Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Episoder(2096)

Clare Daniel, "Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era" (U Massachusetts Press, 2017)

Clare Daniel, "Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era" (U Massachusetts Press, 2017)

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Dr. Clare Daniel (she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era from University of Massachusetts Press (2017). Mediating Morality is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structures of inequality. In addition to engaging readings of popular culture texts such as the movie The Pregnancy Pact and pregnancy prevention campaigns, Mediating Morality is also closely attuned to the legal and political events since 1996 that have authorized and capitalized upon an approach to teen pregnancy that absolves the state of responsibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

11 Jun 20191h 2min

Daniel HoSang and Joseph E. Lowndes, "Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity" (U Minnesota Press, 2019)

Daniel HoSang and Joseph E. Lowndes, "Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity" (U Minnesota Press, 2019)

Dan HoSang and Joe Lowndes’ new book,Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity (University of Minnesota Press, 2019) documents the changing politics of race and class in the age of Trump across a broad range of phenomena, showing how new forms of racialization work to alter the economic protections of whiteness while promoting some conservatives of color as models of the neoliberal regime. Through careful analyses of diverse political sites and conflicts—racially charged elections, attacks on public-sector unions, new forms of white precarity, the rise of black and brown political elites, militia uprisings, multiculturalism on the far right—they highlight new, interwoven deployments of race in the ascendant age of inequality. Using the concept of “racial transposition,” the authors demonstrate how racial meanings and signification can be transferred from one group to another to shore up both neoliberalism and racial hierarchy. This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Jun 201955min

Abigail De Kosnik and Keith P. Feldman, "#Identity: Hashtagging Race, Gender, Sexuality, and Nation" (U Michigan Press, 2019)

Abigail De Kosnik and Keith P. Feldman, "#Identity: Hashtagging Race, Gender, Sexuality, and Nation" (U Michigan Press, 2019)

In the new book #Identity: Hashtagging Race, Gender, Sexuality, and Nation (University of Michigan Press, 2019), Abigail De Kosnik and Keith Feldman bring together a broad array of chapters that dive into multiple perspectives on social media engagement, especially around hashtag activism and the ways that individuals think about and interact with others via Twitter in regard to social movements and political involvement. As the authors note, “#identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world.” This text came out of The Color of New Media working group at the University of California at Berkeley and the contributors come from a variety of academic backgrounds and disciplines, making this a particularly interdisciplinary approach to considering and understanding a wide variety of social movements, social engagement, political discourse, and active use of hashtagging and Twitter. The chapters include examinations of the global use of Twitter in India and Africa; the rise of and then subsequent response/backlash to black Twitter; and the way that Twitter has been used to target minoritarian groups who have established connections and communities via Twitter and social media. This is a fascinating and diverse book, bringing together different voices, studies, and analysis, all examining how Twitter and #hashtagging has grown up, evolved, and essentially provided a platform for political rhetoric, engagement, and also silencing. #identity will appeal to scholars in many different disciplines including sociology, political science, media studies, gender and women’s studies, Queer studies, postcolonial studies, African-American Studies, American Studies, global studies, and more. This book is available open access here. Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

5 Jun 201958min

Manu Karuka, "Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad" (U California Press, 2019)

Manu Karuka, "Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad" (U California Press, 2019)

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

5 Jun 20191h 7min

Niall Geraghty, "The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature" (U Pittsburgh Press, 2019)

Niall Geraghty, "The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature" (U Pittsburgh Press, 2019)

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

30 Mai 201936min

John Pat Leary, "Keywords: The New Language of Capitalism" (Haymarket Books, 2019)

John Pat Leary, "Keywords: The New Language of Capitalism" (Haymarket Books, 2019)

John Pat Leary's Keywords: The New Language of Capitalism (Haymarket Books, 2019) chronicles the rise of a new vocabulary in the twenty-first century. From Silicon Valley to the White House, from kindergarten to college, and from the factory floor to the church pulpit, we are all called to be innovators and entrepreneurs, to be curators of an ever-expanding roster of competencies, and to become resilient and flexible in the face of the insults and injuries we confront at work. In the midst of increasing inequality, these keywords teach us to thrive by applying the lessons of a competitive marketplace to every sphere of life. What’s more, by celebrating the values of grit, creativity, and passion at school and at work, they assure us that economic success is nothing less than a moral virtue. Organized alphabetically as a lexicon, Keywords explores the history and common usage of major terms in the everyday language of capitalism. Because the words in this book have successfully infiltrated everyday life in the English-speaking world, their meanings often seem self-evident, even benign. Who could be against empowerment, after all? Keywords uncovers the unexpected histories of words like innovation, which was once synonymous with “false prophecy” before it became the prevailing faith of Silicon Valley. Other words, like best practices and human capital, are relatively new coinages that promise us a kind of freedom within a marketplace extending its reach across the public sector and into our private lives. The new language of capitalism burnishes hierarchy, competition, and exploitation as leadership, collaboration, and sharing, modeling for us the habits of the economically successful person: be visionary, be self-reliant, and never, ever stop working. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

28 Mai 201942min

Zachary Kramer, "Outsiders: Why Difference is the Future of Civil Rights" (Oxford UP, 2019)

Zachary Kramer, "Outsiders: Why Difference is the Future of Civil Rights" (Oxford UP, 2019)

Outsiders: Why Difference is the Future of Civil Rights(Oxford University Press, 2019) by Zachary Kramer (Oxford University Press, 2019) sets forth an imaginative critique of the way that civil rights law currently fulfills its mission. Using stories that lucidly illustrate the gap between the aspiration of civil rights law and the lived reality, Professor Kramer proposes a new approach. Drawing on existing protections for disability and for religious practice, Professor Kramer outlines the way that a right to personality, combined with an accommodation-focused inquiry, could update and refresh our approach to civil rights. Zachary Kramer is Associate Dean of Faculty, Professor of Law, and Willard H. Pedrick Distinguished Research Scholar at the Sandra Day O'Connor College of Law at Arizona State University. Künga Tenje is an independent librarian in Virginia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Mai 201957min

Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)

Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)

In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist agendas? At a time when scholars along all points of the political spectrum seem to agree that expressing their creativity is good for oppressed groups, whether because creativity makes them entrepreneurial or because creativity is an inherent challenge to capitalism, Dia Da Costa offers a refreshingly nuanced perspective on the dangers that creative economy discourses pose for radical activism. In Politicizing Creative Economy: Activism and a Hunger Called Theater (U Illinois Press, 2016)--her multisited ethnography focusing on two activist theater troupes in the Indian cities of Delhi and Ahmedabad--Da Costa shows how these ‘theaters of the oppressed’ exist alongside, fall prey to, re-appropriate, and jostle with capitalist discourses and definitions of ‘creative economy’ which seek to contain and tame the cultural production of oppressed groups. The first troupe Da Costa discusses is the Jan Natya Manch, a Communist-affiliated theater group consisting mainly of middle-class activists who valorize Delhi’s (factory) working-class albeit in a rapidly deindustrializing city, and offer a disenchanted, secular critique of Hindu nationalism albeit in a deeply religious milieu. The second troupe featured is Ahmedabad’s Budhan Theater, run by the lowly and criminalized Chhara caste who hope that through theater they can craft respectable livelihoods and achieve inclusion as citizens while at the same time critiquing the violences of the Indian capitalist state. By analyzing the possibilities and shortcomings inherent in both troupes’ practices and political approaches, Da Costa shows how carefully and critically studying the diversity of left politics is an important part of building solidarities which can ultimately resist fascist neoliberalism. Da Costa also shows how attending to the politics of affect and emotion can help create successful social mobilization; rather than simply lamenting how oppressed people don’t rise up, attention to affective politics helps us shape forms of activism which actually speak to people’s lives, hopes, and hungers. This book will be of interest to activists, radical educators, and scholars in fields ranging from feminist affect theory to development studies. Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Mai 20191h

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