

ORGCHAOSMIK - GUSTAF BROMS

D. T. Suzuki: A Biographical Summary - Association for Asian Studies

What are Superfluids and Why Are They Important?
Is 'Perpetual Motion' Possible with Superfluids?

Ayesha’s article in The Fenris Wolf (#13) is forthcoming; I will post a link (on Patreon) when it becomes available.

Music and Editing: Daniel P. Shea

End Production: Stephanie Shea