Making Up For Lost Time With BEAU BUECHELL From SAOSIN

Interview by Kris PetersSydney based death metal outfit Anoxia are one of the rare breed of bands who are prepared to live and die by the sword they carry.By bringing a new sound to a bygone era of heavy metal, Anoxia embraces the legacy of death metal bands that have come before them such as Morbid Angel, Suffocation and Death, but sprinkle enough of their own - more modernized - DNA through the menu to make a fresh and tasty new main course where brutality is the King.After announcing their arrival with their 2020 Demo Torturous Degradation, Anoxia hit the stage sprinting, dropping their debut EP Languish In Suffering in 2023 which has seen the band amongst the first port of call for international touring acts such as Skeletal Remains and homegrown machines Psycroptic and King Parrot.But it is with the impending arrival of their debut full-length Revel In Sin on April 17 that Anoxia looks set to launch a global assault on the metal scene. Building on the crushing devastation promised with Languish In Suffering, Revel In Sin ramps up the intent, delivering more hooks, more pace, and more intensity.HEAVY caught up with guitarist Elias and bass player James to dig deeper."We released our EP in February 2023," Elias began. "So, it's been a little while now. We've just been touring a lot, playing a lot of shows, then took some time off to write and came up with Revel in Sin, so we're very excited. We feel like it's the next level in our progression as a band and as musicians, writing and just growing by fusing our old-school death metal style with some thrash metal elements as well. James came on board last August just to in the finalization of the writing stage as well, so he'll be on deck for the album launch as well."We press them both about the musical direction on Revel In Sin."We are all about the old school, early 90s US death metal," Elias affirmed. "So we're just building on that. The EP was four songs which we're proud of, but the album is just us levelling it up a bit in terms of speed, diversity and dynamics. It's very much in the vein of the EP, but just a few notches up from where we left off. There's different dynamics - fast in some places then slow - so we're just changing it up, but focussing on those hooks and keeping it intense."In the full interview, Elias and James talk more about Revel in Sin, highlighting the band's evolution in musical complexity by merging old-school death metal with thrash elements. Elias emphasized the single Rule by Cold Steel as a key representation of their sound, while James noted the album's progression from their previous EP, incorporating classic death metal elements with new dynamics. The band is promoting the album through a series of shows in Melbourne, Canberra, and Sydney, as well as a nationwide tour with Atheist, aiming to broaden their audience. We also discussed the advantages of being managed by Your Mate Bookings for securing larger tours and enhancing the band's professional image, alongside insights into their live performances and fan interactions.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Apr 14min

Interview by Kris PetersRising Australian rock outfit Vermantics are a band with a purpose.But although they might still be finding out the intricate details of just what that is as they make their way through the trappings of the music industry, one thing they are already sure of, even in their formative year,s is the need for independence. The need to forge, then follow your own path.Vermantics are at that tender stage of any band's career where they are currently hot property, and as such, people from all walks of life and expertise have an opinion on their lives, their sound, and their musical output.But they are also confident enough in their own ability and vision that, while taking any and all advice on board, stick to their own musical needs, throwing caution to the wind but doing so on their terms.This is clearly evident on the band's latest single Come Alive - with the music video premiering today, April 17 via HEAVY - a song that retains the raw elements from its birth and is delivered from the heart, complete with imperfections. It is raw, live-sounding, and infinitely better for the touches added - or left out more accurately - in the studio.HEAVY sat down with vocalist Stefan Fedele to find out more."The previous stuff we put out was a lot more produced and had a lot more effects," he affirmed. "It was just a bigger production, whereas this one is definitely more on the raw avenue, and things are played in real time. The vocals haven't been tuned anymore and the drums are played with no cutting. So yeah, all those things make a big difference, and it's heading in the way that we want it to. This is where we're at right now."In the full interview, Stefan spoke about the accompanying music video for Come Alive, which is designed to reflect the energy of the band's live performances. He explained the strategy of releasing the audio of the single ahead of the video to build anticipation and allow listeners to engage with the music directly. He also mentioned that Come Alive is the first track from their upcoming EP, The Pictures You Paint, which aims to showcase the band's artistic vision.We spoke about Vermantics' upcoming Melbourne show as well as their first international tour in May, discussing how to approach your first tour of another country and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Apr 8min

Interview by Kris PetersThe 2025 APRA MUSIC AWARDS are almost upon us, and after the overwhelming success of last year's debut category Most Performed Hard Rock/Heavy Metal Work, anticipation is once again high amongst Australia's fastest-growing music genre as five more Aussie acts are in the running to be recognized globally for their achievements.Not that winning awards are the be-all, end-all for band's, but a bit of reward for effort is never a bad thing!This year sees Make Them Suffer, Northlane, Polaris, Windwaker and Speed nominated for the gong, with Windwaker's frontman Liam Guinane joining HEAVY earlier today to talk all things APRA and beyond."Honestly, it was quite unexpected given the calibre of bands that we're up against," Guinane said of Windwaker's nomination. "So I'm quite honoured to be considered next to some of these pillars of heavy music currently in Australia. It feels terrific to be put amongst those names and to be a part of it. I'm really looking forward to the night. It seems like it's going to be a fantastic evening and, yeah, very much uncharted territory for us being recognised like this (laughs)."In the full interview, Liam discussed the band's recent nomination for the APRA Music Awards, expressing both surprise and honour at being recognized alongside established Australian bands. The conversation included thoughts on the competitive landscape among Australian bands, with Liam emphasizing Windwaker's distinct sound and broader appeal. He also considered whether to prepare a speech, leaning towards improvisation but recognizing the need for some preparation.We spoke about some of the lighter sides of the awards, including the chance of a heavier band performing on the night, last year's winners Parkway Drive and getting fashion tips from Winston McCall, Windwaker's latest tour and how the new songs were received live and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Apr 18min

Interview by Kris Peters For more than three decades, the name Chocolate Starfish has been synonymous with Australian rock music, with singer Adam Thompson one of the most engaging and enigmatic frontmen to ever grace the stage in this country. Despite the success of Chocolate Starfish and the constant touring that comes with it, Thompson has also found time to branch into other areas of the artistic world, most notably the Chocolate Starfish Bat Out Of Hell Show, where, obviously, the band performs the classic Meatloaf hits from that album and beyond. While not exactly a new project for Thompson, it is one that is close to his heart, and he has embraced the role as if it were his own - and God help anyone who tries to say it's not… This year Bat Out Of Hell - Return will see Chocolate Starfish traversing the country once more, but this time there's going to be strings attached. Literally. The electrifying show that continues to thrill audiences everywhere will be augmented by the stirring swells of a six-piece string section, escalating the rich production to mesmerizing heights. Featuring the classic album in its entirety, Bat Out of Hell - The Return promises everything audiences have come to know and love about a Starfish show – it’s an entertainment experience not to be missed. As a prelude to the main event, the band will be supported by a specially curated trio performing Chocolate Starfish favourites, starring Kate Daley and her dazzling vocals, Peter Mitchell on saxophone and Les Gyori on violin. The star of the show, Adam Thompson, sat down with HEAVY to talk about Bat Out of Hell - The Return and more. "We had a lot of success a couple of years ago with the Bat Out Of Hell show, and we just thought, look, if we're going to do it again, let's take it to another level," he began. "About a year and a half ago I did a George Michael show at the Myer Music Bowl with David Campbell and a few others, and it was with an orchestra and I just loved it. I said to the boys, why don't we up the ante and see if we can use a string section because it's so made for those sorts of shows. I know Meatloaf back in the day did several of them, and that album is just made for strings. "It's an eight-piece string section," he continued, "and the dynamics of the performance will change because previously we only had synth for something like For Crying Out Loud or Heaven Can Wait. For some of those slower songs you'll have that lush tone that the string section brings. So just to feel that groan of the cello on (sings) 'now the chilly Californian wind, is blowing down our bodies again…' oh man, it's just going to be goosebumps, right?" In the full interview, Adam spoke more about the Bat Out of Hell show along with works by Jim Steinman, enhanced by the inclusion of a string section. Adam shared his excitement about the tour, reflecting on the success of previous orchestral performances and the necessary mental and physical preparation for the run of shows, which will travel from Melbourne to Perth. He emphasized the importance of pacing and structure in performances, particularly with the addition of string players, while maintaining his unique style. The conversation also highlighted the growing audience for Chocolate Starfish, especially among families, and the positive ticket sales, with some shows nearly sold out. We discussed fans reactions to Adam's personality shining through during his Meatloaf performance, the importance of sprinkling his own DNA through the show, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15 Apr 16min

Interview by Jack HarlenSydney rock outfit Brooklyn Comic have built a steady name for themselves based on honest songwriting and powerful live performances.The band’s music blends emo, hardcore, indie and alternative rock, tackling themes such as loss, self-doubt, heartache and personal growth. As proud allies of the LGBTQIA+ community, Brooklyn Comic is also committed to fostering inclusivity and acceptance, both in the music industry and in the wider world.After giving fans a taste of what they have to offer through previous singles, Brooklyn Comic are now preparing to launch their debut full-length album Define Happiness, which is set for a slow waterfall release in 2025. But first the band are planning to drip feed content, with the recently released single Plot Heavy a tasty morsel of what is to come.HEAVY's newest member, intern Jack Harlen, spent some time with vocalist Jayme Weston and guitarist Declan Rivers from Brooklyn Comic to get the rundown.We start by asking about the early reception for the single."Pretty amazing," Jayme beamed. "I think it's done better than anything else we've released thus far. We put a lot of work and a lot of effort into these songs that are coming out this year, so it's good to see that reception come back."In the full interview, the boys spoke about the story behind Plot Heavy, the music video and what it is about, where the song sits in the overall scheme of the album, what themes run through Define Happiness, upcoming shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15 Apr 22min

Interview by Kris PetersMarketing plays a massive part in the world today, with the music industry no exception. A band can have all the chops in existence and originality dripping from their brow, but still reach next to no one without a clever marketing campaign or just plain luck.But when a band gets it right…As is the case with Australian hardcore outfit Lost Souls, who found the winning formula with brilliant use of animation through not only their music videos but also their daily existence. The band release their debut album Lore on April 18, but in the necessary pre-album campaign their debut single Childhood Died - a Star Wars themed epic - went viral and had everyone asking ‘who are Lost Souls?’. The single racked up millions of streams, garnered the attention of reaction channels around the globe, and was nominated for Best Blegh at the Nik Nocturnal Awards. They backed it up with the sequel The Return, followed by the Attack on Titan tribute My Soldiers Rage, which took social media by storm courtesy of a ping-pong ball breakdown viewed around the world 20 million times before the single was even released. Next came the ADHD masterpiece Dopamine, with a killer riff inspired by microwave popcorn, and their latest single MOSHLORD features their new bestie Jonathan Vigil of The Ghost Inside. And all of this without even releasing their first album!It is indeed a success story to marvel at, but to see for ourselves what all the fuss is about, HEAVY sat down for a unique one-on-one chat with frontman Kev that has to be seen to be believed and/or appreciated.We start by asking how he is feeling this close to the release date."Oh, dude, I'm just absolutely so stoked," he beamed. "We worked really hard on this album. I guess every band loves their own album (laughs), but it just feels like we haven't got any fillers on there. I'm just really pumped for everybody to hear the different kind of lyrical content we're covering and hear all those fat breakdowns and killer riffs."With such a massive global response already, HEAVY mentions that the band has to be feeling a touch of extra pressure to deliver."Just having the album out is a success in itself," Kev measured. "We've always just made music for ourselves and when we write these songs, we put our everything into it. And when people hear it and resonate with it, it's fucking awesome, dude, but it's not the reason we go out there and do it. So even having the album out there… Childhood Died sat on YouTube for about a year with maybe 900 to a thousand views, and not that I don't appreciate everything that's happened, but when it was sitting there clocking up one to 10 views per week it was weird. It felt like you could put an identity to each one of those people. So you'd see it go up a little bit, and you're like, oh fuck. I hope that that specific person, wherever they are, enjoyed it. So there is a point where the numbers get so big, you can't even fathom it. It just becomes like a big number. So for us, just having this album recorded is a success and anything that comes after it, dude, that's a bonus. Do you know what I mean?"In the full interview, the discussion centred on Lost Souls' upcoming debut album, Lore, set for release on April 18. Kev expressed pride in the album, emphasizing its lack of fillers and diverse lyrical content. HEAVY noted the album's metalcore roots and its emotional intensity, which aims to resonate physically with listeners.Kev highlighted that the released singles only hint at the album's depth, which includes experimental tracks and profound lyrics. They also reflected on their recent viral success, attributing it to factors like social media dynamics while maintaining that their primary motivation is creating music for themselves. The conversation also touched on the pressures of releasing their debut album, with Kev sharing insights into the bands creative process, including a unique opening track inspired by the Library of Alexandria. We discussed Lost Souls' marketing strategy, particularly the effectiveness of animated music videos, while acknowledging the need for a balance between music production and social media management. Plans for touring were confirmed, with the band intending to wait until after the album release to schedule shows.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15 Apr 21min

Interview by Kris PetersAcclaimed musical innovator and six-time Grammy nominee, Steven Wilson, will bring his highly anticipated The Overview Tour to Australia this November. His arrival will follow a massive run of UK, European and American dates and celebrates the release of his eighth solo album, The Overview, out now via Fiction Records.Australian fans can expect a captivating live experience from one of contemporary music’s most boundary-pushing, genre bending artists. Accompanied by accomplished and seasoned veterans including Nick Beggs on bass (Mute Gods, Steve Hackett), legendary jazz keyboardist, Adam Holzman (Miles Davis, Ray Manzarek), Craig Blundell on drums (Steve Hackett, Frost) and Randy McStine on guitars (Marco Minnemann, The Fringe) this world-class line up will bring the expansive, progressive soundscapes to life in a way that can only be experienced in a live setting.The Overview is a 42-minute conceptual journey inspired by the “overview effect” of astronauts viewing Earth from space, and marks a return to the long-form progressive style Steven Wilson redefined with the iconic Porcupine Tree and his earlier solo work. Featuring two ambitious tracks and immersive spatial audio production, The Overview blends progressive sprawl with cinematic electronics and lush, immersive vibes all wrapped in spatial audio wizardry.It’s a bold addition to his repertoire which also includes six Grammy nominations, three consecutive UK Top 5 albums and a string of iconic remixes for artists including, Pink Floyd, The Who, King Crimson and Tears For Fears. The Australian tour promises to be a thrilling and dynamic experience. Expect a set packed with The Overview’s mind-bending sprawl, alongside cuts from his acclaimed and peerless career.HEAVY had the pleasure of chatting with Wilson, in an enlightening chat that proves why the man is so highly regarded in the music industry. One of the questions we asked focused on the length of his songs and whether the global shortening of attention spans comes into his thinking when writing."The simple answer is I try not to think about the listener when I mark art," he answered honestly. "That sounds very selfish and self-indulgent, and it is, but I've always believed that artists - if I can pretentiously call myself that - should never be thinking about their audience when they create the art, I think by definition it is a selfish act, and you just hope that people want to go with you on that journey. You hope that people will give you the benefit of the doubt. I have a fairly loyal fan base that listen to everything I do. Even if they moan about it, and they complain it's not what they want they still go with me on that journey (smiles), which I think is something that I've built up over the years, that kind of loyalty. Also, I think there's a sense of providing the alternative. There's always been this notion in pop and rock of alternative music. Providing the alternative to whatever is the mainstream at the moment. The mainstream at the moment, as you suggested, is very immediate, short, synthesized pop music. Usually sung by female solo artists. That seems to be very much the prevalent, mainstream, pop formula. So here I am kind of providing the alternative to that. There are people that want that. There are people who want to engage on a deeper level and are prepared to sit and listen to a longer piece of music. So in that sense I see myself as the alternative to the mainstream, and there's always an audience for that."In the full interview, Steve runs us through his busy schedule, tells us what has changed since his last visit, his backing band and what they bring to the live show, The Overview and how fans responded, the conceptual story it is based on and how it transpired to verse, the balance of writing long compositions in the face of people's shortening attention spans, the musical atmosphere generated in his music and the process of bringing it to life, constructing set lists when so many of his songs are lengthy and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15 Apr 14min

Interview by Kris PetersIt's been almost ten years since Finnish melodic death masters Insomnium last graced Australian shores, but that means nothing now with the band is set to bring their signature blend of haunting melodies and crushing riffs to fans Down Under this May.Founded in 1997 in the Karelian city of Joensuu, Insomnium first gained recognition in 2002 with their wintry debut In the Halls of Awakening. Quickly building on this with fierce death/doom juggernaut Above the Weeping World (2006) or melancholic masterpiece One for Sorrow (2012), the band surprised everyone with their sublimely beautiful, achingly forlorn Argent Moon EP in 2021, only to shed their skin once more with Anno 296 in 2023, proving emphatically that Father time has no grip on pure metal.HEAVY recently spent some time with bass player/unclean vocalist Niilo Sevanen to get the rundown on what we can expect. We start by asking what has changed with Insomnium in the eight years since we last saw them."Well, our guitarists keep changing," he laughed. "Jani Liimatainen left the band last year, or the previous year actually, and now we have a touring member guitarist, Tomy Laisto, touring with us, and he's an excellent friend of ours. Excellent player, very good singer, super nice guy. And he's kind of a permanent live member at the moment. Let's see what happens with our guitarist situation in the future. But at least at the moment, we're touring with Tommy and Australian's are going to get to witness his vocals and his playing. I can promise he's an excellent guy."For the benefit of those who may not have witnessed Insomnium live before, we ask Sevanen to run us through a typical performance."On the albums we are very serious and sad and melancholic and dramatic," he began, "but I think the live show is more about having fun. So we are having a good time there. We hope people are enjoying too. It's a lot of headbanging and good times, and we try to deliver a very energetic show every time, no matter how jet-lagged or tired we would happen to be. But once you go on stage, you forget everything, and you get your energy up and for that hour or hour and a half, you'll be on and after that, it's time to rest again. But for the shows, we give everything we've got."In the full interview, Niilo provided more details about their current tour, expressing confidence in the live performance of the new material, noting positive crowd reactions and describing the shows as energetic and fun. Additionally, he mentioned their collaboration with fellow Finnish band Omnium Gatherum, enhancing the concert experience for fans.Reflecting on the band's origins, Niilo recounted how he and Markus started Insomnium in 1997 in Joensuu, Finland, inspired by melodic death metal bands. He highlighted the vibrant 90s music scene in Joensuu, and the challenges faced by aspiring musicians today. Niilo explained the band's evolution from imitating their influences to developing a unique sound that blends progressive metal, black metal, folk metal, and doom metal.He emphasized the organic nature of their creative process, where all members contribute to songwriting and arrangements, ensuring the music aligns with their identity, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

12 Apr 12min