New Books in Critical Theory

The image of the US as leading a good war to establish liberal democracy and move towards racial equality dominate the discourses of the Cold War. In her work, A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific (Stanford University Press, 2020), Christine Hong attempts to debunk the idea of good war and warfare-welfare state that allowed women and racial minorities to participate in national politics by showing how the US government was able to launch total war that blurred the boundaries of home and abroad through the “principle of indistinction.” The supposed blurring of colorline through military desegregation and multilateral, multi-racial alliances hid fortification of the US empire as necropolitical war target broadened through indistinction of civilian, women, and children as possible enemies. The US counterinsurgency eroded democratizing, decolonizing movements abroad based on color lines, and rhetorical racial equality at home was accompanied by increased policing of “high-crime” areas where minorities resided. Hong theorizes a range of struggles such as Black freedom, Asian liberation, and decolonization as “homologous responses to unchecked US war and police power at home and abroad… [The] alignment, participation, and complicity with the US military… blurred the color line, giving a redemptive liberal veneer to US war politics in Asia and the Pacific” (8-9). Through rich analyses of literary texts of Ralph Ellison, Carlos Bulosan, and James Baldwin, Hong examines how POC authors contested the promise of liberal democracy while military-industrial complex and colonial violence sought to erase decolonizing struggles. Hong further draws attention to commercialization of hibakusha’s bodies as well as photographs of Miné Okubo to critique the construction of peace as American property. Hong’s groundbreaking work spans Asian American studies, critical Asian studies, and critical empire studies, challenging us to question the modernity that had been presented to us through seeming homogeneity of American liberal democratic ideals. Christine Hong is Associate Professor of Literature at University of California, Santa Cruz. Her research interests include transnational Asian American, Korean diaspora, U.S. war and empire, and comparative ethnic studies. She is also a board member of the Critical Ethnic Studies Association, an executive board member of the Korea Policy Institute, a coordinating committee member of the National Campaign to End the Korean War, and a member of the Working Group on Peace and Demilitarization in Asia and the Pacific. She is currently organizing a teaching initiative to end the Korean War. Da In Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include reproductive justice movement, care labor and migration, affect theory, citizenship, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

9 Nov 202059min

The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

9 Nov 202042min

“The key element shaping inequality is no longer the employment relationship but rather whether one is able to buy assets that appreciate at a faster rate than both inflation and wages”. So argue Lisa Adkins, Martijn Konings and Melinda Cooper in The Asset Economy (Polity Press, 2020), extending the argument in Thomas Piketty’s 2014 best-seller Capital in the Twenty-First Century. Inheritance, they claim, is no longer a 19th-century-style transmission of property titles after death but a “strategically timed transfer of funds that need to be leveraged and put to work in the speculative logic of the asset economy”. In the Anglo-Saxon economies at least, households are no longer just a unit of subsistence or consumption but a dynamic Minskyan balance-sheet manager. Lisa Adkins is Head of the School of Social and Political Sciences and Martijn Konings is Professor of Political Economy and Social Theory at the University of Sydney. Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

9 Nov 202033min

Capitalisms: Towards a Global History (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective. Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of India, Modernity and the Great Divergence: Mysore and Gujarat (2017). Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of Caste, Nationalism and Communism in South India: Malabar, 1900-1948 (1994). Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

6 Nov 20201h 27min

What is an art school? In Art Schools and Place: Geographies of Emerging Artists and Art Scenes (Rowman and Littlefield, 2020), Dr Silvie Jacobi, a researcher and head of education at London School of Mosaic, thinks through the status of art schools and arts education in the contemporary world. The book draws on ethnographic research in Manchester and Leipzig, comparting and contrasting two nations, two educational systems, and two cities, to show the different approaches to training and supporting contemporary culture. The book also compares artforms, considering both traditional practices, alongside the emergence of digital and media arts. Bridging geography, sociology, and the history of art, the book is essential reading for scholars of cultural and creative industries, as well as anyone interested in the continuing value and importance of the arts in education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

3 Nov 202039min

In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African diaspora? On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Zakkiyah Imam Jackson about the imaginative interventions of African cultural production into the racial logics of the so-called “Enlightenment,” past and present. Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World (NYU Press, 2020) breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo (NOW-LO) Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae (La-Hi), and the oratory of Frederick Douglass, Dr. Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human." Becoming Human is forthcoming as an audio book version in early January 2021. Keep an eye out if you prefer to listen to your new books! We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

3 Nov 202053min

What are the identity conflicts that define contemporary society? In Brexitland: Identity, Diversity and the Reshaping of British Politics (Cambridge UP, 2020) Maria Sobolewska and Robert Ford, professors of politics at the University of Manchester, explore the long term, structural changes in British society that underpinned the 2016 referendum on EU membership, the 2017 and 2019 general elections, as well as contemporary political debates and future questions such as voting on Scottish independence. At the heart of the book is the identification of new identity groups- both liberal and conservative- that have been shaped by changes in education and diversity, as well as by politicians’ and political parties’ behaviours. Offering historical analysis of immigration and public opinion, as well as a rich and detailed engagement with contemporary social attitudes, the book is essential reading both in the UK and in other nations seeing the rise of similar forms of social change and attitudinal conflicts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

28 Okt 202047min

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

21 Okt 202034min