Pavel Haas, Symphony

Pavel Haas, Symphony

This February, I have the great honor of joining the Indianapolis Symphony for the North American premiere of Pavel Haas' remarkable unfinished symphony. Pavel Haas, a Czech Jewish composer, wrote the existing music for his symphony between 1940 and 1941 before his deportation to the Terezin ghetto/concentration camp. He was a full participant in the well known cultural activities of the camp, but was unable to complete the symphony before he was murdered in Auschwitz in 1944. What Haas did manage to complete is not just a piece that is worth hearing as a historical curiosity, but is one of the towering testaments of both the time in which it was written, and of the unique and innovative Czech symphonic tradition. We are left with 1 fully completed movement, one fully sketched movement, and a "torso" of a third movement. The symphony was completed by the Czech composer Zdenek Zouhar after World War II.

The story of Haas' death, which we will learn about on the show today is, of course, devastating. Hearing his music reminds all of us of the individual voices that we have lost. The voices of the 6 million Jews, and 6 million others whom the Nazis murdered. But this music also reminds us of the proof that Pavel Haas lived. Haas was one of the truly unique composers of the 20th century, and while his tragic story cannot be detached from his music, the music itself transcends its time and acquires the universality of all great music. It Is truly an honor to be bringing this music to the North American stage for the first time, and at a time of rising Anti-Semitism around the world, I hope that his story, his music, and his voice, will reach far and wide. Join me to learn about this remarkable work.

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Conductor's Roundtable

Conductor's Roundtable

This week I was proud to join the Phoenix Orchestra's livestream at twitch.tv/thephoenixorch for a quarantined conductor's roundtable featuring Matthew Szymanski, Aram Demirjian, and Gemma New. We discussed what it is that conductor's do, the art of rehearsing, batons, the psychology of working with large groups, our craziest stories from doing the job, and much much more. This was such a fun experience and we're going to be doing it again very soon. We hope you enjoy it and will join us for the next one!

13 Apr 202056min

Bartok Concerto for Orchestra, Part 2

Bartok Concerto for Orchestra, Part 2

Bartok did not have an easy life in the US, and he was constantly both homesick and horrorstruck by the news from across the ocean. The final three movements of his Concerto for Orchestra display some of that heartbreak, but also the life-affirming joy that Bartok found in his final creative resurgence. Today we'll talk about the devastating 3rd movement, the odd fourth movement, a movement that is playful, heartbreaking, and satirical all at once, and finally we'll explore the ecstatic final movement.

9 Apr 202047min

Bartok Concerto For Orchestra, Part 1

Bartok Concerto For Orchestra, Part 1

In 1944, Bartok, dying of Leukemia and weighing only 87 lbs, was commissioned to write a new orchestral piece. He had not written any music for years, and was barely clinging to life. The commission sparked a creative resurgence for Bartok, resulting in his most beloved piece, the Concerto For Orchestra. This week, on Part 1, we'll talk about the first two movements of the piece, from the alternately brooding and exhilarating first movement, to the second movement, a genuinely funny and charming diversion.

2 Apr 202042min

Shostakovich Symphony No. 7, "Leningrad"

Shostakovich Symphony No. 7, "Leningrad"

I've been coming back to this symphony again and again over the past couple of weeks. The story of the composition and Leningrad performance of Shostakovich 7 is one of the most remarkable stories of human perseverance, symbolism, and collective action in history. This is a story I haven't told yet on the show, but it couldn't be more relevant today. It is a story about overcoming tragedy. It is a story about hope. It is a story that I think should inspire all of us as we go through this situation together.

26 Mars 202040min

The Overtures of Beethoven

The Overtures of Beethoven

Never fear everyone, the podcasts are still coming during this crazy time! This week I'll take you through 7 of Beethoven's greatest overtures, pieces that distill Beethoven's storytelling abilities, compositional mastery, and blazing fire all down into just a few minutes. We'll also get a chance to explore Beethoven's creative process, and the development of the Overture itself. Come check out the Coriolan, Egmont, and Leonore Overtures 1, 2, AND 3 plus the overtures to Fidelio and Prometheus. Stay safe!

19 Mars 202056min

Schumann Cello Concerto

Schumann Cello Concerto

On today's Patreon-sponsored episode, we'll explore the enigmatic masterpiece known as the Schumann Cello Concerto. This is a piece that has been relentlessly criticized ever since it was written, and yet it remains a part of every cellist's repertoire all over the world. What accounts for this contradiction? This week we'll attack these criticisms head on, and also marvel at the melodic inspiration and formal innovations that run through this underrated gem from a deeply underrated composer.

12 Mars 202046min

Brahms Symphony No. 3

Brahms Symphony No. 3

Brahms' 3rd symphony is his most underrated symphony. It is a nearly perfect piece that transcends the traditional symphonic narrative over its 40 minute journey. So why doesn't it get performed as often as the other 3 symphonies? This week we dissect the symphonies' origins(hint: it has something to do with Clara Schumann), it's unique cyclical structure, and the motto that runs through the entire work. There are few symphonic hikes more satisfying than Brahms' 3rd symphony, so let's start up together!

5 Mars 20201h 1min

How to Be A Film Composer, with Christopher Willis

How to Be A Film Composer, with Christopher Willis

This week I was joined by the wonderful composer Christopher Willis for a wide ranging and fascinating conversation. Willis, who wrote the music for The Death Of Stalin, Mickey Mouse Shorts, Veep, and the new movie the Personal History of David Copperfield, divulged many secrets about the film composing world in this fascinating interview. How does music correspond to actions on screen? What is the process of how film music is created? All these questions and more are answered today!

6 Feb 202040min

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