Schubert Sonata in B Flat, D. 960 (Part 2)

Schubert Sonata in B Flat, D. 960 (Part 2)

There are a few tropes when it comes to Schubert's late music. The pieces are very long. They have four movements. The first two movemnts are expansive, magisterial explorations of the human psyche, and the last two movements are much lighter, almost like two different pieces are at play. All of these tropes fit the Schubert B Flat Sonata we started talking about a couple of weeks ago. After the huge first movement, Schubert takes us into a world of the most remarkably simple and yet profoundly moving music in the second movement, followed by a scherzo and last movement that seem(and I emphasize the word seem) to wash all of that away. The last two movements of this sonata in particular have come in for criticism in some quarters, but this is nothing new for Schubert. You hear this criticism about his G Major Quartet, his cello quintet, and other large scale works. It's also been theorized that the final two movement "curse" Schubert seemed to struggle with is why he left his 8th symphony unfinished. But as you'll hear today, I don't think there's much, if anything, to criticize in these final two movements, and I'll try to argue that there's no drop off in quality in this music, just a different approach and outlook. But the bulk of today's show will be about this second movement. There is something beyond otherworldy in this character of Schubert's music. It doesn't belong to our world, but it doesn't belong to another world either. Instead it goes somewhere even deeper than we can possibly imagine. Schubert goes to a different place than any other composer when he is in this "mood," and in this movement, that bleak character is married to profound consolation, creating a movement of utter perfection. So let's explore the final three movements of this remarkable Sonata together. Join us!

Avsnitt(272)

Wynton Marsalis and the "Blues Symphony"

Wynton Marsalis and the "Blues Symphony"

I had the chance to sit down with virtually with the legendary Wynton Marsalis for a conversation about Jazz, comparing jazz and classical pieces, why so many classical composers writing jazz fail and vice versa, and about his massively ambitious Blues Symphony. About halfway through the show Wynton takes you straight through the first movement of his symphony and I got the sense that I was living the dream of every artist hearing with perfect clarity how a composer conceived of their ideas. Don't miss it!

10 Juni 202141min

Beethoven Symphony No. 9, Part 2

Beethoven Symphony No. 9, Part 2

The cycle is complete! Would it surprise you to find out that Beethoven's 9th Symphony wasn't his last piece? Would it surprise you that he was actually considering an all instrumental movement for the last movement? Or how about that the second performance of the piece was given to a half full hall and it took decades for the piece to become popular? Or how about the famous words "All men will become brothers?" What did that phrase mean to Beethoven? We'll talk about all this and more in Part 2!

4 Juni 20211h 1min

Beethoven Symphony No. 9, Part 1

Beethoven Symphony No. 9, Part 1

More has been written about the meaning of Beethoven's 9th than any other symphony. There are more recordings of it, more performances of it, and more uses of its most famous theme, the Ode to Joy, than any other piece. But what is often talked about less than the political and social ramifications of the piece, is the music itself - this shocking, roiling, and inspired music that seems to inject itself right into our bloodstream. This week we talk about the first two movements of this massive symphony.

1 Juni 202148min

Beethoven Symphony No. 8

Beethoven Symphony No. 8

In 1812, Beethoven's life was in ruins. He was embroiled in court battles, pining away for his "Immortal Beloved," and profoundly depressed. His musical response is one of his funniest, most charming, and most "classical" symphonies - the 8th. This is an underappreciated work that confused audiences of the time because it sounded almost experimental. So in the same vein, I'm going to reprise my live commentary experiment from my Marriage of Figaro episode and talk you through the entire symphony! Enjoy!

27 Maj 202143min

Beethoven Symphony No. 7

Beethoven Symphony No. 7

The composer Carl Maria Von Weber called it the work of a madman. Clara Schumann's father, Friedrich Wieck, called it the work of a drunk. Beethoven's 7th has been popular ever since its premiere, but as you can see, not everyone loved it. It is a piece that has defied explanations about its meaning ever since its premiere. Today, we'll discuss this overwhelmingly joyous, raucous, even wild piece, its obsessive rhythms, its repetitiveness, and of course, that very nearly indescribable second movement.

20 Maj 202155min

Beethoven Symphony No. 6, "Pastoral"

Beethoven Symphony No. 6, "Pastoral"

Beethoven once said: "No one can love the country as much as I do. For surely woods, trees, and rocks produce the echo which man desires to hear." There's no better example of Beethoven's love of nature than in his 6th symphony, where he takes simplicity to new heights, transforming the motivic cells that relentlessly drove his 5th symphony into motifs of bucolic joy. It still astounds me that the 5th and 6th symphonies were written simultaneously. Join us to learn about this most beautiful symphony..

17 Maj 20211h 1min

Beethoven Symphony No. 5

Beethoven Symphony No. 5

They are the most famous 8 notes in all of Western Classical Music. If you walk down the street and ask someone to name a piece of classical music, they will surely say Beethoven 5. But why? What's the deal with the 5th? Well, today we're going to take a deep look at this ubiquitous piece, exploring lots of different facets of this symphony. It is a monumentally important work because in many ways Beethoven 5 serves as the fulcrum between the classical and romantic eras. Join us to find out all about it..

13 Maj 202156min

Beethoven Symphony No. 4

Beethoven Symphony No. 4

Beethoven often gets the reputation of being a composer of extreme seriousness, shaking his fist at the heavens while dealing with a litany of medical ailments and heartbreak, and there is some truth to that as well. But the 4th symphony, a very strange and mysterious introduction aside, is a piece of almost unadulterated joy. It is another side of Beethoven: bouncy, funny, silly, and quite simply, happy. How and why did he write such a happy symphony? How does music become "happy?" Join us to find out..

10 Maj 202153min

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