IFH 126: Should You Own Your Own Film Gear? - Ask Alex

IFH 126: Should You Own Your Own Film Gear? - Ask Alex

Should You Own Your Own Film Gear?
Happy New Year IFH Tribe! We are now in 2017 and this will be ana amazing, creative and monumental year for us all. I wanted to start off the year with an "Ask Alex" episode. On this episode I answer the follow tribe member questions:


Though I plan on hiring a DP for my movies, I'd like to invest in my very own camera equipment and lights. (Was thinking about investing in that BlackMagic Cinema you keep raving about.)



However, I'm being advised NOT to buy my own camera and lights! I was told that unless I'm planning on being a DP myself, and unless I plan on keeping up with all the new models of cameras coming out (which can be expensive), that buying camera equipment makes no sense.


What say you? Shouldn't an independent filmmaker seek to have his or her own filmmaking arsenal, just in case? Shouldn't directors at least try to go out, shoot, get a feel for the camera, etc., so that they are better directors, even if they'll never be DPs?


What advice would you give someone working with non-acting actors who will be getting little to no pay?

So If I go to submit my film to contests and festivals will I have problems with people in public in background shots?

Would making the background more out of focus help?

I have scenes in stores. Do I need to blur product labels?


When is the perfect time in pre-production should you start casting?


How important do you feel it is to shoot on film if your plan is to go to the big film festivals hoping to get a distribution deal? Taking Dov Simens DVD class he stresses its important, but the content is in the age of miniDV, so technology has changed quiet a bit since those DVDs were produced. Although I know the story is really more important than digital vs film, which do you feel the major film festivals are looking for today or does it matter any more? I'm looking to shoot mostly film (~75%) and mix some shots and coverage that are shot digitally (~25%).



Let's get to answering some questions.
Right click here to download the MP3Download on iTunes Direct

Slamdance Workshop Discussed on the Show
Join Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.


Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.

Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.

A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!
Join Blackmagic Design afterward from 5:00pm to 7:00pm for a happy hour in th

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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CHRISTMAS THROWBACK: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay!

CHRISTMAS THROWBACK: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay!

CHRISTMAS THROWBACK: I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Dec 20201h 46min

IFH 424: Inside COVID Production Standards on an Indie with Austin Williams

IFH 424: Inside COVID Production Standards on an Indie with Austin Williams

So many IFH Tribe members have reached out to me to ask if I could help or guide them on how to shoot an indie feature film or series during COVID-19. So I decided to release a series of interviews with filmmakers who have done just that.First up is filmmaker Austin Williams. Austin was shooting his new feature Red Stone in the middle of COVID before anyone in our business knew what to do. The film had a respectable $500,000 budget.In this conversation, we discuss the methods he used to keep everyone safe on set, how he dealt with SAG, and the costs associated with dealing with COVID safety measures. Enjoy my conversation with Austin Williams.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

22 Dec 202046min

IFH 423: Tales from a Million-Dollar Debut Feature Film with Giles Alderson

IFH 423: Tales from a Million-Dollar Debut Feature Film with Giles Alderson

Today on the show I have a good friend and fellow podcaster, Giles Alderson. Giles is not only a podcaster but a successful filmmaker, producer, and screenwriter. I've been on The Filmmaker's Podcast a couple of times now and I just love talking shop with him.  One day we got to talking and he told me the crazy story of his debut film Arthur & Merlin: Knights of Camelot, which cost over a million dollars.He also directed, written & produced the psychological horror feature film ‘The Dare’ made for Nu-Image (Expendables, Hellboy) and B2Y Productions starring Richard Brake (31, Batman Begins), Alexandra Evans ((Redistributors), Bart Edwards (Fantastic Beasts), Richard Short (Vinyl, Public Enemies), Robert Maaser (M.I 5 Rogue Nation)I had to have him on the show to share his misadventures in making a million-dollar debut feature film. Get ready for one whale of a tale.  Enjoy my conversation with Giles Alderson.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Dec 20201h 25min

IFH 422: The RAW TRUTH about Film Distribution in Today's World with Shaked Berenson

IFH 422: The RAW TRUTH about Film Distribution in Today's World with Shaked Berenson

Today on the show we have returning champion film producer and distributor Shaked Berenson. Shaked has been on the show a few times now and each time he brings a wealth of knowledge bombs to the tribe. Shaked launched his new company called The Horror Collective, whose mission is to foster a community of independent horror filmmakers and connect their films to fans, all done transparently and fairly. We provide direct distribution combined with a cost-effective, high-impact festival, marketing, and release strategy. The Horror Collective aims to bring your film to the right audience.Shaked Berenson produced, and executive produced 22 features and two television series including many horror and cult favorites such as TURBO KID (2015), BIG ASS SPIDER! (2013), THE AGGRESSION SCALE (2012) and most recently, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT (2019), EXTRA ORDINARY (2019), PRETENDING I’M A SUPERMAN - THE TONY HAWK VIDEO GAME STORY (2020), and THE LODGERS (2018).In this episode, Shaked and I discuss the realities of film distribution in today's world, why most indie films fail to make money, why many film distributors screw over filmmakers, and how filmmakers can better position their films for the marketplace. The RAW TRUTH that Shaked and I discuss is not for the faint of heart but I truly hope it helps filmmakers better understand the marketplace they are entering.Enjoy my eye-opening conversation with Shaked Berenson.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Dec 20201h 59min

MOTIVATION: Don't Let Your Filmmaking Spark Go Out

MOTIVATION: Don't Let Your Filmmaking Spark Go Out

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Dec 20202min

IFH 421: Drugs, Sex and Higher Love with Slamdance Winner Hasan Oswald

IFH 421: Drugs, Sex and Higher Love with Slamdance Winner Hasan Oswald

Today on the show we have Slamdance Grand Jury winning filmmaker Hasan Oswald. Hasan's story is pretty inspiring. He did exactly what I preach all the time, he picked up a camera and began to tell his story. He made his first short film that was later tweeted by Stephen Fry, and the National Geographic came calling to work on their film Hell on Earth: The Fall of Syria and the Rise of ISIS. He has since covered the water crisis in Flint, Michigan, drug trafficking, and homelessness in Philadelphia. He quickly established a unique ability to capture the human experience through "cinema verité."  His unfettered access to and intimacy with his characters creates a seamless veneer between the filmmaker and subject.After getting much need experience in the field he decided it was time to tell larger stories. His first outing as a feature film director, Higher Love, won him the top award at the Slamdance Film Festival. To finance his film he pulled a page out of Robert Rodriguez's playbook and sold his blood plasma to finance his film.Hasan's filmmaking journey is inspiring to say the least. He is using cinema to tell stories that will hopefully change the way people think. Higher Love is available on all major VOD platforms. His current project focuses on the Yazidi Genocide in Iraq.Enjoy my conversation with Hasan Oswald.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Dec 20201h 12min

IFH 420: FATMAN - Directing an Insane Christmas Classic with The Nelms Brothers

IFH 420: FATMAN - Directing an Insane Christmas Classic with The Nelms Brothers

Today on the show we have maniac writers/directors The Nelms Brothers, and I say maniacs in the best possible way. Ian and Eshom Nelms, grew up in central California waging two hundred man G.I. Joe wars and dreaming in John Ford landscapes. They have written and directed numerous award-winning and critically- acclaimed films.The brothers are known for their unique ability to traverse from one genre to another, seamlessly and successfully, from drama to comedy to thrillers. Their film, LOST ON PURPOSE (2013), was a heartfelt coming-of-age love letter to their small hometown.From there, the siblings wrote and directed WAFFLE STREET (2015), a comedic turn based on an autobiographical memoir about a billion-dollar hedge-fund manager turned waffle house server. Their film, SMALL TOWN CRIME (2018) is a crime thriller that premiered at SXSW and BFI London Film Festival and received positive reviews by top critics upon its theatrical release.We are here today to discuss their latest opus, FATMAN starring Mel Gibson, Walton Goggins, and Marianne Jean-Baptist. The film centers on a neglected and precocious 12-year-old who hires an unorthodox hitman to kill Santa Claus after receiving a lump of coal in his stocking. They had me at FATMAN.I absolutely loved FATMAN and am glad it is in existence. It is one of my favorite films of the year. In this crazy 2020, this is the film we all need to watch right now.  I can't tell you how fun it was talking to Ian and Eshom.We discuss how they came up in the business, the 14 years it took to bring FATMAN to the big screen, working as a director team, and their misadventures in Hollyweird.Do yourself a favor and watch FATMAN tonight! It is brilliant. To be honest I'm jealous I didn't think of this. The idea for FATMAN is just so genius. I'm glad these two filmmakers brought it to life.Enjoy my conversation with filmmakers Ian and Eshom Nelms.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Dec 20201h 33min

MOTIVATION: Why Filmmakers Need to Break the Rules

MOTIVATION: Why Filmmakers Need to Break the Rules

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Dec 20202min

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