IFH 056: Do You Need an Agent or Talent Agency to Make it in Hollywood?

IFH 056: Do You Need an Agent or Talent Agency to Make it in Hollywood?

Is an agent or talent agency needed to make it in Hollywood? Well it helps! Seriously, this is a question I get asked all the time.
In this episode I go over what you need to do to get an agent and also help you figure out if you need one right now. Below are the seven major talent agencies in Hollywood.
APA Talent Agency
Size: 3,400 clients; 325 employees (210 agents, 15 managing partners); offices in Los Angeles, New York and Nashville
Origin story: Founded in 1962 by former MCA agents David Baumgarten, Roger Vorce and Harvey Litwin.

CAA Talent Agency
Size: About 5,000 clients; 1,500+ employees; 11 offices worldwide, including in China
Origin story: Founded in 1975 by William Morris agents Mike Rosenfeld, Michael Ovitz, Ron Meyer, Bill Haber and Rowland Perkins.

GERSH Talent Agency
Size: About 2,000 clients; 175 employees (75 agents, 16 partners); offices in L.A. and New York
Origin story: Founded in 1949 by Phil Gersh.

ICM PARTNERS Talent Agency
Size: 4,500+ clients; 400+ employees (200+ agents and execs, 40 partners); four offices
Origin story: Formed in 1975 with the merger of Creative Management Associates and International Famous Agency.

PARADIGM Talent Agency
Size: 2,500 clients; 370+ employees (160 agents); six offices
Origin story: Founded in 1992 by Sam Gores through the mergers and acquisitions of several boutiques

UTA Talent Agency
Size: 3,000+ clients; 500 employees (200 agents, 46 partners); offices in L.A. and New York
Origin story: Founded in 1991 with the merger of Bauer-Benedek and Leading Artists.

WME | IMG Talent Agency
Size: 4,000+ clients; nearly 5,000 employees (200 agents) in 25+ countries
Origin story: WME | IMG was founded in 2014 with the merger of IMG and WME, which was founded in 2009 with the takeover of William Morris by upstart Endeavor.
Hope this episode helps you out on your journey to get an agent. Good luck!

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IFH 188: Making a Micro Budget Film That Cracks iTunes's Top 3 with Julian Galea

IFH 188: Making a Micro Budget Film That Cracks iTunes's Top 3 with Julian Galea

Today on the show we have writer/cinematographer/director Julian Galea. He directed a micro-budget film called Love to Paradise.Set in the magical Mediterranean islands of Malta, this indie travel romance proves it’s not love until it’s paradise.When American tourist Giovanni falls for local artist Carmen, they embark on a passionate and unforgettable journey across the Maltese islands only to be broken by the truth. Now at a crossroads, Giovanni choose between his livelihood or a fight to win the love of a woman that forever changed him.Check out the trailer below. I wanted Julian on the show, not only because he made a steller micro-budget film but I wanted him to give us the secrets on how he cracked the top 3 of iTunes Pre-orders with his little indie film. Check out the picture below and see which Big budget Hollywood tentpole films he was beating.Julian Galea is a Maltese-Australian filmmaker. He studied at New York Film Academy as a writer-director. His work includes a series of awarded short films and his latest feature film debut, LOVE TO PARADISE. Enjoy my conversation with Julian Galea.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Okt 20171h

IFH 187: How to Create an Amazon Exclusive Streaming Series with Chris Sobchak

IFH 187: How to Create an Amazon Exclusive Streaming Series with Chris Sobchak

How to Create an Amazon Exclusive Streaming Series with Chris SobchakThis week on the show we have filmmaker Chris Sobchak. Chris co-created an Amazon Streaming Series with star Nicole Sobchack, “Please Tell Me I’m Adopted!” follows free-spirited, wide-eyed, disaster magnet Tiffany who is forced to move in with her newly married sister, roping them into crazy, often culturally-current escapades with outrageous and hilarious consequences. What began as a project for a sketch comedy class is now an original short-form comedy series, which premiered exclusively on Amazon on March 6, 2017.The entire production was crowdfunded by friends, family and even strangers, so it was important for Executive Producer Chris Sobchak to keep costs down as much as possible. This led to him and Nicole doing the entire post process, including CGI, sound design, VFX, color and editing, themselves. The project took about two years to complete, with Chris needing to do some of the work on the road while working as the Drum and Percussion Technician for Elton John. Enjoy my conversation with Chris Sobchak.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Okt 20171h 4min

IFH 186: How to Make a Killer Horror Film in One Location with Michael Williams

IFH 186: How to Make a Killer Horror Film in One Location with Michael Williams

How to Make a Killer Horror Film in One Location with Michael WilliamsIf you have a micro or no budget feature film shooting in one location will make life a lot easier. Now, how do you make that one location look great and not boring through your film? Indie Filmmaker Michael Williams did just that with his new horror film The Atoning. Check out the trailer below. Michael Williams began creating short films in 2004 and since has consistently produced short films and screened them for audiences at annual film festivals and screenings across the U.S.Williams earned his bachelor of arts in film in 2009 from the University of Southern Mississippi and was awarded the Top Film Student of 2009 Award. In 2007 Williams began his professional film career, accumulating a multitude of credits ranging from assistant camera to director of photography for many independent short and feature-length films.After writing, directing and producing more than 20 short films, Williams broke into the feature-length film territory with the award-winning film OzLand". While his desire to tell complex stories visually drew him to a career in cinematography, as an artist and storyteller, Williams writes and directs films like "OzLand" in order to share his stories with those interested in experiencing them while eagerly pursuing the opportunity to bring other people's stories to life as a director of photography.For his 2nd feature film, Williams turned to the horror/supernatural thriller genre for "The Atoning", an award-winning family drama explored through a fresh take on the thriller/horror genre.Today, the filmmaker owns and operates Shendopen films in West Point, Mississippi and continues to write and direct his own independent films, produce films by other regional filmmakers and works regionally in the industry as a director of photography. Enjoy my conversation with Michael Williams.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

2 Okt 201753min

IFH 185: How Screenwriters Can Navigate the Hollywood System with Scott Myers

IFH 185: How Screenwriters Can Navigate the Hollywood System with Scott Myers

How Screenwriters Can Navigate the Hollywood System with Scott MeyersFor screenwriters, navigating the shark-infested waters of the Hollywood system can be a daunting task. You never know what the producer or studio is looking for. How do you pitch your story properly? So many questions. I hope today's guest can help guide you a bit through those waters.Scott Meyers has been a professional Hollywood screenwriter for over 30 years. Since selling his spec script K-9 in 1987, Scott has written 30 projects for every major Hollywood studio and broadcast network. His film writing credits include K-9 starring Jim Belushi, Alaska starring Vincent Kartheiser, and Trojan War starring Jennifer Love Hewitt.From 2002–2010, Scott was an executive producer at Trailblazer Studios, a television production company. In 2002, he began teaching screenwriting in his spare time. He won the UCLA Extension Writers’ Program Outstanding Instructor Award in 2005 and for eight years taught in the Writing for Screen and Stage program at the University of North Carolina in Chapel Hill.He has hosted Go Into The Story, an amazing screenwriting website, since its launch May 16, 2008, and is partnered with the Black List as its official screenwriting blog.Scott breaks down the Hollywood system, talks about story and structure and just tells it how it really is in the business. Enjoy my conversation with Scott Meyers. LINKS AND RESOURCES MENTIONED IN THIS EPISODEGo Into the StoryScott Meyer- FacebookScott Meyer - TwitterBuy This is Meg on iTunesDOWNLOAD - The Coen Brothers ScreenplaysDOWNLOAD - Chris Nolan ScreenplaysDOWNLOAD - Quentin Tarantino ScreenplaysDOWNLOAD - TV Script for 2016-2017 SeasonSPONSORSVideoBlocks.com - (IFH Discount SAVE $50)Martin Scorsese Teaches Film Directing MasterclassFREE Movie Trailer Editing CourseHollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)Directing Actors Master Course – (30% OFF – CODE: HUSTLE)Get Your Film on Netflix, Hulu & Amazon & Keep 100% of the Revenue - DistribberHollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)KILLER RESOURCES!!!IFH Masters Circle Filmmaking CommunityIFH's Online Film SchoolSix Secrets to get into Film Festivals for FREE!To share your thoughts:Leave a note in the comment section below.Share this show on Twitter, Facebook, or Pinterest.To help the show:Leave an honest review onBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Sep 20171h 27min

IFH 184: How to Location Scout on a Budget with Brian L. Tan

IFH 184: How to Location Scout on a Budget with Brian L. Tan

Anytime I location scout a property we are going to shoot at I always look out for the boobie traps that might hurt the shoot. Finding an dealing with locations can be a nightmare, especially when you have little or no budget.Today on the show I have locations guru Brian L. Tan. Brian is the founder of Wrapal.com, a site built to help filmmakers and property owner find location love. We discuss a bunch of tips and tricks to get locations on the cheap, if not for free and we go over the pitfalls that many filmmakers fall into when shooting on location.Below you'll find a great guide on how to location scout on a budget, written by Brian, as well as some genius videos they created. Enjoy and happy hunting!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Sep 20171h 4min

IFH 183: How to Have a Sustainable Career in the Film Business with Straw Weisman

IFH 183: How to Have a Sustainable Career in the Film Business with Straw Weisman

How to Have a Sustainable Career in the Film Business with Straw WeismanI always talk about "hustle" and that "you have to keep moving forward no matter what" to make it in this business. Today's guest is the most authentic example of those concepts I've ever met. Straw Weisman is a writer, director, producer, post supervisor, movie trailer writer/producer, film consultant, and film market guru. These are just some of jobs Straw has done in his over 40 years in the indie film business.Through his own company, Marquee Productions, Straw has supervised post-production and/or associate produced or produced over 75 films, including “Without Men”, starring Eva Longoria and Christian Slater, "Abel's Field", starring Kevin Sorbo, “Shine On”, starring Jenna Dewan-Tatum, “Order of Redemption” with Busta Rhymes, Armand Assante and Tom Berenger,  the multi-festival award-winning biopic “Crazy” featuring“Heroes” Ali Larder,  “Magic”, a family film starring Christopher Lloyd as a talking dog, Richard Gere’s “The Flock”, “Sex and Breakfast”, starring Macaulay Culkin, “Say It In Russian”, featuring Faye Dunaway, the spiritually based sleeper hit “What The Bleep Do We Know!?”(which grossed over $16 Million at the box office), Tobe Hooper’s “The Toolbox Murders”, and the horror feature “Hatchet." Marquee Productions has also played host to over 25 independent films, which have used its editing and audio facilities and Straw’s creative consultancy.Straw and I have been working together on projects for close to 10 years. I wanted him to come on the show to discuss his career, how he keeps going, and what skills helped him to have such a long and sustainable career. Straw also shares a very intense story that will illustrate how tough and brutal this business can be.My hope is that this interview not only inspires you but sheds a light on what is really needed to make it in the business. Enjoy my conversation with Straw Weisman.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Sep 20171h 11min

IFH 182: The Indie Film Hustle Tribe Interrogates Alex Ferrari with Rob Alicea

IFH 182: The Indie Film Hustle Tribe Interrogates Alex Ferrari with Rob Alicea

The Indie Film Hustle Tribe Interrogates Alex Ferrari with Rob AliceaToday’s episode is a first for the IFH Podcast. I had Indie Film Hustle Tribe Member Rob Alicea reach out to me with a crazy idea. He wanted to interview me for the podcast. He thought that the tribe would like to know more about me and my personal journey. I have to say I was skeptical. I didn’t think you guys would be that interested but Rob convinced me so here we are. Rob asked questions I never answered before and I have to say Rob was a great interviewer. I hope you find some value in it.So here we go. Enjoy Rob’s interview with…I guess me. = )Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

13 Sep 20171h 4min

IFH 181: Trailer Editing Techniques to Cut a Badass Movie Trailer

IFH 181: Trailer Editing Techniques to Cut a Badass Movie Trailer

Trailer Editing Techniques to Cut a Badass Movie TrailerI've probably edited over 500 movie trailers, network promos, and commercials in my career. So many indie filmmakers and feature film editors think they can just throw together a trailer for their feature film and make it work. Over the years, I've shared my Trailer Editing Techniques with many of the indie filmmakers that have walked into my post suite.Trailer editing requires a very different set of skills from feature film or other long-form editing. I've seen way too many bad movie trailers in my day. I wanted to bring on today's guest Chris from FilmEditingPro to drop some knowledge bombs on the IFH Tribe on what it takes to really edit an effect and kick ass movie trailer, regardless of genre.Enjoy my conversation with Chris from FilmEditingPro.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Sep 20171h 6min

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