Romeo and Juliet in Classical Music

Romeo and Juliet in Classical Music

The "love theme" from Tchaikovsky's Romeo and Juliet Fantasy-Overture is one of the most famous themes in the history of Western Classical Music. The story it accompanies might be the most famous Western play ever written. Just like Eine Kleine Nachtmusik seems to define the powdered wig era of classical music to the general public, the passionate theme from Tchaikovsky's Romeo and Juliet seems to define romanticism in music because Tchaikovsky's Overture-Fantasy captures Shakespeare's masterpiece with a roiling and unstoppable intensity. But Tchaikovsky's setting of Romeo and Juliet, while probably the most famous, is by no means the only reimagining of the play by classical composers. There have been nearly a dozen adaptations of Romeo and Juliet by classical composers, including overtures, ballets, suites, and operas. Romeo and Juliet, just like it has been for actors, directors, and the audience, is an inexhaustible source for composers in a way that few pieces of literature or dramatic theatre have been in history. So today we'll compare just some of them for you - I'll be looking at Tchaikovsky's Romeo and Juliet Fantasy Overture, Prokofiev's Ballet Romeo and Juliet, Berlioz's choral symphony Romeo et Juliette, a brief look at Gounod's opera Romeo and Juliet, and Leonard Bernstein's Westside Story. We'll take a look at how these 5 composers inserted their distinctive personalities onto the music, leaving no doubt that this was Shakespeare, and Romeo and Juliet, through their eyes. I'll do this by giving a general overview of each piece, and then I'll zero in on two ideas - the portrayal of Juliet, and the portrayal of Tybalt's Death(or fighting in general). This way we can see how these composers handled these pivotal characters and moments, all in markedly different ways. Join us!

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"Chasing Chopin," with Annik LaFarge

"Chasing Chopin," with Annik LaFarge

This week I had the pleasure of speaking with Annik Lafarge, author of "Chasing Chopin," a book being released Tomorrow, August 11th, wherever books are sold. This is really a wonderful book and you'll hear in this interview all of Annik's abiding enthusiasm about Chopin which comes through so beautifully in the book. We talk about Chopin's pianos, Chopin as a symbol of Poland, the famous Funeral March, Georges Sand, and traveling to places that Chopin lived and worked. In essence, this is an immersion into Chopin and his music, and I'm sure you'll enjoy this fascinating interview - Chopin's debut on Sticky Notes!

10 Aug 202057min

Brahms Requiem

Brahms Requiem

In February of 1865, Johannes Brahms received a letter from his brother saying: "If you want to see our Mother again come at once." Brahms rushed off to Hamburg but was two days too late. He had long thought about composing a requiem but this seemed to be the catalyst for him to finally write one. And it is a requiem like no other. Selecting biblical but secular texts himself, Brahms created what he called a "Human Requiem," a piece that is a balm and a comfort to the living as they mourn the dead.

6 Aug 20201h 2min

Talking Conducting, Studying, and Loneliness w/ Dalia Stasevska

Talking Conducting, Studying, and Loneliness w/ Dalia Stasevska

Dalia Stasevska is a wonderful conductor whose career has skyrocketed in the past few years. She is the Principal Guest Conductor of the BBC Symphony and is the incoming Chief Conductor of the Lahti Symphony in Finland. We had a really great talk about getting into music, learning conducting from two legends in the field, Jorma Panula and Leif Segerstram, and about the sometimes lonely life of a conductor. Dalia is one of my favorite people to talk to in the music world and I'm sure you'll enjoy this!

3 Aug 202047min

The Connection Between Language and Music w/ Yundu Wang

The Connection Between Language and Music w/ Yundu Wang

I had the great pleasure of speaking with my friend Yundu Wang about her doctoral thesis exploring the connections between language and music. This research gets into thorny questions about the relationship between national origin and the way we interpret music, and also into questions of identity, stereotyping, and prejudice. I find this research particularly compelling and fascinating, and I hope you will too! Yundu's wonderful blog can be found here: https://blog.yunduwang.com/2020/05/12/an-introduction/

27 Juli 202050min

A Decidedly Undogmatic Conversation w/ Mahan Esfahani

A Decidedly Undogmatic Conversation w/ Mahan Esfahani

Mahan Esfahani is a world-renowned harpsichordist who has said that it is his mission to rehabilitate the harpsichord as an instrument for modern audiences. In this conversation, we talked about Beethoven, playing modern music on the harpsichord, and nearly starting a riot over the music of Steve Reich! We also discussed the battles WITHIN the early music movement over performance practice. Mahan is one of the most fearless and outspoken voices in classical music so I think you'll really enjoy this one!

20 Juli 20201h

Mahler Symphony No. 6, Part 3

Mahler Symphony No. 6, Part 3

Albert Camus once wrote: "when I describe what the catastrophe of man looks like, music comes into my mind—the music of Gustav Mahler." The last movement of Mahler 6 is a symphony within a symphony. It is a difficult movement to understand, and even the way it ends is full of the emotional complexity that marks Mahler's music. I'll take you through this movement today, through its peaks and valleys of ecstasy and despair all the way to the hammer blows that cut our hero down as he strives ever upward.

16 Juli 202047min

Mahler Symphony No. 6, Part 2

Mahler Symphony No. 6, Part 2

There are few controversies like the ones surrounding the order of the inner movements of Mahler 6. Musicologists and conductors battle with each other about what Mahler meant and what his wife knew, and they also are at each other's throats about which order WORKS better logically in the symphony, regardless of Mahler's intentions. There's an answer to the first part, but not to the second, and that's just one of the things we'll explore today as we look at the inner workings of these remarkable movements.

9 Juli 202049min

Programming Post-Covid, Competitions, and the Negro Folk Symphony, w/ Ryan Bancroft

Programming Post-Covid, Competitions, and the Negro Folk Symphony, w/ Ryan Bancroft

Ryan Bancroft is a conductor who has seen a meteoric rise ever since winning the Malko Competition for Conductors in 2018. In this conversation, we talked about programming post-pandemic, and also about our common entry into the conducting world, and all of the pressures and joys of that kind of rocket boost to your career. At the end of the show, we discussed the absolutely amazing and underrated Negro Folk Symphony of William Levi Dawson. This was a such a fun conversation and I hope you enjoy it!

6 Juli 202039min

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