Beethoven Piano Concerto No. 4

Beethoven Piano Concerto No. 4

Welcome to episode number 200 of Sticky Notes!!

On December 22nd, 1808, a day that would live in classical music lore forever, Ludwig Van Beethoven sat down for his very last appearance as a solo pianist to play this new piano concerto, his 4th. This performance was not only the premiere of the new piano concerto, but the premiere of two new symphonies as well, the 5th and the 6th. It featured many other new works, and the concert itself lasted nearly 4 hours, all inside of the cold and dark Theater an Der Wien with an underprepared and underrehearsed orchestra. The concert, despite featuring 3 works that would go on to be some of the most performed works in the history of classical music, was not a success. It was too long and too cold, featuring too many premieres and too much difficult music. It was criticized severely in all quarters, and Beethoven considered the concert a failure. And even that new concerto, the one that surprised so many people with its supremely gentle character, didn't catch on quickly at all. It wasn't until 1836 when Felix Mendelssohn, who we have to thank for so many of these situations, revived the piece. Today it is known as one of the most beloved concertos in the entire piano repertoire, partly due to the fact that it is so surprising, but not for the reasons one normally would expect. In the 4th piano concerto, Beethoven turns his entire musical brand so to speak upside down. Instead of a blazing fire, we get a gentle warmth, instead of drama, we get tenderness. And instead of virtuosity, we get a practically transcendental level of simplicity. Other than the short second movement, which does give us some of the old Beethoven fire, it is one of the most tender creations of Beethoven's entire career. Join us to learn all about it today!

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Bartok Violin Duos and Social Duoing

Bartok Violin Duos and Social Duoing

Bartok's 44 Violin Duos are a triumph of Bartok's devotion to the folk music of Eastern Europe. 42 of the 44 are based on field recordings Bartok collected in his travels, many of which you will hear today. The social duoing project, where I played all 44 duos with 44 violinists from around the world, was started as a result of the pandemic, but was also made possible by this forced pause in travel and work. Enjoy!

4 Juni 202056min

How Musical Revolutions Were Created, Part 2 - w/ Jan Swafford

How Musical Revolutions Were Created, Part 2 - w/ Jan Swafford

Jan Swafford was such a fantastic guest last time that I thought we had to have him back on! During these past two weeks, we discussed how so much of the revolutionary music in the history of classical music was influenced by storytelling, whether it was Monteverdi, Beethoven, Berlioz, Wagner, Debussy, Ives, Stravinsky, or Schoenberg. This week, on Part 2, we discuss the final 4 composers, including one of the most beautiful descriptions of Ives I've ever heard. Don't miss this episode! You won't regret it.

1 Juni 202048min

Sibelius Symphony No. 7

Sibelius Symphony No. 7

Sibelius' 7th Symphony is a piece that is barely a symphony at all, and yet it carries symphonic logic throughout. It's only 20 minutes long, in one movement that never stops evolving, with a form that has sparked many debates, and with an ending that is as shocking as any in the Western Repertoire. Simply put, it is Sibelius at his best, and so today we'll take apart this incredibly complex piece, talking about its form, its stunning metric modulations, its inspiration, and of course, its abiding emotion.

28 Maj 202044min

How Musical Revolutions Were Created, Part 1 - w/Jan Swafford

How Musical Revolutions Were Created, Part 1 - w/Jan Swafford

Jan Swafford was such a fantastic guest last time that I thought we had to have him back on. This week(and next week), we discussed how so much of the revolutionary music in the history of classical music was influenced by storytelling, whether it was Monteverdi, Beethoven, Berlioz, Wagner, Debussy, Ives, Stravinsky, or Schoenberg. This week, on Part 1, we discuss the first 4 composers on the list, trying to understand the chicken or the egg question of which came first? The story? Or the revolution?

25 Maj 202039min

Respighi, "The Pines of Rome"

Respighi, "The Pines of Rome"

Respighi occupies a strange place in musical history. He is almost never considered to be one of the "greats," though his mastery of orchestral color is never doubted by anyone. Today on this Patreon sponsored episode, we'll look at his Pines of Rome. We'll talk about Respighi's extremely detailed program notes, his Strauss like gifts at portraying real life in his music, and the fact that Respighi, for all his innate conservatism, was actually the first composer to use electronic music in one of his works.

21 Maj 202041min

Quarantine, Richter, Kleiber, Dvorak, Zander, Wearing Different Hats, and Schumann w/ Zsolt Bognar

Quarantine, Richter, Kleiber, Dvorak, Zander, Wearing Different Hats, and Schumann w/ Zsolt Bognar

Zsolt Bognar is a Renaissance Man. He is a pianist, a writer, a thinker, and the host of Living the Classical Life, an amazing show where Zsolt sits down with some of the leading lights of the classical music world. Today I turned the tables and interviewed him in a wide-ranging conversation that touched on some of our favorite musicians and composers, our experiences wearing many hats in the classical music world, and of course, how we're dealing with quarantine life. This was a really fun conversation and I hope you enjoy it as much as I did!

18 Maj 202047min

Mahler Symphony No. 2, Part 3

Mahler Symphony No. 2, Part 3

At the end of 1893, Mahler could not find a way to end his 2nd Symphony. But the funeral of Hans Von Bulow, a conductor who Mahler worshipped even though Von Bulow hated Mahler's music, gave Mahler what he called "the flash that all creative artists wait for." In one of the most sprawling, dramatic, and narratively based movements he would ever write, Mahler embraced a kind of universal humanism that is inspiring to this day. We'll talk about this movement and the radiant Urlicht movement that precedes it.

14 Maj 202055min

Classical Music During the Pandemic

Classical Music During the Pandemic

Today I was thrilled to have with me Matthew Szymanski of the Phoenix Orchestra and Aram Demirjian of the Knoxville Symphony on the show to talk about what classical music as a whole is going to need to do to respond to the current situation with COVID-19. This is a weedsy conversation that digs into streaming, the future, and the sobering realities of audience-free concerts. If you want to hear 3 musicians grappling in real time with this crisis and how we will come out of it, this is the show for you.

11 Maj 202044min

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