Michael Fjeldsøe discussing music and politics in Denmark, 1940-45
Claiming Beethoven1 Dec 2022

Michael Fjeldsøe discussing music and politics in Denmark, 1940-45

Michael Fjeldsøe's research has focused on art music and applied music in the 19th and 20th centuries, esp. in Central and Eastern Europe and Denmark. Research questions are concerned with relations of music and politics, music and society, music and nationalism; in short, how music impacts society. A significant interest since my PhD (1999) on the reception of modernist art music in Denmark, 1920-1940, has been Danish musical culture in the 19th and 20th centuries. A much broader perspective on musical culture, including genres of applied music like theatre music, political music, music for revues, cabarets and education, and the role of progressive music in society, was applied in my dr.Phil. dissertation, Kulturradikalismens musik (2013). A continuous main topic is Danish music and music history, regarded as history of musical culture, with Carl Nielsen and other composers represented in a number of studies and scholarly, critical editions of musical works. Currently, I am head of a collective research project which will provide a new monography on Carl Nielsen as a European composer (to be published in 2023), funded by Carl Nielsen and Anne Marie Carl-Nielsens Legat.


Credits

  • Fjeldsøe, Michael. “Kulturradikalismens Musik.” Danish Humanist Texts and Studies. Museum Tusculanums Forlag/Museum Tusculanum Press, 2013.
  • Fjeldsøe, Michael, and Sanne Krogh Groth. 2020. “‘Nordicness’ in Scandinavian Music: A Complex Question.” In The Nature of Nordic Music, 3–19.
  • Fjeldsøe, Michael. 2020. “Getting Away with Cultural Bolshevism: The First European Performance of Porgy and Bess in Copenhagen, 1943.” In The Routledge Handbook to Music under German Occupation, 1938–1945: Propaganda, Myth and Reality, 303–18.


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Avsnitt(27)

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