Stravinsky: The Firebird

Stravinsky: The Firebird

In 1906, the impresario Sergei Diaghilev created a sensation in Paris with an exhibition of Russian Art. This was the first time a major showing of Russian art had appeared in Paris, and from this point forward, the city was obsessed with Russian art, literature, and music. Diaghilev, ever the promoter, then put together the Ballets Russes, the Russian Ballet, in 1909, a company based in Paris that performed ballets composed, choreographed, and danced, by Russians. Over the next 20 years, the Ballets Russes became one the most influential and successful ballet companies of the entire 20th century, and a young composer that Diaghilev plucked from obscurity named Igor Stravinsky had a lot to do with their success. The first season of the Ballet Russes relied on the big names of Russian music, like Borodin, Tchaikovsky, Rimsky Korsakov, but Diaghilev was always restlessly searching for something new.

For many years, Diaghilev had wanted to bring not only new Russian art, but also new Russian music to the West, and now he had found the perfect combination - Diaghilev brought together the Russian artist and writer Alexandre Benoit and the Russian choreographer Michel Fokine to create a Russian nationalistic ballet based on Russian folk tales and mythology. He then took a risk, giving the commission for the music to Igor Stravinsky. The result? The Firebird, a ballet that provoked an ecstatic reaction, a score that would propel Stravinsky to worldwide popularity, 3 different orchestral suites played almost every year by orchestras all over the world, and a 19 year collaboration and friendship between Stravinsky and Diaghilev which only ended in Diaghilev's death and resulted in 8 original ballets, including The Rite of Spring and Petrushka.

But, let's not get too ahead of ourselves. All of this had to start somewhere, so lets explore the Firebird, in all of its different versions and orchestrations, along with the folk tales and stories that go along with it. Join us!

Avsnitt(272)

"Chasing Chopin," with Annik LaFarge

"Chasing Chopin," with Annik LaFarge

This week I had the pleasure of speaking with Annik Lafarge, author of "Chasing Chopin," a book being released Tomorrow, August 11th, wherever books are sold. This is really a wonderful book and you'll hear in this interview all of Annik's abiding enthusiasm about Chopin which comes through so beautifully in the book. We talk about Chopin's pianos, Chopin as a symbol of Poland, the famous Funeral March, Georges Sand, and traveling to places that Chopin lived and worked. In essence, this is an immersion into Chopin and his music, and I'm sure you'll enjoy this fascinating interview - Chopin's debut on Sticky Notes!

10 Aug 202057min

Brahms Requiem

Brahms Requiem

In February of 1865, Johannes Brahms received a letter from his brother saying: "If you want to see our Mother again come at once." Brahms rushed off to Hamburg but was two days too late. He had long thought about composing a requiem but this seemed to be the catalyst for him to finally write one. And it is a requiem like no other. Selecting biblical but secular texts himself, Brahms created what he called a "Human Requiem," a piece that is a balm and a comfort to the living as they mourn the dead.

6 Aug 20201h 2min

Talking Conducting, Studying, and Loneliness w/ Dalia Stasevska

Talking Conducting, Studying, and Loneliness w/ Dalia Stasevska

Dalia Stasevska is a wonderful conductor whose career has skyrocketed in the past few years. She is the Principal Guest Conductor of the BBC Symphony and is the incoming Chief Conductor of the Lahti Symphony in Finland. We had a really great talk about getting into music, learning conducting from two legends in the field, Jorma Panula and Leif Segerstram, and about the sometimes lonely life of a conductor. Dalia is one of my favorite people to talk to in the music world and I'm sure you'll enjoy this!

3 Aug 202047min

The Connection Between Language and Music w/ Yundu Wang

The Connection Between Language and Music w/ Yundu Wang

I had the great pleasure of speaking with my friend Yundu Wang about her doctoral thesis exploring the connections between language and music. This research gets into thorny questions about the relationship between national origin and the way we interpret music, and also into questions of identity, stereotyping, and prejudice. I find this research particularly compelling and fascinating, and I hope you will too! Yundu's wonderful blog can be found here: https://blog.yunduwang.com/2020/05/12/an-introduction/

27 Juli 202050min

A Decidedly Undogmatic Conversation w/ Mahan Esfahani

A Decidedly Undogmatic Conversation w/ Mahan Esfahani

Mahan Esfahani is a world-renowned harpsichordist who has said that it is his mission to rehabilitate the harpsichord as an instrument for modern audiences. In this conversation, we talked about Beethoven, playing modern music on the harpsichord, and nearly starting a riot over the music of Steve Reich! We also discussed the battles WITHIN the early music movement over performance practice. Mahan is one of the most fearless and outspoken voices in classical music so I think you'll really enjoy this one!

20 Juli 20201h

Mahler Symphony No. 6, Part 3

Mahler Symphony No. 6, Part 3

Albert Camus once wrote: "when I describe what the catastrophe of man looks like, music comes into my mind—the music of Gustav Mahler." The last movement of Mahler 6 is a symphony within a symphony. It is a difficult movement to understand, and even the way it ends is full of the emotional complexity that marks Mahler's music. I'll take you through this movement today, through its peaks and valleys of ecstasy and despair all the way to the hammer blows that cut our hero down as he strives ever upward.

16 Juli 202047min

Mahler Symphony No. 6, Part 2

Mahler Symphony No. 6, Part 2

There are few controversies like the ones surrounding the order of the inner movements of Mahler 6. Musicologists and conductors battle with each other about what Mahler meant and what his wife knew, and they also are at each other's throats about which order WORKS better logically in the symphony, regardless of Mahler's intentions. There's an answer to the first part, but not to the second, and that's just one of the things we'll explore today as we look at the inner workings of these remarkable movements.

9 Juli 202049min

Programming Post-Covid, Competitions, and the Negro Folk Symphony, w/ Ryan Bancroft

Programming Post-Covid, Competitions, and the Negro Folk Symphony, w/ Ryan Bancroft

Ryan Bancroft is a conductor who has seen a meteoric rise ever since winning the Malko Competition for Conductors in 2018. In this conversation, we talked about programming post-pandemic, and also about our common entry into the conducting world, and all of the pressures and joys of that kind of rocket boost to your career. At the end of the show, we discussed the absolutely amazing and underrated Negro Folk Symphony of William Levi Dawson. This was a such a fun conversation and I hope you enjoy it!

6 Juli 202039min

Populärt inom Nöje

mellan-himmel-och-jord-med-jlc
mardromsgasten
filip-fredrik-svarar
badfluence
fordomspodden
nemo-moter-en-van
dialogiskt
schulman-show
rss-p3-musikdokumentar
fem-i-topp
chilla-med-de-vet-du
hundaren-motgangspodden-av-tomas-andersson-wij
mannen-utan-spar
podme-bio-4
gott-snack-med-fredrik-soderholm
rss-rockpodden
sexet
hemma-hos-strage
skandal
jag-ar-kinky