Tapping Into A Sonic Plane With WILDEORNES

Interview by Kris PetersAfter playing what the band describes themselves as the worst gig they have ever done in late 1998, popular Melbourne outfit Beanflipper decided to call it a day, leaving a massive hole in the Australian music scene.Since 1993, the five-piece had been terrorizing the local music scene, with their underbelly of punk, grindcore, noise, and death metal dragging the band kicking and screaming into the hearts and ears of those who stood in their path. They released three albums in that time, touring relentlessly and fearlessly, anchoring themselves in the blood-soaked altar of Australian grind and hardcore. They weren’t just part of the scene — they were the cursed heartbeat beneath it.After a brief flirtation with a second lease on life, Beanflipper faded into obscurity, but now, two decades since that last echo faded, the beast stirs once more. In 2025, to mark 30 years since Total Dysfunctional Collapse first howled into the void, Beanflipper returns — resurrected by the mad generosity of Kent Bartley and his invitation to play Necrosonic Festival 2025. It's not just a reunion. It's a reckoning.HEAVY spent some time with drummer Matti Harrod to fill in the blanks."It's actually been a lot easier than I thought, getting to know the songs, considering it's been 20 years," he smiled. "Now it's down to what I call the footy training side of it, where every week you've got to go into the rehearsal room and smash out two sets to get the fitness up. I mean, it's a bit like an endurance game, really."We ask if the approaching resurrection show is more nerve inducing or exciting, given it has been so long between drinks."Is it nervous? Is it relief? I know we're all really excited," he replied. "I've been quite humbled by the response that we've received. People are just so chuffed that we're back together again. When I first sort of sneakily announced it on my own Facebook, there were heaps of people going, what, are you bullshitting us?"In the full interview, Matti talks more about the upcoming show and how the band are going to approach it. We ask him what to expect from their live show and what surprises they have in store, as well as naming a couple of songs festival goers can listen to in order to know what to expect.The discussion also covered the band's history, including its origins in 1993 and the various line-up changes that shaped their sound. Matti reflected on the band's tumultuous past, particularly a disappointing final show in 1998, and noted the excitement surrounding their reunion, which coincides with the 30th anniversary of their first CD plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

23 Maj 17min

Interview by Kris PetersToday we're going to do something a little bit different. Instead of just talking normally about an album, as people normally do, HEAVY reviewed the upcoming release from Buckcherry - Roar Like Thunder - and went through it with vocalist Josh Todd song by song and he let us know if we were on the right track before giving us a bit more of a detailed version of what the song is about.We started with the review intro. "I've long been a fan of Buckcherry and their music. It has always held an infectious air of defiance and a rebellious swagger that has defied much of the music that has punctuated the last 25 years, with the band making an immediate statement with the classic song Lit Up from their self-titled 1999 debut album. They have always been a band that skirts in the shadowy side of the rock realm, defying trends and expectations while still managing to have somewhat of a crossover appeal that evades many others.After losing track of the band for a few years, I caught up again with Buckcherry for their sensational Fuck EP in 2014 and have kept up with every release since. The band seemed to find a fresh air of rock-drenched goodness on their 2021 release Hellbound, which they carried through to Volume 10 two years later. So it is with a great deal of excitement I sit to listen to their upcoming album, Roar Like Thunder, which is scheduled for release on June 13th.""That's great. Love it," Todd smiled. "Yeah, we're very excited. You know, we've already dropped three songs off the record, Roar Like Thunder, the title track, Come On and Set It Free, and everybody's loving it. It's a great record, you know, and it rocks from beginning to end. We're really excited for it to hit the streets."The full interview features a track-by-track analysis of Roar Like Thunder, where Josh highlighted themes of focus and ambition in the title track and expressed enthusiasm for the positive reception of three already released songs. He shared insights into the songwriting process, mentioning the evolution of tracks like Talking Bout Sex, inspired by Cardi B and George Michael, and Blackout, which reflects his personal struggles with alcohol.The conversation also covered the blues influences in songs like I Go Boom, which explores sociopathic themes, and the motivational nature of Set It Free. Other tracks discussed included Hello Goodbye, which contemplates bittersweet relationships, and Machine Gun, showcasing the band's storytelling ability. The dialogue concluded with praise for Let It Burn, seen as a powerful finale, reinforcing Buckcherry's strong presence in rock music.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

21 Maj 18min

Interview by Kris PetersTwo of the most essential things in life would have to be heavy metal and food. Hands down. No argument.But what is actually better than metal or eating? Combining the two together, which is exactly what Brett Hoag and James Pulli have done with their revolutionary, entertaining and informative show, Metal Mastication. Since 2023, Hoag and Pulli have been producing quality content, interviewing bands and artists while cooking up a storm with a personally selected favourite dish from the guest of the day.It is a novel and unique concept, and also the first of its kind, so it is no wonder the show has developed a cult following in America that promises to break through to the rest of the world at any time. Over the years, Metal Mastication has hosted David Ellefson, Jeff Young, Tony Macalpine and Steve Unger, with Unger's heat sensitive Breasts Of Fire recipe marking itself down in history as one of the most intense dishes ever created for television.The recipe was so good, in fact, that when HEAVY spoke with Metal Mastication earlier today, Unger made a special trip from his home base to Los Angeles just to run it through with us on this side of the world."Hell, Masticators and Metalheads in Australia, it's so good to be here with you guys," Hoag began the conversation, introducing the show as well as himself. "My name is Brett, and I host Metal Mastication. We are the only heavy metal interview show set in the kitchen. Where do the best conversations happen in your house, Kris?""The toilet?" HEAVY replied, before changing our answer to the kitchen."The kitchen, yeah, you're correct," Hoag laughed. "And so that's where the idea came from, and we've done 19 episodes. We have eight on our YouTube channel, and right now we are in the quarter-finals of the Colossus Favourite Chef 2025 competition. It benefits the James Beard Society, which brings equity and sustainability to professional kitchens. If we win this competition, it will allow us to buy a food truck and go to metal festivals as well. Now, say you're at a metal festival, and you're there to see Metal Church, for example. I know they're really huge in Australia, they're huge all over the world. So you see our food truck there, and you go, wow, that's fun. That's a cool logo, that's a cool purple truck. You walk up to get something, and behind the counter in the food truck is none other than Steve Unger, the bass player, the Metal Hall of Fame bass player from Metal Church."The session focused on the unique concept of blending heavy metal music with cooking, featuring discussions about the show's premise and a cooking demonstration. Brett highlighted the show's innovative format, which combines interviews with heavy metal musicians in a kitchen setting. Steve Unger discussed his signature dish, Breasts of Fire, and expressed enthusiasm for connecting with Australian fans. The conversation included humorous anecdotes about cooking and the challenges of using spicy ingredients, with Brett noting that all necessary ingredients are provided for guests to enhance their cooking experience.HEAVY inquired about the origins of the show, prompting Brett to recount how it began two years ago after discussions with Billy Sheehan about cooking on social media. He emphasized that while cooking is a component, the primary focus remains on interviews and conversations with guests, while Steve provided an update on Metal Church's hiatus while also discussing his involvement in other projects and more.Don't forget to vote for Brett and Metal Mastication here: https://favchef.com/2025/brett-Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

21 Maj 55min

Interview by Angela CroudaceSwedish rock collective The Night Flight Orchestra have always fused nostalgia and ambition, but their latest release, Give Us the Moon, dives deeper than ever before—both emotionally and sonically. Frontman Björn Strid opened up about the band’s journey through loss, growth, and creative expansion following the passing of co-founder and guitarist David Andersson.Strid describes the album as “cinematic” and “dreamy,” a result of the emotional weight carried during its creation. “We had to grieve as a band,” he says, reflecting on the impact of losing Andersson. “But we also wanted to find joy again and create something uplifting—something he would be proud of.” The result is a multilayered, genre-fluid soundscape that defies classification, staying true to the band’s commitment to musical freedom and sincerity.Themes of space and existential reflection permeate Give Us the Moon, inspired in part by a letter Andersson left behind, wishing to be remembered as “an astronaut floating in space.” This poetic image gave shape to the album’s narrative arc and title. Despite their retro influences—pulling heavily from late '70s and early '80s AOR and classic rock—Strid emphasises that their music is not just a throwback. “It’s a tradition we want to carry on, but it needs to make sense today.”The band’s recent signing with Napalm Records also marked a turning point, opening up new promotional avenues and international exposure, including a surprise interview with CNN. With their growing global footprint, The Night Flight Orchestra is preparing for a return to Australia—a country that left a profound mark on Strid during their last visit, inspiring the emotionally charged track “Melbourne, May I.”Balancing his heavy metal roots (as the frontman of Soilwork) with the melodic, theatrical nature of TNFO, Strid finds fulfilment in the contrast. “I switch between genres easily,” he says, noting that each project brings out a different side of his artistry.As Give Us the Moon soars, The Night Flight Orchestra continues to celebrate both the cosmic and the deeply personal—honouring a lost friend, embracing new creative horizons, and inviting listeners on an unforgettable voyage through sound and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

20 Maj 23min

Interview by Angela CroudaceFor Burning Witches bassist Jay Grob, the path to heavy metal thunder began with a red guitar—and a little persuasion. “Romana (Burning Witches’ guitarist) gave it to me and said, ‘It fits your hair,’” Jay laughs. “But I thought, every idiot plays guitar! Then she handed me a bass, and I was like—yeah, that’s more me.”Now a cornerstone of the Swiss all-female metal powerhouse, Jay’s bass playing has become a defining force behind their sound. Guided by Romana Kalkuhl and her husband, she’s never stopped learning. “You have to play continuously, even in your free time,” she says. “It never ends.”With their first-ever Australian tour about to ignite, Jay is buzzing with anticipation. “I’m so curious about the fans there,” she says. “Every country’s different. We’ll meet fans at VIP events, and I hope I can explore the food and culture too—maybe see a kangaroo!”Despite their fierce stage presence, the band’s bond is grounded in friendship. “Off stage, we’re like family,” Jay shares. “We BBQ in Switzerland, go shopping together on tour days off—it’s real.”When it comes to songwriting, Jay jumps in after the drums are locked in. “Romana and Lala (drummer) get the riffs down first. Then vocals. Then I come in with the bass.”Live, it’s the fans that fuel her fire. “Whether it’s Wacken or a tiny club, when fans sing every lyric, that’s the most beautiful thing.” But the real challenge? “Finding a washing machine on tour,” she jokes.As Burning Witches’ fan base grows globally, Jay stays grounded. “We’re just five crazy chicks spreading our love for metal. I hope Aussie fans feel the magic when they see us live. Real heavy metal. Real energy.”Australia, get ready—Burning Witches are about to set the stage ablaze.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

19 Maj 12min

Interview by Angela CraudaceSleep Theory is shaking up the rock world with a bold blend of anthemic choruses, polished production, and emotionally charged lyrics. Lead singer Cullen Moore opened up about the band’s journey, their creative vision, and how they’re building a powerful connection with fans both on and off-stage.From the start, Sleep Theory has stood out by combining elements of rock, pop, and metal in a way that resonates with a wide audience. The band’s breakout single Another Way catapulted them into the spotlight, and they haven’t looked back since. With millions of streams and a dedicated fan base growing by the day, their rise has been nothing short of meteoric.Moore emphasises authenticity and emotion in their songwriting. “Everything we write comes from a real place,” he says. “We want people to hear our songs and feel understood.” This genuine connection is reflected in the energy of their live shows, where fans sing every word back to them with raw emotion.Looking ahead, Sleep Theory is focused on pushing boundaries with upcoming releases. “We’re experimenting more,” Moore reveals. “We’re not afraid to step outside the box.” Yes, we also probed Cullen on the chances of an Australian tour; we can proudly announce that an Aussie tour is being discussed!With undeniable talent, fearless creativity, and a message that resonates, Sleep Theory is fast becoming a defining voice in the next era of rock.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15 Maj 19min

Interview by Angela CroudaceNick Thomas, frontman of The Spill Canvas, is bringing something special to Australian fans this year — a long-awaited celebration of their beloved 2005 album One Fell Swoop. Speaking ahead of their debut tour Down Under, Thomas shared his excitement and gratitude for being able to continue making music nearly two decades on.“To get to do this for even a year, let alone over 20, is a marvel in and of itself,” he said. “We’ve never been to Australia, so to come over now and play this album in full feels really special.”The tour, a co-headlining run with fellow emo pioneers The Juliana Theory, marks a major milestone for both bands. Thomas credits Emotion Is Dead as a formative influence in his own musical journey, and says he’s thrilled to share the stage with artists he once idolised. “I grew up listening to them — now we’re friends. It’s wild.”The Spill Canvas will perform One Fell Swoop front to back, staying true to its original sequencing. “We spent a lot of time curating the track list as a journey,” Thomas explained. “It just feels right to honour it that way.” After the final track, Self-Conclusion, Thomas plans to segue into a few more fan favourites to round out the night.Despite never visiting Australia before, Thomas is embracing the adventure with enthusiasm. “I’d love to see the Opera House, meet people, maybe spot a kangaroo. I’m also — embarrassingly — a big fan of Below Deck Down Under. Captain Jason is my hero!”Reflecting on the recording of One Fell Swoop, Thomas recalled humble beginnings at Black Lodge Studios in Kansas with producer Ed Rose. “It was our first real studio experience. I remember Ryan Pope from The Get Up Kids giving me a shoulder rub while I was recording guitar. I tried to play it cool, but I was freaking out.”Over the years, The Spill Canvas has toured with major acts like the Goo Goo Dolls and OneRepublic. Thomas fondly recalled an evening where Ryan Tedder listened to his demos and gave thoughtful feedback. “Moments like that are unforgettable. It’s what makes this lifestyle feel like a shared journey.”After all these years, Thomas remains a passionate music fan, recently inspired by artists like Medium Build and Bilmuri (not the actor). “Always be a fan,” he said. “That’s what keeps it exciting.”Check out the full interview for more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15 Maj 22min

Interview by Kris PetersNothing More are a band on the rise. And rapidly.Since the release of their seventh studio album, Carnal, last year, Nothing More have become the darlings of the hard rock scene, with three songs from that album already taking out top position on Rock Radio. And what does a band worth their promotional dollar do when they strike gold on a release? Yep, you guessed it, re-release the album as a deluxe special and draw in a whole new bunch of fans while placating existing lovers of their music.While more often than not such a move reeks of cashing on for the sake of it, with Carnal Deluxe, Nothing More have expanded on the quality provided the first time around, plus added a new song to keep diehard fans happy.HEAVY spent some time with frontman Jonny Hawkins earlier this week to go over Carnal Deluxe and why it is superior to the original version. We start by asking if Carnal was received as well as the band hoped."We knew this was going to be a strong album," he affirmed. "We felt a lot of confidence in our bones about this one. It just had good songs, and when we put it out, it performed as good as we had hoped, if not better. We have three number ones in a row, and now we have the song Freefall that will be climbing the charts, and we're - knock on wood - but we're hoping for a fourth number one."We ask if the anticipation and excitement levels are the same for a Deluxe release as opposed to the initial album."I'd say typically not," he smiled honestly. "Deluxes are fun little ways to kind of boost the album and push it back up to the top of people's streaming platforms. But that's the main goal, I think, is just reminding people and getting them to stream it again. I mean, for us, we did have a feature on a song called Freefall with Chris Daughtry. So that was kind of cool, because we hadn't released that version of the song yet.And then we had some cool remixes and stuff that were like good workout tracks or things to drive fast to that we didn't have on it before."In the full interview, Jonny spoke more about Carnal Deluxe and the value of being able to release upgraded versions of an album. We ran through each of the five bonus tracks individually, and Johnny told us more about each song and the new versions available. We spoke about K9s For Warriors and the organisations success in dealing with mental health and why Nothing More chose to help them, working with David Draimen from Disturbed, the band's pleasure at having Chris Daughtry on one song, the new song We're All Gonna Die and how it came to be on the album, touring plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15 Maj 14min