New Books in Critical Theory

An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy. For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat.  Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy.  Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

30 Nov 20231h 13min

Erinnerungskämpfe: Neues deutsches Geschichtsbewusstsein (Ditzingen: Reclam, 2023) is a new, provocative volume on German memory cultures and politics edited by Jürgen Zimmerer. What can be loosely translated as Memory Wars: New German Historical Consciousness is a collection of chapters that lay bare a mosaic of a diverse German memory landscape as well as the major debates and turning points by which it is continuously shaped. It is subdivided in five sections together encompassing 23 chapters and covers German Empire and colonialism, National Socialism and the Second World War, the Holocaust and multidirectional memory, East/West Germany and reunification, and, finally, today's Berlin Republic. This volume gains in relevance by the day and shows how the German past(s) and the way they are debated, commemorated, and weaponized today and by whom has real-life, if not existential, consequences. It is far from an exclusively German matter. Memory Wars: New German Historical Consciousness is of interest for all those who critically engage with the instrumentalization of memory in ongoing cultural wars in other national contexts as well, such as the heated debates and rightwing attacks in the United States and elsewhere surrounding fields such as Critical Race Theory, Gender or Queer Studies that emerge out of the White Supremacist backlash and the concomitant increase in racism, trans- and homophobia. Jürgen Zimmerer is Professor of Global History and the head of the research center “Hamburg’s (post-)colonial legacy” at the University of Hamburg. He served as the founding president of the International Network of Genocide Scholars for twelve years until 2017 and was the Senior Editor of the Journal of Genocide from 2005 to 2011. His research interests include German Colonialism, Comparative Genocide studies, Colonialism and the Holocaust, and Environmental Violence and Genocide and, for the specific German context, his work has been crucial in revealing the deep connections between the Holocaust and German colonialism – up until that point two German histories of violence hegemonically thought of as ontologically different, if thought together at all. His publications include German Rule, African Subjects: State Aspirations and the Reality of Power in Colonial Namibia (2021) and From Windhoek to Auschwitz? Reflections on the Relationship between Colonialism and National Socialism forthcoming in English in 2024. Miriam Chorley-Schulz is an Assistant Professor and Mokin Fellow of Holocaust Studies at the University of Oregon and the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present. She holds a Ph.D. in Yiddish Studies from Columbia University and is the author of Der Beginn des Untergangs: Die Zerstörung der jüdischen Gemeinden in Polen und das Vermächtnis des Wilnaer Komitees (Berlin: Metropol, 2016) which was awarded the “Hosenfeld/Szpilman Memorial Award.” Henriette Sölter is a communications and PR consultant with expertise on the interface of contemporary art and culture, international perennial formats, and strategic institutional positioning. She has worked with institutions such as documenta, Berlin Biennale for Contemporary Art, and Haus der Kulturen der Welt (HKW), is a member of Bergen Assembly's executive board and is part of the New Patrons network for citizen-commissioned art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

29 Nov 20231h 1min

Artists Remake the World: A Contemporary Art Manifesto (Yale UP, 2023) puts forward an account of contemporary art’s political ambitions and potential. Surveying such innovations as evidence-driven art, socially engaged art, and ecological art, the book explores how artists have attempted to offer bold solutions to the world’s problems. Simoniti systematises the perspectives of contemporary art as a force for political and social change. At its best, he argues, contemporary art allows us to imagine utopias and presents us with hard truths, which mainstream political discourse cannot yet articulate. Covering subjects such as climate change, social justice, and global inequality, Artists Remake the World offers a philosophy of contemporary art as an experimental branch of politics. Vid Simoniti is a Lecturer in Philosophy of Art at the University of Liverpool. He is the co-editor, with James Fox, of Art and knowledge after 1900. Ryan Trecartin, P.opular S.ky (section ish), 2009. My conversation with Fuller and Weizman on Forensic Architecture and Investigative Aesthetics.  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

29 Nov 202358min

These days, everyone feels insecure. We are financially stressed and emotionally overwhelmed. The status quo isn’t working for anyone, even those who appear to have it all. What is going on? In The Age of Insecurity (House of Anansi Press, 2023), author and activist Astra Taylor exposes how seemingly disparate crises—rising inequality and declining mental health, the ecological emergency, and the threat of authoritarianism—originate from a social order built on insecurity. From home ownership and education to the wellness industry and policing, many of the institutions and systems that promise to make us more secure actually undermine us. Mixing social critique, memoir, history, political analysis, and philosophy, this genre-bending book rethinks both insecurity and security from the ground up. By facing our existential insecurity and embracing our vulnerability, Taylor argues, we can begin to develop more caring, inclusive, and sustainable forms of security to help us better weather the challenges ahead. The Age of Insecurity will transform how you understand yourself and society—while illuminating a path toward meaningful change. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

28 Nov 20231h 1min

Queer theory has often been hesitant to align itself with a politics of the state, approaching it with a negative or pragmatic framework. A Queer Theory of the State (Floating Opera Press, 2023) expands an earlier online essay from The Point by historian Samuel Huneke to offer a more optimistic perspective. Rather than eschew political engagement with democratic theorizing, Huneke asks how queer theory can wed its critically anti-normative impulses to the empirical need for a state. In answering this question, Huneke shows how the state is an integral component of a politics that seeks to subvert and undo the oppression of queer lives. Lea Greenberg is an editor, translator, and scholar of German and Jewish studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Nov 202339min

Should governments fund the arts? In The Moral Foundations of Public Funding for the Arts (Palgrave Macmillan, 2023), Michael Rushton, Co-Director of the Center for Cultural Affairs and a Professor at the O’Neill School of Public and Environmental Affairs at Indiana University, explores a variety of frameworks for thinking about this question, from liberal and egalitarian justifications, through to communitarian, conservative, and multiculturalist ideas. The book outlines the economic method for thinking about the arts, and uses this as a starting point to understand what various political philosophies might tell policymakers and the public today. A rich and deep intervention on a pressing social and governmental question, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in arts and cultural policy. Prof Rushton blogs at both Substack and Artsjournal and you can read open access papers covering some of the key ideas in the book here and here. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

25 Nov 202345min

In The Feeling of Letting Die: Necroeconomics and Victorian Fiction (Ohio State UP, 2023), Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism’s death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows. Utilizing Achille Mbembe’s theorization of necropolitics, MacLure uses the term “necroeconomics,” positioning Victorian authors—even those who were deeply committed to liberal capitalism—as hyperaware of capitalism’s death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Dieshows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

25 Nov 20231h 3min

Sarah E. Stoller, Inventing the Working Parent: Work, Gender, and Feminism in Neoliberal Britain (MIT Press, 2023) is the first historical examination of working parenthood in the late twentieth century--and how the concepts of "family-friendly" work culture and "work-life balance" came to be. Since the 1980s, families across the developed West have lived through a revolution on a scale unprecedented since industrialization. With more mothers than ever before in paid work and the rise of the middle-class, dual-income household, we have entered a new era in the history of everyday life: the era of the working parent. In Inventing the Working Parent, Stoller charts the politics that shaped the creation of the phenomenon of working parenthood in Britain as it arose out of a new culture of work. Stoller begins with the first sustained efforts by feminists to mobilize politically on behalf of working parents in the late 1970s and concludes in the context of an emerging national political agenda for working families with the rise of New Labour in the 1990s. She explores how and why the notion of working parenthood emerged as a powerful new political claim and identity category and addresses how feminists used the concept of working parenthood to advocate for new organizational policies and practices. Lastly, Stoller shows how neoliberal capitalism under Margaret Thatcher and subsequent New Labour governments made a family's ability to survive on one income nearly impossible--with significant consequences for individual experience, the gendered division of labor, and intimate life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Nov 202340min