Dorm Room Days: Morrissey & Blind Melon

Dorm Room Days: Morrissey & Blind Melon

Don and Dude rewind to the tiny shared spaces and thumping stereos of their college years for a pair of dorm room staples that shaped how they hear music and each other. Britpop era melancholy and messy alt rock chaos meet as they revisit the comfort, conflict, and late night oversharing baked into two records they once pushed on every friend who would listen.

The Albums

Morrissey – Vauxhall and I (1994) English icon softens his armor on a somber, elegant solo high point, trading sneer for reflection as warm, chiming guitars and unhurried arrangements frame songs about grief, aging, and the strange dignity of feeling out of step with the world.

Blind Melon – Soup (1995) Post "No Rain" expectations implode on a jittery, New Orleans soaked follow up where brass bands, banjos, and swampy riffs circle addiction, black humor, and psychic free fall, capturing a band pulling itself apart even as the songs grow bolder and more haunted.

Diggin’ Albums

Flea – Honora (2026) Chili Peppers bassist steps into the spotlight with a jazz leaning, emotionally searching solo set that blends rubbery bass, trumpet, and restless grooves into pieces that feel improvised, intimate, and quietly obsessed with finding new corners of his musical voice.

The White Buffalo – On the Widow’s Walk (2020) Gravel voiced Americana storyteller trades some of his rowdier edges for slow burning, coastal twilight songs about regret, resilience, and small moral crossroads, the kind of record that sounds like replaying old choices on a long walk home.

Widowspeak – Roses (2026) Brooklyn duo keep sinking deeper into hazy, slow motion guitar pop, letting molasses tempos, smoky vocals, and dusky twang drift together into songs that feel like half remembered conversations replayed in the glow of a bedside lamp.

Traitrs – Possessor (2026) Toronto darkwave pair push their icy synths and driving basslines into even more cinematic territory, stitching club ready pulses to echo drenched vocals and doomed romance hooks that sound tailor made for late night train rides and nervous stares across the floor.

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“When I went to college, I lived on campus, and the guys I hung out with made the characters in Revenge of the Nerds look like the Rat Pack in 1962.” – Dennis Miller

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