The Feminine Mystique

Episode #590: Chie Ikeya’s work on colonial Burma began almost by accident. Trained as a historian and originally planning to study the Japanese occupation, she found herself in Yangon waiting for archival access that never came. In the meantime, she read Burmese newspapers and periodicals from the early twentieth century, where the notion of the “modern woman” appeared again and again as a source of fascination, fear, hope, and moral panic.

Her later work, Refiguring Women, Colonialism, and Modernity in Burma, follows that figure through education, print culture, nationalism, consumer desire, sexuality, Buddhism, and race. In colonial Burma, women’s education expanded sharply, especially through missionary schools, and opened paths into medicine, law, teaching, journalism, and public life. Yet those openings also made women symbolic terrain. Their clothing, schooling, work, marriages, sexuality, and public presence became ways for others to debate whether Burma was becoming modern, losing itself, resisting colonialism, or protecting the nation.

Ikeya complicates the familiar claim that Burmese women traditionally enjoyed high status. Certain legal rights around property and marriage were real, but rights on paper did not erase domestic violence, social control, class inequality, or the difficulty of forcing law into practice. The claim that Burmese women needed no feminism also carried political force: it could defend Burma against colonial arguments for “uplift,” while feeding a wider ideology of Burmese Buddhist exceptionalism.

That ideology later shaped debates over intermarriage, religious belonging, anti-Muslim politics, and the boundaries of the nation. Ikeya does not treat exclusion as only state propaganda. It is diffuse, historical, and embedded in ordinary assumptions about who belongs, who does not, and whose presence must be regulated. Yet she also refuses to make violence the whole record. “Burma has not always been like this,” she says. Alongside histories of estrangement, she asks historians to recover the quieter histories of affection, belonging, and difficult intimacy that rarely survive in the archive.