New Books in Critical Theory

Adam Fabry's book The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) explores the political economy of Hungary from the mid-1970s to the present. Widely considered a 'poster boy' of neoliberal transformation in post-communist Eastern Europe until the mid-2000s, Hungary has in recent years developed into a model 'illiberal' regime. Constitutional checks-and-balances are non-functioning; the independent media, trade unions, and civil society groups are constantly attacked by the authorities; there is widespread intolerance against minorities and refugees; and the governing FIDESZ party, led by Prime Minister Viktor Orban, controls all public institutions and increasingly large parts of the country's economy. To make sense of the politico-economical roller coaster that Hungary has experienced in the last four decades, Fabry employs a Marxian political economy approach, emphasising competitive accumulation, class struggle (both between capital and labour, as well as different 'fractions of capital'), and uneven and combined development. The author analyses the neoliberal transformation of the Hungarian political economy and argues that the drift to authoritarianism under the Orb n regime cannot be explained as a case of Hungarian exceptionalism, but rather represents an outcome of the inherent contradictions of the variety of neoliberalism that emerged in Hungary after 1989. Adam Fabry is a lecturer of Political Economy at the National University of Chilecito (UNdeC), Argentina. He received his PhD from Brunel University under the supervision of Gareth Dale. Adam’s research interests include: international political economy, uneven and combined development, neoliberalism, and the history and politics of the far-right, with a regional focus on Central Eastern Europe and Latin America. His work has been published in international journals, such as Capital & Class, Competition & Change, Historical Materialism. The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) is his first monograph. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

28 Des 202057min

Let’s face it, 2020 has been a hell of a year. We could all use a good laugh. But as historians and/or fans of history, we have to read something historically grounded, right? Well, fear not! Felix Biederman, Virgil Texas, Will Menaker, Brendan James, and Matt Christman, those rapscallions from the Chapo Trap House podcast wrote a book, The Chapo Guide to Revolution; A Manifesto Against Logic, Facts, and Reason (Simon & Schuster, 2018), and it’s got a lot of history in it. I sat down with Matt Christman to talk about history, humor, and the hell-world of late capitalism. He offers his critiques of American liberalism and conservatism, as well as discussing how history shapes his thinking and analysis. Matt Christman co-hosts Chapo Trap House, a hugely popular and rather influential podcast. The Chapo crew includes the above authors (although the traitorous Brendan James was purged for revisionism and replaced with Amber A'Lee Frost). For the uninitiated, Chapo Trap House is a comedic political podcast that has been branded as the “Dirt Bag Left”. With a solid dose of scatological humor and subversive irony, it’s not for everyone, but I find it to be some of today’s smartest and most well-informed political and cultural criticism. On the Chapo podcast and in his other appearances, he displays an impressive command of history, frequently grounding his analysis in historical context. He also put out a few special episodes of Chapo Trap House called “The Inebriated Past”, the best of which offered insightful discussions of topics ranging from fascism to sewer socialism. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Des 20201h 5min

This is part of our Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean. Today my guest is Isar Godreau, author of Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico (University of Illinois Press, 2015). The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism. Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black. Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Des 20201h 14min

In this episode, J.J. Mull interviews Lynne Layton and Marianna Leavy-Sperounis, author and editor respectively of Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes, published in 2020 by Routledge as a part of their Relational Perspectives Book Series. This text takes part in an intellectual and political lineage that has called for a more radical understanding of psychoanalysis, encompassing a diverse range of thinkers from Frantz Fanon and Pierre Bourdieau to Eric Fromm and Marie Langer. In this compilation of Layton’s work, we’re given a framework for understanding the intersection between structural forces (gender oppression, racial capitalism, white supremacy, etc.) and the clinical encounter. Over the course of this conversation, Layton and Leavy-Sperounis give an account of the ways in which neoliberalism, capitalism, and other systems of domination give rise to particular kinds of subjective possibilities and gesture towards what psychoanalysis as a field might have to learn from contemporary struggles and insurrections. J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

18 Des 20201h 15min

What can Shakespeare tell us about territory, and what can territory tell us about Shakespeare?  In Shakespearean Territories (University of Chicago Press, 2018), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick and author of the Progressive Geographies blog, explores both of these questions, drawing on his earlier work theorising territory, as well as an extensive discussion of numerous works of Shakespeare. The book considers a range of subjects associated with the concept of territory, from the geo-politics of King Lear, the idea of sovereignty in King John, and power in Richard II, to questions of the body in Coriolanus, and ideas of calculation and measurement in The Merchant of Venice. Alongside Shakespeare’s relevance for understanding territory, territory offers a framework for alternative readings of Macbeth and Hamlet, and draws attention to often neglected or even completely ignored parts of Henry V. Fascinating and wide ranging, at the intersection of geography and English literature, the book is essential reading across the humanities and social sciences. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

18 Des 202043min

The world of theater performances is often thought of as being composed of wealthy persons who received elite educations at art institutions all so they could be observed by a small, wealthy elite at exclusive and expensive gatherings. Theater is seen as an insular, elitist practice, for and by a select few. However, this image of theater is deeply misleading, especially as more performances are available for download, and many smaller more open institutions invest more in theater productions. One place that might surprise a lot of people is the popularity of performances staged by incarcerated persons, and presented in behind the walls of prisons. Theater is a social, communal practice, so making it happen within an institution that is not only isolated from the outside world, but is designed to isolate those within, will naturally come with various challenges, and also raises various questions on the nature of both theater and the carceral system.  These are the questions Ashley Lucas addresses in her recent book Prison Theatre and the Global Crisis of Incarceration (Bloomsbury, 2020). Featuring a combination of her own firsthand experience as a director of prison theater, interviews with those involved in the world prison theater and scholarly research, the book is a unique combination of genres that occupies some very interesting intersections, and is able to explore some very difficult topics, from questions of artistic expression, the nature of community and what hope in a hopeless situation looks like. Ashley Lucas is an associate professor of Theatre and Drama and the Residential College at the University of Michigan, and is also the former director of the Prison Creative Arts Project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

8 Des 20201h 3min

Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience. The Twittering Machine (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think. Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could make our own history–to what extent did we choose the nightmare that it has become? Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

3 Des 20201h 1min

Why does The Empire Strikes Back matter? In BFI Classics Series's The Empire Strikes Back (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with The Empire Strikes Back discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the Star Wars franchise more generally, for example centring the role of women in the history of Empire’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and Star Wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

30 Nov 202045min