New Books in Psychoanalysis

Dr. Susan Kavaler-Adler a psychoanalyst and clinical psychologist in private practice and founder of The Object Relations Institute for Psychotherapy and Psychoanalysis where she is a training analyst, is a prolific writer and thinker celebrated for integrationist approach to Object Relations thinking. The Compulsion to Create: Women Writers and their Demon Lovers, originally published by Routledge in 1993 and recently re-published by ORI Academic Press in 2013, is Dr. Kavaler-Adler’s first of five published book a labor of her love for the creative process which earned her an honorary Doctorate of Literature from Ignatius University. Dr. Kavaler-Adler calls into question the myth that one must be crazy to be creative and raises concern about the implication that therapeutic intervention is a deterrent to creative growth. For Dr. Kavaler-Adler, the therapeutic process is an inherently creative process. Like the artists encounter with her work, the subject’s encounter with the couch involves an engagement with the unconscious. A comprehensive analysis of Object Relations theory organizes this study around the the Demon Lover theme which appears in both literature and psychoanalysis. Dr. Kavaler-Adler’s own definition emerges from her theory that mourning is an important developmental process, one which, when stunted due to pre-oedipal arrest, leads to what she calls The Compulsion to Create a state of psychological and creative compulsion which hinders psychic and creative growth. Dr. Kavaler-Adler’s The Compulsion to Create is a psycho-biographical examination of esteemed women writers, among them, Anais Nin, Sylvia Plath, Emily Dickinson, Edith Sitwell, and most comprehensively, the famed Bronte sisters. Dr. Kavaler-Adler’s unique psycho-biographical approach considers not just the relationship between one work and another, but also the relationships between the biographical context which each work proceeds from as it is created, as well as the biographical context it intervenes in when published. In this way, Dr. Kavaler-Adler explicitly connects the manifestation of the writers object relations in her life as well as in her art. Her exquisitely researched book clearly insights the meaningful and inherent engagement between the woman writers life and art at the level of the unconscious. She poetically explains an author’s work is a reflection of the authors internal world just as dreams are. Above all, Dr. Kavaler-Adler encourages a positive engagement between the creative and therapeutic process, arguing that profound creative developments can proceed from effective therapeutic interventions which revive the subject from a state of psychic arrest and the creative collapse which results from it. Dr. Susan Kavaler’s list of publications including her most comprehensive contribution to Object Relations thinking The Klein-Winnicot Dialectic (Karnac 2014) can be found on her website where opportunities to study the Object Relations approach from a clinical standpoint and seek treatment in individual and group settings can also be found, including a group for writers which has been held monthly for 21 years. She has previously been interviewed on New Books in Psychoanalysis by Claire-Madeline Culkin about her later publication The Anatomy of Regret (Karnac 2013). Claire-Madeline Culkin is an analytically minded author. She is currently pursuing an MFA in Creative Writing at Sarah Lawrence College and holds a BA in Psychology from Eugene Lang College, The New School for Liberal Arts. If you’re an author interested in joining the discussion,... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

27 Jun 201657min

In his 1948 essay, “Harlem is Nowhere,” Ralph Ellison decried the psychological disparity between formal equality and discrimination faced by Blacks after the Great Migration as leaving “even the most balanced Negro open to anxiety.” In Under the Strain of Color: Harlem’s Lafargue Clinic and the Promise of an Antiracist Psychiatry (Cornell University Press, 2015), Gabriel Mendes undertakes an engaging study of race and mental health in the 20th century through the lens of an overlooked Harlem clinic. While providing the first in-depth history of the Lafargue Clinic (1946-58), the book focuses on the figures who came together in a seemingly unlikely union to found it: Richard Wright, the prominent author; Fredric Wertham, a German Jewish emigre psychiatrist now known for his advocacy for censorship of comic books; and The Reverend Shelton Hale Bishop, an important Harlem pastor. Wright’s literary prowess, work for the Communist party, and brush with Chicago School sociology met with Wertham’s socially-conscious and uncompromising brand of psychoanalysis to challenge mainstream psychiatric theory and its discriminatory practices in the Jim Crow North. Those who could afford it were charged 25 cents for sessions in the basement of St. Philip’s Episcopal church in Harlem, and 50 cents for court testimonials. A thoroughgoing grassroots effort, ignored by philanthropists and state funding, the Lafargue Clinic throws mid-20th Century mental health and race relations into relief, and is sure to stir interest in the untold stories of projects like it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

15 Jun 20161h 42min

This interview is really a conversation between two friends, peers, and colleagues–two women who were pleased to find each other in the psychoanalytic world who keep track of each others’ development. I confess this as a form of journalistic disclosure, but, also, because of our connection, this interview traverses much more than the book she recently published, The Enigma of Desire: Sex, Longing, and Belonging in Psychoanalysis (Routledge, 2015). I ask Galit Atlas a slew of questions about key concepts in the book: what is she after using terms such as “enigmatic,” “pragmatic,” and “breaks in unity” among them. We wander through the Kristevan garden of bodily fluids and abjection and ponder Kristeva’s appeal to Persian analysts like herself and Gohar Homanyapour (interviewed on NBIP by Anna Fishzon). We think about essentialism and motherhood and try to explore why sexuality takes precedence over desire in America. Her book title shares itself with one of Salvador Dali’s most famous paintings, The Enigma of Desire, or My Mother, My Mother, My Mother, from 1929. Discoursing upon his creation, also in an interview, Dali had this to say: “Sometimes I spit with pleasure on my mother’s portrait, since one can perfectly well love one’s mother and still dream that one spits upon her . . . now go and try to make people understand that.” Atlas’ book takes up Dali’s demand for work (as well as Andre Green’s plea for the re-establishment of sexuality as central to psychoanalysis), emphasizing sexuality and its many emanations in the clinic as speaking a language of its own. A clinically rich book, Atlas’ work schools its readers in a new way of listening for that which is inchoate and ineffable and worth hearing. Her thinking takes us on a trip beyond the mother-infant dyad, stopping to drink at the house of Laplanche with a little Ruth Stein only to deposit us closer to the drives, opening the door to the land of the autoerotic. Tracy D. Morgan is the founding editor and host of NBIP, a psychoanalyst in practice in NYC trained also as an historian, she writes about many things. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

2 Jun 201659min

In this interview, Dr. Katie Gentile discusses the research, writing and creative thinking about compulsory parenthood and Assisted Reproductive Technologies (or ARTs) that animate the essays appearing in The Business of Being Made: The Temporalities of Reproductive Technologies in Psychoanalysis and Culture (Routledge, 2015). It is striking that while personhood amendments proliferate and sovereignty over the reproductive body shifts frighteningly more and more to the State, a global, bio-medical industrial complex has arisen comprising ARTs, surrogate pregnancy, egg/sperm donation and the like. Gentile points out the rise of the post-9/11 fetishization of the fetus a receptacle for all our vulnerabilities which must be protected at all costs in the face of the hyper-object: the threat of global catastrophe looming large. ARTs and its associated industries manufacture hope and optimism in conceiving babies at any cost (for those of privilege) while serving to further elevate, protect and fetishize the fetus. It’s a space of repro-futurity in which life is constructed around achieving reproductive milestones. ARTs have become another neoliberal trope to imagine life without limits as they have been subsumed into ordinary medicine for all women. With ARTs there is often no space to acknowledge loss, shame, uncertainty and the sexual re-traumatization that often occur during the process. On the plus side, ARTs offer the promise and opportunity of biological parenthood to marginalized people (for example, trans men) resulting in diverse family configurations. Gentile asks can other spaces be nurtured so that babies are not the main focus of generativity, especially for women? How can we better theorize childfree lives of creativity that are not seen as displaced parenting but generativity for its own pleasure? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

28 Mai 201652min

Bodies, both the patient’s and the analyst, has been a neglected area of investigation in psychoanalysis for many years, despite it’s presence in Freud’s early theories and clinical work. In this interview with the Gradiva award winning author Jon Sletvold, we discuss his recent book The Embodied Analyst: From Freud and Reich to Relationality (Routledge, 2016). In a lively discussion, Dr. Svetvold describes not only his motivation for writing this book, but the history of the body in psychoanalysis, especially the contributions of the often maligned psychoanalyst, Wilhelm Reich. Drawing from his own experience as a Norwegian psychoanalyst, Dr. Sletvold elaborates on embodied subjectivity and intersubjectivity, and how the training and supervision of psychoanalysts might “incorporate” some of these concepts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

4 Mai 201643min

Despite remaining neutral on his personal religious beliefs, Freud’s commitment to empiricism and his determination in relegating psychoanalysis to a scientifically valid position has had a lasting impact. In some sense, its created a taboo against theological considerations. This taboo, Earl Bland and Brad Strawn, the editors of Christianity and Psychoanalysis: A New Conversation (IntraVarsity Press, 2014) argue, has been to the detriment of psychoanalysis as a clinical form of treatment and a philosophical system of meaning. Like religion, psychoanalysis attempts to ask what it means to live in the face of death. Psychoanalysis, in its traditions as vast and nuanced as those within the Christian faith, like religion, has moral imperatives about how subjectivity ought to be structured. Bland and Strawn observe that the culture is ripe for a new conversation, in that the turn toward rationalitywithin Christianity can be understood as a philosophical parallel to the turn in psychoanalytic theory toward understanding the human subject as being in relationship. To initiate this conversation, they have gathered a group of practitioners and people of faith from across the spectrum, to engage in this exchange: one that breaks the taboo that has prevented these two domains of knowledge from sharing the same conversational space. Speaking from perspectives across both disciplines, this book features authors ranging from contemporary Freudian psychoanalysis to Attachment-Based psychoanalytic therapy on the psychoanalytic spectrum and from traditional Catholicism to faiths rooted in the Charismatic tradition across the Christian spectrum. In each chapter, the authors mutually invoke a theoretical consideration together with a clinical demonstration. Their voices are informed, critical, and personal in equal measure. Together with the editors, they candidly and humbly demonstrate not just the value of, but also the necessity of, acknowledging the dialogical influence of religious beliefs in the clinical setting, both on the side of the patient, as someone who may organize his or her subjectivity in relationship to faith, as well as on the side of the clinician, whose religious beliefs may consciously or unconsciously mediate the treatment. Claire-Madeline’s interests lie at the intersection of Lacanian psychoanalytic theory and Catholic theology, which are often at the fore of her discussions with the authors she is privileged to interview for the New Books Network. She is currently pursuing an MFA in Creative Writing at Sarah Lawrence College and holds a BA in Psychology from Eugene Lang College, The New School for liberal arts.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

12 Apr 201659min

Calling into question common assumptions regarding the supposedly antagonist relationship between literary criticism and psychoanalytic reading, Jean-Michel Rabatepaints a picture of reconciliation rather than rift. Drawing from a vast store of cultural incident–from Sophie Calle’s modern art to the novels of Henry James–The Cambridge Introduction to Literature and Psychoanalysis (Cambridge University Press, 2014) argues that psychoanalysis and active literary reading are both implicated in the same process, one which engages the unconscious and makes one an “ambassador” thereto. In our interview, Rabate holds court on various issues, including the similarities between Jacques Lacan and Carl Jung, as well as the status of James Joyce as sinthome of literature. Moving beyond the textual, he also captivatingly considers not only the relationship between trauma and perversion but also the ways in which Lacan and Derrida differed in their interpretation of the “public intellectual” role and its responsibilities. A startling intellectual himself, Rabate illuminates and enthralls in his conversation as much as in his writing. Michael Mungiello is interested in the implications psychoanalysis has on broader cultural studies, ranging from literature to politics to television and film. He lives in Washington, DC and is originally from New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

18 Mar 201658min

Affect is a weighty and consequential problem in psychoanalysis. People enter treatment hoping for relief from symptoms and their attendant unbearable affects. While various theorists and schools offer differing approaches to “feeling states,” emotions, and affects, Lacan, despite devoting an entire seminar to anxiety, often is charged with completely ignoring affect. This misperception stems in part from a caricatured understanding of Lacanian technique – a suspicion that it consists mainly of punning and interminable wordplay. And there is another, more sound reason for the accusation: the tendency of relational, interpersonal, and Kleinian models to locate truth in affects and regard emotions as inherently revelatory – as the most direct communications by and about the subject. By contrast, the question, “How did that make you feel?” is heard infrequently in the Lacanian clinic. Following Freud, Lacan believed that affects are effects. He shared Freud’s skepticism toward manifest emotional states, doubting not their importance but rather their transparency. The royal road to the unconscious is the deciphering of dreams and not the affects they produce. Nevertheless, Lacan’s views on affect increasingly diverged from those of Freud, offering much that was new. Colette Soler’s pioneering Lacanian Affects: The Function of Affect in Lacan’s Work, translated by Bruce Fink (Routledge, 2016) is the first book to examine Lacan’s theory of affect and its clinical significance. While Lacan focused more on the structural causes of affect in his earlier theoretical elaborations, an initial reversal came in his seminar Anxiety (1962-63), where he deemed anxiety the only affect that “does not lie” because it refers to and partakes of the real rather than the signifier. Another reversal, Soler explains, culminated in Encore (1972-73), where Lacan declared that certain “enigmatic affects,” though puzzling to the subject, are carriers of knowledge residing in the real unconscious – a knowledge that is not on the side of meaning but of jouissance. Soler’s book is wide-ranging, covering affects such as shame and sadness, as well as many others we did not have time to discuss in our interview: hatred, ignorance, the pain of existence, mourning, “joyful knowledge,” boredom, moroseness, anger, and enthusiasm. Perhaps most fascinating is Soler’s chapter on Lacan’s enigmatic affects: anxiety (translated in the book as “anguish”), love, and the satisfaction derived from the end of an analysis. Annie Muir kindly translated during the interview.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

14 Mar 201657min