Full Cast And Crew

All of Leonardo DiCaprio's scenes as Rick Dalton in Quentin Tarantino's movie-making love-letter 'Once Upon a Time in Hollywood' If you're new to the podcast, there's an episode just for you. Previous All Their Scenes episodes: Phillip Seymour Hoffman in 'Charlie Wilson's War' Michael Keaton in 'Jackie Brown' and 'Out of Sight' as Special Agent Ray Nicolette. Paul Newman in 'The Verdict' Sean Penn as Jeff Spicoli in 'Fast Times at Ridgemont High' Warren Zevon on David Letterman

5 Mar 20241h 35min

Alan J. Pakula deserves more attention and respect as one of the grestest American film directors of any era.  His run of films in the 70's, from 'Klute' to 'The Parallax View' to 'All The President's Men'...all brilliantly shot by Cinematographer Gordon Willis (The Godfather films)...are as impressive and of their moment as any films made in this thrilling period of American filmmaking. In this episode, I dive into Pakula's understated persona and genius for working with actors, the period details and psychological explorations that result in a layered, non-showy film that rewards repeat viewings.

26 Feb 20241h 19min

Carol Reed and Graham Greene's iconic post-war neo noir classic 'The Third Man'. A perfect movie. Steven Soderbergh calls it the only movie you need to watch in order to learn how to make a movie. In this episode I cover the making of, the battles between David O. Selznick, Alexander Korda, Reed and Orson Welles, the happenstance score to end all film scores and MORE.

15 Feb 20241h 19min

In which my evolving, complicated relationship with the crowd-pleasing John 'Frenzy' MacKenzie's exuberant, vibe-y classic 'The Long Good Friday' is flayed open and nailed to the floor for your auditory enjoyment.

9 Feb 20241h 14min

Director Toby Amies and I discuss his excellent and unexpected documentary 'In the Court of the Crimson King: King Crimson at 50'.

25 Jan 20241h 17min

Ridley Scott's brilliant 1979 sci-fi/horror classic 'Alien' burnished his deserved reputation as bold re-interpreter of techno-dystopian futurism and exploder of genres. But it made a lot of money and dollar signs in the eyes of 'Alien' producers Brandywine Productions led them to turn for a sequel to James Cameron, who had already done a similar turn on the Rambo franchise, penning a "rewritten" script for the sequel 'Rambo: First Blood Part II' that paved the way for the ridiculously over-the-top guns 'n poses Rambo films that followed. Discarding with the quality actors and brilliantly lived-in future of the Nostromo and the original 'Alien', 'Aliens' is a box-office-pleasing symbiotic mutual masturbation effort where both audience and filmmaker are complicit in a liason that leaves both dirty and discredited.  It should be noted that I am fairly alone in this opinion, and  many 80's blockbuster-loving film fans revere 'Aliens' as even a superior 'Alien' film to the original! One such fan is my frequent guest Bruce Edwards. Previously we've digested our love for 'Bladerunner' and 'Alien' on episodes of the podcast.  Here we get into 'Aliens' from our differing perspectives and find more common ground in a discussion about David Fincher's very first feature film, 'Alien 3', which he directed at the ripe old age of 27 and which was and is a legandary troubled production resulting in several competing alien babies; various cuts of the film exist and Fincher himself disavows the film.

17 Jan 20241h 18min

One of the most quotable and iconic of British films, born out of writer/director Bruce Robinson's personal experiences and shepherded to the big screen by George Harrison and his Handmade Films company. 'Withnail & I' is a beloved comedy but in this episode I talk as much about its forlorn, end-of-an-era wistful heart as I do the incredibly quotable lines. Particularly I was interested to learn of Bruce's formative me-too experience on the set of Zeffirelli's 'Romeo & Juliet' and how that informed the character of Monty. But Monty is more than a monster or a would-be abuser; his portrayal on the page and in the flesh by the brilliant Richard Griffiths is layered and sympathetic and very much informed by the realities for gay people in Britain in the 1960's. In Monty we have a great analogy for the film; at first glance laughable, uproarious, a characture and character...but just beneath that is writing and performing of great complexity and nuance. This is what we'll celebrate in this episode all about the brilliant, the ever-fresh and continuingly fascinating 'Withnail & I'. LINKS: A 1999 documentary about Bruce Robinson. Bruce's excellent 2020 'Withnail & I' Watchalong Commentary for Esquire. The incredible live version of 'Whiter Shade of Pale' played by King Curtis and his band at the Fillmore West in 1971. Here's a bizarro artifact from the 60's: Bruce Robinson starring in a coffee ad aimed at tripping hippies looking to come down/go up/not sure really how coffee and acid is a great combo but there you have the 60's! Bruce Robinson in Zeffirelli's 'Romeo & Juliet' as Benvolio 'Smoking In Bed: Conversations with Bruce Robinson' on Amazon Toby Benjamin's excellent book about the making of 'Withnail and I' is essential for any fan of the film. The inspiration for Withnail, Vivian MacKerrell.

14 Des 20231h 57min

Billy Friedkin's iconic 1971 game-changing NYC police procedural/car chase classic 'The French Connection' has a fascinating backstory and making-of history, and, hey: that's what I'm here for! To bring you all the best stories behind the scenes on the streets of New York and all the context and color that helps place this movie in the pantheon of the films that came before and after it.   The NY Times article about this summer's censorship of the film is linked here. Mark Kermode's very well made BBC documentary about the making of The French Connection can be seen on YouTube. Owen Roizman, the film's brilliant and prolific cinematographer's IMDB page is here. Do yourself a favor and watch the films of the brilliant French director Jean-Pierre Melville. Listen to David Shire's iconic score for The Taking of Pelham 123 on YouTube. Don Ellis' haunting end credits music from The French Connection.

30 Nov 20232h 18min