Stravinsky: Petrouchka

Stravinsky: Petrouchka

If you listened to my show last week about Stravinsky's ballet The Firebird, you know that Stravinsky's life was never the same after the premiere of the ballet in 1910. Sergei Diaghilev, the founder of the Ballets Russes and Stravinsky's greatest collaborator, said just before the premiere, "this man is on the eve of celebrity." Diaghilev was absolutely right, as The Firebird made Stravinsky a Parisian household name practically overnight. Of course, immediately everyone wanted to know what was next. Stravinsky did too, and he was thinking that he needed to stretch himself even more, as even though the Firebird had caused a sensation, he still felt that it was too indebted to his teachers of the past like Nikolai Rimsky Korsakov and other Russian greats like Borodin or Mussorgsky. At first, Stravinsky dreamed of a pagan Rite, but quickly he changed course, wanting to write something that was NOT ballet music, and in fact would be a concerto for Piano and Orchestra. But instead of just a straight ahead abstract piece, Stravinsky had yet another story in mind. This time it was this: "In composing the music, I had in mind a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios. The orchestra in turn retaliates with menacing trumpet blasts. The outcome is a terrific noise which reaches its climax and ends in the sorrowful and querulous collapse of the poor puppet."

Diaghilev visited Stravinsky in Lausanne Switzerland expecting to hear more about the pagan rituals Stravinsky had been so excited about, but instead Stravinsky played him this strange piano concerto. But Digahliev, ever the visionary, saw the potential in this story and in this music for dance as well, and convinced Stravinsky to turn the piano concerto into a ballet, and Petrushka was born. Within a few months, Petrushka was written, performed, and was yet another sensation. Today, we'll talk all about the brilliant music that Stravinsky composed for the ballet, the integration of choreography and music, and the radical changes that this music heralded for the western music world.

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A Conversation w/ Mezzo Soprano Sasha Cooke

A Conversation w/ Mezzo Soprano Sasha Cooke

Welcome to the Week of the Voice! Join conductor and host Joshua Weilerstein, back from a brief illness-inspired hiatus(!), as he welcomes in the amazing Mezzo-Soprano Sasha Cooke for a chat about Mahler, about singing opera versus recitals, preparation, text, traveling, contemporary music, and improv comedy! This is the first of TWO interviews this week, so please stay tuned for an interview with the incredible bass-baritone Eric Owens, coming out on Thursday! Thanks for listening!

17 Okt 201747min

How to Change the World w/ Yo-Yo Ma

How to Change the World w/ Yo-Yo Ma

Join conductor and host Joshua Weilerstein as he welcomes the legendary cellist and humanitarian Yo-Yo Ma for a full-length interview! In the interview, we discuss what it means to be a musical citizen, how to create change through music, why Yo-Yo went down this path, how he discovered so many different styles of music, and much much more. I really hope you enjoy this interview of such an amazing artist - thanks for listening!

20 Sep 201739min

Emanuel Ax Interview

Emanuel Ax Interview

Join conductor and host Joshua Weilerstein for a conversation with the world-renowned pianist Emanuel Ax! We cover crossword puzzles, growing up in the Soviet Union, moving to Canada, and then to New York, selling baloney sandwiches, his first big break, the value and the drawbacks of competitions, his reputation as the nicest guy in classical music, the evolution of conductors, his timpani debut(!), and a lightning round! I hope you enjoy it!

20 Juni 201755min

Eun Lee, Founder of The Dream Unfinished

Eun Lee, Founder of The Dream Unfinished

Concluding a week-long focus on Composers of Color, join host Joshua Weilerstein as he welcomes Eun Lee, the founder of The Dream Unfinished, an activist orchestra using classical music as a platform to address issues of racial and social justice. We talk about how that works, and how and why the project started. Their concert is this Sunday, June 11th at Cooper Union University, and it's an event you shouldn't miss!

8 Juni 201731min

10 things to change about classical concerts

10 things to change about classical concerts

Join your host, conductor Joshua Weilerstein, as he welcomes Aram Demirjian, the Music Director of the Knoxville Symphony, and Matt Szymanski, the Founder and Music Director of Phoenix, to discuss an article that roiled the classical music scene just a few years ago: Baldur Bronnimann's "10 things to change about classical concerts." The article caused a firestorm of criticism and comment when it was released, and we're here to discuss, mull over, turn inside out, and evaluate each idea, from whether the audience should be allowed to clap between movements, to whether you should be allowed to Tweet during performances. This was a fascinating discussion and I hope you enjoy it! Please consider going to Baldur's site to follow along as we discuss each idea: http://www.baldur.info/blog/10-things-that-we-should-change-in-classical-concerts/

23 Maj 20171h 4min

A Conversation w/ Itzhak Perlman (w/special guest Toby Perlman!)

A Conversation w/ Itzhak Perlman (w/special guest Toby Perlman!)

He needs no introduction - one of the greatest artists of our time, Itzhak Perlman joins Sticky Notes to talk about teaching, playing, conducting, keeping things fresh, vibrato, style, taste, food, childhood, and so much more. Then, at around 42:00, Toby Perlman joins us to talk about the Perlman Music Program, my introduction to the Perlmans, and an incredible place for musicians to learn and feel safe and supported. Thanks again for listening!

9 Maj 201756min

An Interview with Donald Weilerstein and Vivian Hornik Weilerstein

An Interview with Donald Weilerstein and Vivian Hornik Weilerstein

Join conductor Joshua Weilerstein and his parents(!), the esteemed performers and teachers, Donald and Vivian Weilerstein, as they discuss how they met, their first time playing music together, teaching philosophies, parenting philosophies, and much much more!

14 Mars 201740min

Shostakovich Symphony No. 10

Shostakovich Symphony No. 10

Join conductor Joshua Weilerstein as he takes a deep dive into Shostakovich's monumental 10th symphony. We'll analyze the music, the history behind the music, and much more, all in an easily digestible and accessible way. This podcast is for beginners all the way to experts.

14 Mars 201750min

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