New Books in Critical Theory

Joshua Foa Dienstag, Professor of Political Science and Law at UCLA, considers, in his new book, the interaction between our experiences in watching films and our positions as citizens in a representative democracy. In both situations, as an audience member watching a movie and as a citizen in a representative republic, we need to understand the interactions we have with others, and consider how we experience representation, in politics and in film. These are not necessarily spaces and concepts that are usually woven together, but Dienstag makes the case that they should be considered in regard to each other because they both are forms of representation, and important emotional dimensions are threaded through each form. Cinema Pessimism: A Political Theory of Representation and Reciprocity (Oxford University Press, 2019) begins by diving into the idea of representative government, especially in contrast to idealized notions of direct democracy. Dienstag examines some of the history of political thought about representative democracy and focuses on the contemporary dialogue among political theorists about reciprocity as both necessary and difficult in the representation relationship. If we could have more fully reciprocal relationships with our elected officials, inequality and corruption might not be problematic issues. Given that our democracy has grown substantially since the early days of the republic, we, as citizens, are far less connected to our elected officials. Cinema Pessimism holds up a mirror to this question of the estrangement of political representation and examines our experiences in context of filmic representations, which are structured to engage us emotionally and through images that “look like us.” Thus, Dienstag weaves together our experiences as audience members, where we see narrative constructions of these issues of representation and reciprocity, and our political experiences of the same. In both cases, Dienstag warns that we are becoming disconnected—disconnected from individuals in our lives, from our roles as citizens, and from actual emotional engagement with others—and this disconnection is particularly problematic when the idea of representation and reciprocity is predicated on connections. Cinema Pessimism toggles between thinking about the political experiences of citizens and the emotional and visual experiences of audience members, tracing out the overlapping components of these often-separated roles. Dienstag’s analysis combines visual cultural artifacts and political theory, focusing our thinking on the danger that representative politics may pose for freedom and equality. Cinema Pessimism examines a number of cinematic artifacts, some more overtly political than others, in the course of discussing what we see, feel, and experience as viewers and audience members. This novel and rigorous analysis will be of interest to many readers, bringing together a variety of fields and disciplines, including political theory, philosophy, media studies, cultural studies, and film studies. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Mar 202058min

An Interview with Todd McGowan about his recent Emancipation After Hegel: Achieving a Contradictory Revolution (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. Emancipation After Hegel also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai. Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Mar 202050min

In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape. Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Mar 202053min

Relying on Carl Jung’s theory of the complex, as well as the archetypal narratives of the Greek character Pan, Sukey Fontelieu’s The Archetypal Pan in America: Hypermasculinity and Terror (Routledge, 2018) seeks to examine a collection of social and political traumas, both personal and collective. The book examines the development of our personal and social identities in psychoanalytic terms, as well as their historical development through large and defining political events, such as the treatment of indigenous populations, foreign military interventions, and the increasing levels of violence at home. The result is a book that sees our current situation as having been in development for quite some time, and that will require deep personal reflection if we are to move forward. Sukey Fontelieu, PhD attended the University of Essex and Pacifica Graduate Institute and is currently a professor in the Jungian and Archetypal Studies Program at Pacifica. Stephen Dozeman is a freelance writer.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

18 Mar 20201h 3min

From the New York Times to NPR, many major news organizations have strict policies about how reporters can conduct themselves in relation to the stories they cover. Journalists are discouraged from going to political events, advocating for causes related to the topics they cover, and publicly supporting candidates — all in the name of impartiality and presenting the news as an unbiased observer. Journalist Lewis Raven Wallace argues that this thinking is flawed, and even dangerous to democracy, in his book The View from Somewhere: Undoing the Myth of Journalistic Objectivity (University of Chicago Press, 2019). Wallace traces the history of how objectivity became the gold standard in journalism, and looks at examples of people who have bucked the trend along the way. Wallace advocates for a style of journalism that frees reporters to tell stories without the veil of impartiality while still uncovering the truth and holding those in power accountable. As you’ll hear, this approach is starting to take root in journalism schools and online news outlets created by voices largely excluded from mainstream media. Wallace is an independent journalist, a co-founder of Press On, a southern movement journalism collective, and the host of The View from Somewhere podcast. He previously worked in public radio and is a longtime activist engaged in prison abolition, racial justice, and queer and trans liberation. He is a white transgender person from the Midwest and is now based in North Carolina. Jenna Spinelle is a journalism instructor at Penn State, host of the Democracy Works podcast, produced by Penn State’s McCourtney Institute for Democracy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

17 Mar 202045min

Today Dennis Baron talks about his new book What's Your Pronoun?: Beyond He & She (Liveright, 2020). Baron is professor emeritus in English at the University of Illinois Urbana-Champaign and has written many books about language and its connection to culture. What’s Your Pronoun addresses an important cultural question about women’s rights and the rights and identities of non-binary people, and reveals how we got from he and she to zie, hir, and singular they. Pronouns have sparked a national (and international) debate, prompting new policies about what pronouns to use in schools, workplaces and even prisons. Baron describes the historical context of singular they, how the use of generic he was both used to assert women’s suffrage and to deny it, and the use of neo-pronouns throughout the centuries. What’s Your Pronoun? chronicles the role that pronouns play in establishing our rights and identities. Indeed, the relevance of the question “what’s your pronoun” throughout English’s history may surprise you. Carrie Gillon is a linguist, editor and writing coach, working in the academic and healthcare sectors. She’s the author of The Semantics of Determiners (Cambridge Scholars Publishing, 2103) and the co-author of Nominal Contact in Michif (Oxford University Press, 2018). She is also the co-host of the podcast The Vocal Fries, a biweekly podcast about linguistic discrimination (or why judging language is not OK). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

17 Mar 202041min

What does music tell us about society? In Connecting Sounds: The Social Life of Music (Manchester University Press, 2020), Nick Crossley, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, Connecting Sounds discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Mar 202038min

Again, Dangerous Visions: Essays in Cultural Materialism (Brill/Haymarket, 2018) brings together twenty-six essays charting the development of Andrew Milner's distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J. R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction. Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

11 Mar 20201h 6min