WCA #609 with Eric M Lichter – Martha's Vineyard, New York, Connecticut, and the Beauty Marks That Make a Record

WCA #609 with Eric M Lichter – Martha's Vineyard, New York, Connecticut, and the Beauty Marks That Make a Record

For episode 609, Matt talks with Eric M Lichter — multi-instrumentalist, producer, and owner of Dirt Floor Recording in Connecticut, where he’s been in business for twenty years. Eric came up singing in chorus, spent time on Martha’s Vineyard playing the Hot Tin Roof and landing in Carly Simon’s living room with Danny Kortchmar and Jerry Marotta in the liner notes, then moved to New York, recorded at Sear Sound on a Polygram AR’s dime, and eventually landed back in Connecticut to open a studio on a wing and a prayer in 2006. They talk about the Ed Wood approach to recording — get the vibe before the moment is gone — why he leaves the beauty marks in, pitching a studio to 90-year-old landlords, keeping a tight ship with bankers hours, vetting clients for energy, a proposal-based pricing model, and the Caribou Ranch mentality that has everyone leaving with fresh eggs from the chickens out back.

In This Episode, We Discuss:

  • Twenty Years of Dirt Floor Recording in Connecticut
  • Growing Up in a Sports-First Town and Finding His Voice in Chorus
  • The Soccer Coach Who Changed His Life
  • John Mayer, Keith Richards, and Goose — Connecticut’s Quiet Music Scene
  • The Hot Tin Roof on Martha’s Vineyard — and Carly Simon’s Living Room
  • Danny Kortchmar, Jerry Marotta, and Reading the Credits as a Kid
  • New York City, Polygram, and Recording at Sear Sound
  • Failing Guitar 101 in College and Trusting the Natural Thing
  • The Troubadour Years — Singer-Songwriter on the Road
  • Watching His Brother Make a Record With Jerry Marotta at Jarysville
  • Discovering Tape Op and Saying Out Loud “I’m Going to Be in That Magazine”
  • Starting Dirt Floor in Chester, Connecticut in 2006
  • The Ed Wood Approach: Getting the Vibe Before the Moment Is Gone
  • Beauty Marks — Why He Leaves the Imperfections In
  • Why Real Music Is Winning Against AI
  • Kids Discovering Van Halen and AC/DC on Their Own
  • Ethan Johns, Jack Antonoff, Aaron Dessner — Who Inspired Him
  • The Rented House That Became Dirt Floor’s Current Home
  • Pitching a Studio to 90-Year-Old Landlords — and Winning Them Over
  • Keeping Overhead Low — The Case for Renting vs. Owning
  • Vetting Artists: Why He Turns Down Projects That Drain the Room
  • Bankers Hours: 9:30 to 5:30 and Going Home
  • Other Engineers Working Nights — The Studio Humming When He’s Not There
  • Pricing by Proposal — Hourly, Day Rate, and Full Project Budget
  • The Caribou Ranch Mentality — Full Hospitality for Artists Who Stay
  • Everybody Leaves With Eggs — The Dirt Floor Signature

In This Episode, We Discuss:

  • Twenty Years of Dirt Floor Recording in Connecticut
  • Growing Up in a Sports-First Town and Finding His Voice in Chorus
  • The Soccer Coach Who Changed His Life
  • John Mayer, Keith Richards, and Goose — Connecticut’s Quiet Music Scene
  • The Hot Tin Roof on Martha’s Vineyard — and Carly Simon’s Living Room
  • Danny Kortchmar, Jerry Marotta, and Reading the Credits as a Kid
  • New York City, Polygram, and Recording at Sear Sound
  • Failing Guitar 101 in College and Trusting the Natural Thing
  • The Troubadour Years — Singer-Songwriter on the Road
  • Watching His Brother Make a Record With Jerry Marotta at Jarysville
  • Discovering Tape Op and Saying Out Loud “I’m Going to Be in That Magazine”
  • Starting Dirt Floor in Chester, Connecticut in 2006
  • The Ed Wood Approach: Getting the Vibe Before the Moment Is Gone
  • Beauty Marks — Why He Leaves the Imperfections In
  • Why Real Music Is Winning Against AI
  • Kids Discovering Van Halen and AC/DC on Their Own
  • Ethan Johns, Jack Antonoff, Aaron Dessner — Who Inspired Him
  • The Rented House That Became Dirt Floor’s Current Home
  • Pitching a Studio to 90-Year-Old Landlords — and Winning Them Over
  • Keeping Overhead Low — The Case for Renting vs. Owning
  • Vetting Artists: Why He Turns Down Projects That Drain the Room
  • Bankers Hours: 9:30 to 5:30 and Going Home
  • Other Engineers Working Nights — The Studio Humming When He’s Not There
  • Pricing by Proposal — Hourly, Day Rate, and Full Project Budget
  • The Caribou Ranch Mentality — Full Hospitality for Artists Who Stay
  • Everybody Leaves With Eggs — The Dirt Floor Signature

Matt’s RANT!: Getting the Job Done!

Links and Show Notes:


Credits:

  • Guest: Eric M Lichter
  • Host/Engineer/Producer: Matt Boudreau
  • WCA Theme Music: Cliff Truesdell
  • The Voice: Chuck Smith

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Avsnitt(613)

WCA #614 with Michael Frondelli, Part 1 – Astoria, R&B Days, Salsa Nights, and Electric Lady

WCA #614 with Michael Frondelli, Part 1 – Astoria, R&B Days, Salsa Nights, and Electric Lady

For episode 614, Matt talks with Michael Frondelli, producer, engineer, and former Vice President of Capitol Records Studios, where he ran the facility for eleven years before going independent in 200...

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WCA #613 with Ben Mellott – Northern Virginia, Church Sound, Farm Festivals, and Profit First

WCA #613 with Ben Mellott – Northern Virginia, Church Sound, Farm Festivals, and Profit First

For episode 613, Matt talks with Ben Mellott — recording engineer, mixer, and owner of Nothing but Noise studio in Northern Virginia. Ben has been freelance since 2014, balances studio work with live ...

15 Sep 1h 6min

WCA #612 with Brian Starley – Utah, Cartage, Building a Studio in LA, and Relationships Before Gear

WCA #612 with Brian Starley – Utah, Cartage, Building a Studio in LA, and Relationships Before Gear

For episode 612, Matt talks with Brian Starley recording and mixing engineer based in North Hollywood, California, and owner of Bergatron Music Studio. Brian grew up in Salt Lake City with a dad who t...

8 Sep 1h 10min

WCA #611 with Scott McDowell – Berklee, California vs New York, Getting Fired, Becoming a Studio Partner, and Getting Hit by a Car

WCA #611 with Scott McDowell – Berklee, California vs New York, Getting Fired, Becoming a Studio Partner, and Getting Hit by a Car

Scott McDowell is a producer, engineer, and co-owner of Wally's Hydeout at Hyde Street Studios in San Francisco. In episode 611 they talk about getting fired from his first SF internship, becoming a s...

1 Sep 1h 8min

WCA #610 with Stephen Shirk – Bloomington, New York, Chicago, and Twenty Years of SHIRK Studios

WCA #610 with Stephen Shirk – Bloomington, New York, Chicago, and Twenty Years of SHIRK Studios

For episode 610, Matt talks with Stephen Shirk — engineer, producer, guitarist, and owner of SHIRK Studios in Chicago's West Town neighborhood. Stephen grew up in Bloomington, Illinois, studied busine...

25 Aug 58min

WCA #608 with Julian Kindred – Canada, America, England, and Thirty-Five Years of Making Records

WCA #608 with Julian Kindred – Canada, America, England, and Thirty-Five Years of Making Records

For episode 608, Matt talks with Julian Kindred — Canadian producer, engineer, and songwriter based in London, where he runs Nonsuch Park Studio in Epsom, Surrey. Julian grew up in St. John, New Bruns...

10 Aug 1h 19min

WCA #607 with Dana Nielsen – Jazz School, System of a Down, SZA, and the Money Side of a Long Career

WCA #607 with Dana Nielsen – Jazz School, System of a Down, SZA, and the Money Side of a Long Career

For episode 607, Matt talks with Dana Nielsen — Grammy-nominated producer, mixer, engineer, multi-instrumentalist, and founder of Mix Protégé in Los Angeles. Dana came up as a jazz saxophonist at Loyo...

4 Aug 1h 31min

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