IFH 499: From Sundance Sleeper Hit To Blockbuster Career with Chris Sparling

IFH 499: From Sundance Sleeper Hit To Blockbuster Career with Chris Sparling

It’s always way fun to have a guest who is also a fan of the show. This week’s guest is definitely a member of the tribe. We chatted up pre-interview about some of his favorite IFH podcast episodes and I knew front hen on we were on for a treat. My guest today is award-winning writer, director, and producer, Chris Sparling.
Chris has written some of Hollywood's most original and fascinating screenplays like Buried, Greenland, Mercy, Down A Dark Hall, Reincarnate (featuring Leonardo DiCaprio), The Sea of Trees with Matthew McConaughey, etc.

One of his latest films, Greenland, which premiered in 2020 started streaming on Amazon prime this February.

The disaster thriller film starring Gerard Butler and Morena Baccarin follows a family who must fight for survival as planet-destroying comet races to Earth. Butler’s family struggles for survival in the face of a cataclysmic natural disaster as the planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary. Amid terrifying news accounts of cities around the world being leveled by the comet's fragments, the Garrity's experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.

With its reception and regardless of the COVID 19 Pandemic, the film grossed $52.3 million at the Box Office and was announced that the sequel, Greenland: Migration is already in the works. The continuation of the story will center around the Garritys' journey across a frozen European wasteland to find a new home. STX has already acquired the worldwide distribution rights for the film at the 2021 Cannes Film Festival for the sequel with a $65 million budget.

Chris’s path to becoming a renowned Hollywood blockbuster writer begun on the actor’s path. He was inspired to take up writing after the 1997 hit psychological drama film, Goodwill Hunting which was directed by Gus Van Sant and starred Robin Williams, Matt Damon, Ben Affleck, and others.

He left Los Angeles on a home (Rhodes Island) bound to recalibrate and focus on completing college and writing because it was a challenge juggling that and acting auditions. After completing college, Sparling returned to Los Angeles. With no connections or leads, he returned to Rhodes Island with the plan to make a movie of one of the many scripts he had written by then. Though he had no formal film production experience at this point, Sparling wrote, directed, and produced An Uzi at the Alamo which is about a young writer in search of his identity, pledges to his dysfunctional family that he will commit suicide on his 25th birthday. As the fateful day approaches, he stumbles upon love and a new sense of self. Fearing family humiliation if he backs out of his pledge, he prepares for his last birthday with the feigned support of his family.

Of course, the film did not do well, but this is when things became interesting for Chris’s writing career. He dusted up and sent out about one hundred specs to studios, managers, producers, literally anyone he could contact. He received back, only three responses and one of which was from a manager who became his manager and still is till this day. That was his first open door.

When I saw the trailer for Chris’s 2010 film, Buried, and the success of it, as an independent filmmaker, I was in awe and slightly jealous of how easy (cost, and production-wise), revolutionary the film is. Buried is a brilliantly twisted suspense and original screenplay that is a nightmare for claustrophobes.

Sparling found mainstream success when his feature-length screenplay Buried was purchased by producer Peter Safran starring Ryan Reynolds. Ryan plays Paul, an Iraq-based American civilian truck drive. After an attack by a group of Iraqis, he Wakes up groggy in pitch darkness, to find he is buried alive inside a coffin. With only a lighter, flask, flashlight, knife, glowsticks, pen, pencil, and a mobile phone. It's a race against time to escape this claustrophobic death trap. He is left to rely on his cell phone to contact the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself.

The film premiered at the 2010 Sundance Film Festival and was sold to Lionsgate Films. Buried was shown at several major European and North American film festivals. It was nominated for and won a plethora of European films awards because it was produced in Barcelona by Barcelona-based Versus Entertainment, in association with The Safran Company and Dark Trick Films. Some of the awards included the Goya Award, for Best Original Screenplay, a Gaudi Award in the same category, and the best European feature film of the year award at the Strasbourg European Fantastic Film Festival in September 2010. This $2 million budget indie film made a gross splash of $21.3 million worldwide.

Sparling had an immediate success from Buried; between the script going out in March of 2009 and the movie premiering at Sundance in 2010, and he suddenly needed an agent, an attorney, and everything legit in between.

Intrusion, Sparling’s latest film will be streaming on Netflix in just one week (September 22, 2021), starring Freida Pinto and Logan Marshall-Green.

It is about a husband and wife who move to a small town. A deadly home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem. Even though it was self-defense, it was still a homicide. However, it turns out that the home invasion was not a one-off, and there are many other missing person cases in which the invaders may be involved. Meera falls into a rabbit hole as she takes it upon herself to find out the truth.

Enjoy my entertaining conversation with Chris Sparling.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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IFH 811: How Pixar’s Story Secrets Can Transform Your Filmmaking Process with Brit Cruise

IFH 811: How Pixar’s Story Secrets Can Transform Your Filmmaking Process with Brit Cruise

Brit Cruise—educator, filmmaker, and producer of Pixar in a Box—takes us on a journey through the fusion of storytelling, science, and education. From his early days editing videos with dual VCRs to his innovative work at Khan Academy, Brit reveals how deep focus, analog creativity, and a love for explanation helped shape his approach to teaching complex subjects through immersive visuals. With storytelling as the core, he shares how each lesson in Pixar in a Box connects school-taught concepts like math and physics to the movie magic of Pixar, showing students that what they learn can have real, creative application. Throughout the conversation, Brit explores his philosophy that creativity is “the ability to deal with unknowns,” emphasizing iteration, structure, and the power of simplicity. He also gives us a glimpse into the upcoming storytelling curriculum at Pixar in a Box, where students will storyboard their own shorts from scratch. For filmmakers, educators, and curious minds alike, this episode is a masterclass in how to bring clarity, authenticity, and joy into the learning and creative process.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Juli 52min

IFH 810: The No-Excuses Filmmaking Philosophy of Len Kabasinski

IFH 810: The No-Excuses Filmmaking Philosophy of Len Kabasinski

Len Kabasinski shares his journey from childhood dreams of monsters and martial arts to becoming a prolific force in the world of independent B-movie filmmaking. He recounts the origins of his first feature Swamp Zombies, revealing how a passion for horror and action films, coupled with sheer determination and minimal resources, propelled him into the director’s chair. With stories of on-set challenges, like actors no-showing and rewrites done on the fly, Len highlights the resourcefulness required to survive and thrive in the micro-budget world. His deep respect for martial arts and love for genre films shine through as he explains how even his earliest projects were fueled by vision, grit, and a DIY spirit. As the conversation unfolds, Len Kabasinski reflects on the evolution of his filmmaking, from improving technical aspects like sound and lighting to writing scripts that align with available resources. He discusses working with cult personalities like Dan Severn and Jasmine St. Claire, and how casting is not just about fame but about attitude and collaboration. Looking forward, he shares excitement about upcoming projects like Hellcats Revenge and Challenge of the Five Gauntlets, emphasizing his desire to showcase his martial arts roots in full force. Throughout, Len remains grounded, humble, and fiercely committed to telling the stories he believes in—proving that true creativity doesn’t wait for permission.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Juli 53min

IFH 809: No Budget, All Hustle: The Filmmaking Grind of Staci Layne Wilson

IFH 809: No Budget, All Hustle: The Filmmaking Grind of Staci Layne Wilson

In this colorful and deeply personal episode, Staci Layne Wilson shares her remarkable journey from a childhood surrounded by Hollywood legends and horseback riding to becoming an award-winning filmmaker and bestselling author. Born and raised in Los Angeles to a famed musician father (Don Wilson of The Ventures) and a glamorous pin-up model mother, Staci’s life has always been steeped in creativity. Yet, her entrance into filmmaking wasn’t planned—it evolved naturally through her work as a horror novelist and entertainment journalist. With a passion for storytelling and a love for visual style, she eventually directed short films and features that showcase her unique blend of artistry, grit, and genre flair. Throughout the conversation, Staci Layne Wilson reflects on the confidence she gained through small, creative victories, her experiences navigating the film world as a woman, and her desire to tell authentic stories—whether through film or memoir. Her book So L.A. offers a humorous yet heartfelt look into her unconventional upbringing, filled with wild stories like meeting Malcolm McDowell weekly or being invited to the Playboy Mansion as a teenager. With future projects on the horizon, including a documentary on her father’s legendary band, she continues to blend past and present into meaningful art that captures the spirit of Hollywood’s golden oddities.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

1 Juli 43min

IFH 808: Behind the Screams: How Shae Smolik Brought The Hatred to Life!

IFH 808: Behind the Screams: How Shae Smolik Brought The Hatred to Life!

Shae Smolik, a talented young actress from Iowa, shared her journey from local modeling to leading a feature film in Los Angeles. Starting with commercials and gradually advancing to TV and web series, Shae embraced each step with enthusiasm and resilience. Her audition technique—spontaneous and emotionally driven—reflects an innate gift for performance. This approach helped her land the lead role in the horror film The Hatred, a major milestone that showcased her ability to handle complex, emotionally intense scenes at a young age.On set, Shae demonstrated a level of professionalism and presence that many seasoned actors strive for. She spoke candidly about initially feeling overwhelmed by the scale of a professional film production, but quickly adapted, delivering performances that resonated with both cast and audience. Her advice to fellow young actors is to stay authentic, enjoy the process, and never fear mistakes—because there's always another audition, and the heart of acting lies in being true to yourself.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Juni 24min

IFH 807: Making Your Own Damn Movies: Inside Dave Campfield’s Troma-Fueled Filmmaking Path

IFH 807: Making Your Own Damn Movies: Inside Dave Campfield’s Troma-Fueled Filmmaking Path

When two Daves walk into a podcast, you don’t expect to stumble upon a meditation on art, failure, persistence, and horror-comedy. But that’s exactly what happened in this electric and delightfully unfiltered conversation with Dave Campfield, a filmmaker, actor, and host of the Troma Now Podcast, best known for his work in the cult Caesar and Otto comedy-horror film series.Dave Campfield is a fiercely independent filmmaker whose journey from a now-defunct film college in New Mexico to directing his own cult horror satires has been a long and winding road paved with hustle, humor, and horror.We start in the sand-colored surrealism of Santa Fe, where adobe buildings and the ghost of City Slickers set the stage for Dave’s early filmmaking dreams. In the land of tumbleweeds and tumble-down gym studios turned sound stages, Dave cut his teeth not just on film but on the art of adaptation.The college no longer exists, but the memories—like chalk lines under studio lights—remain vivid in his story. “It was like going to school on Tatooine,” he says, laughing, but behind that joke is a bittersweet nod to the ephemeral.From there, Dave walks us through the illusion of success—early meetings with Universal and New Line Cinema where hopes were dangled like carrots in front of eager young dreamers. The industry, he quickly learned, speaks its own coded language: familiarity, marketability, and sometimes, plain deception. One mentor told him to “say you're young, from the streets, and have a dark comedy,” regardless of truth. Dave gave it a shot but came away with the haunting realization that "they were intrigued enough to keep me on leash, but not enough to make it happen."That experience seeded his first real film, “Dark Chamber,” a mystery-horror project which deliberately bucked slasher formulas. It took five years to make—five years of blood, sweat, and overdrafts. And yet, when the studios responded with, “We wanted something more familiar,” Dave knew he was swimming upstream. Still, he sold the film to a small distributor, endured its repackaging as something it wasn’t, and got it onto Netflix. A win—just not the one he envisioned.But here’s the heart of it all: Dave didn’t stop. He pivoted, not with bitterness, but with evolution. “I decided I wasn't going to be one of those people waiting for opportunity. You had to make it happen on your own.” And so, he leaned into comedy horror—a genre he describes as “Abbott and Costello meet Frankenstein, but for the splatter generation.” Thus, Caesar and Otto were born: two absurdly lovable doofuses bumbling their way through massacres, monsters, and paranormal mayhem.One of Dave’s secret weapons is loyalty to what’s real. Whether recounting how Lloyd Kaufman forgot him (then remembered) or editing commercials for the Philadelphia Pet Expo, he keeps a kind of grounded magic about his craft. He shares a deeply personal new project, “Awaken the Reaper,” born from a decade of introspection and struggle, calling it “the most personal thing I’ve ever written.” He says, “It’s about being stuck—feeling like every day you’re not moving forward—and finally getting out of your own way.”All along, Dave’s been quietly building a reputation for casting future stars before they break—Trey Byers (Empire), Peter Scanavino (Law & Order)—and hosting a podcast that thrives not just because of brand synergy with Troma, but because he genuinely knows how to talk to people. “They’ve never rejected an episode,” he remarks. “I tease Troma a lot, and they’re always game. It’s a beautiful collaboration.”The conversation wraps not with grandiosity, but a recognition that even the smallest cult followings can keep a creator going. “My fanbase is small, but intense,” Dave says with pride. “I can rattle them off on two hands.” Maybe that’s enough. Maybe that’s everything.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Juni 57min

IFH 806: Shooting Sharks in Your Living Room: The Art of DIY Filmmaking with Ron Bonk

IFH 806: Shooting Sharks in Your Living Room: The Art of DIY Filmmaking with Ron Bonk

In this episode, we dive into the wild, wonderful world of Ron Bonk, an indie filmmaker and founder of SRS Cinema known for the cult horror-comedy House Shark. Ron shares his journey from studying accounting and criminal justice to becoming a self-taught director, driven by a passion for storytelling and a deep love for genre cinema. With no Hollywood backing, Ron used camcorders, community college equipment, and his own home as a film set to bring his visions to life. House Shark began as a joke about roof noises and turned into a full-blown production that he wrote, directed, and shot over a year. His philosophy? Use what you have, stay true to your weird ideas, and don't be afraid to break the rules. He talks about the challenges and joys of indie filmmaking, how crowdfunding works behind the scenes, and why authenticity matters more than perfection. As Ron puts it, “You tell people whatever they need to hear in order to keep shooting.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Juni 58min

IFH 805: Why Your Film Isn’t Getting Made (And What to Do About It) with Ron Newcomb

IFH 805: Why Your Film Isn’t Getting Made (And What to Do About It) with Ron Newcomb

When the moon is high and the muse is low, we often find ourselves in deep conversation with our own souls, asking, "Why do I do this?" And on today’s episode, we welcome the steadfast and visionary Ron Newcomb, a former Marine and police officer who has traded in his uniform for a camera, answering that very question not just with thought—but with action.Many walk the tightrope between dreams and reality. But Ron doesn’t walk it; he builds it. With a full-time job, family responsibilities, and the unrelenting buzz of daily life, filmmaking becomes more than a pursuit—it becomes a pilgrimage. In our conversation, Ron unveils the raw truth behind being a modern-day storyteller, caught between the 9-to-5 grind and the eternal call of the creative. His journey is not just about making films; it's about making space in a crowded world to remember who we really are when the credits roll.You see, filmmaking, as Ron wisely puts it, "isn't a want—it’s a calling." It’s not about lighting up a screen; it's about lighting a fire.There is a reverence in his approach, a kind of worship in the way he speaks of independent cinema. He isn’t interested in chasing fame or fortune but in answering that whispering voice within that says, “Tell this story. It matters.” In an age where distractions are currency, Ron is cashing in for clarity. He’s figured out that doing the work is the real prayer.As a self-proclaimed “storyteller,” Ron lays out three sacred paths for the indie filmmaker: seeking a manager to break through studio gates, finding a producing partner to align energies with, or rallying investors to go it alone. “I'm going to bang the drum on all three,” he says. That’s not just a plan—it’s a mantra. And true to that vow, he’s organizing a bold, DC-based pitch event to connect filmmakers with gatekeepers. It's a beautiful paradox—waiting for no one while creating opportunities for everyone.We explored how the daily discipline—rising at six, family dinners, late-night writing—becomes the framework for spiritual resilience. This isn't just about making movies; it's about making meaning. Ron explains, “Contentment is found in the process, not the end result.” How very Zen. Each film, each failed Kickstarter, each late-night script rewrite is not a detour—it is the path. As he puts it, “You should feel filmmaking breathe within you.” And if it doesn’t? It may be time to let go.Ron also speaks with reverence for collaboration, knowing that the alchemy of filmmaking lies not in the lone genius, but in the orchestra of souls rowing in rhythm. He is generous in spirit and grounded in grit, reminding us that the true power isn’t just in raising capital or climbing a ladder—it’s in raising each other. "If we all just left ego aside for a moment, I believe that all of us could get what we wanted." There’s more than wisdom in that; there’s a way forward.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Juni 1h 15min

IFH 804: How I Made a Cult Zombie Movie for $75 and Took On Hollywood with Marc V. Price

IFH 804: How I Made a Cult Zombie Movie for $75 and Took On Hollywood with Marc V. Price

When a zombie filmmaker makes you laugh so hard you forget you're talking about death and destruction, you know you're in for something special. On today’s episode, we welcome Marc V. Price, a fiercely independent British filmmaker whose claim to fame is making a cult zombie feature called Colin for just £45. That alone should make you lean in. But that’s just the prologue. This is a man whose journey into the heart of DIY cinema is paved not with glamour, but with grit, late-night edits, and an undying love for storytelling that’s as infectiously entertaining as the virus in his debut film.Marc V. Price is a visionary guerrilla filmmaker who turns limited budgets into limitless creativity.In this profound conversation, we dive deep into the chaos, comedy, and consciousness of being an indie director who not only survived the industry’s many booby traps, but did so while telling stories worth hearing. His reflections on Colin—a film made while overdrafted and eating whatever he could scrape up—are as humble as they are inspiring. What started as an experiment in shoestring storytelling exploded into a global festival darling, not because it was flashy, but because it was honest. And that's where Marc's strength lies—he doesn’t pander, he creates.We drift into an epic conversation on the Star Wars universe. This isn’t fanboy babble; it’s an existential breakdown of myth, legacy, and the strange, often contradictory reactions that fandom provokes. Marc speaks with wit and clarity about his take on The Last Jedi, “I have a character, I have no idea where Kylo Ren is going in the next film, so I’m really interested now.” There’s no arrogance in his opinion, just a deep appreciation for complexity and imperfection, a theme that winds its way through all his art.But Marc isn’t just waxing poetic about galaxies far, far away. He shares the alchemy behind his newer projects—Nightshooters and A Fistful of Lead. These aren't just action flicks; they’re love letters to the film crews behind the scenes. Imagine a group of low-budget filmmakers caught in a building rigged for demolition while gangsters try to kill them—forced to use their behind-the-camera skills to survive. This isn't satire, it’s celebration. It's also the sort of beautiful madness only someone like Marc could conjure.What stands out most is Marc’s radical respect for collaboration. He believes the true magic of filmmaking lies in giving young talent real responsibility. On his sets, interns aren't coffee runners—they're script supervisors and first ACs.This communal spirit translates into films that are textured, layered, and brimming with the energy of people who actually care. He’s not just making movies; he’s building a village.Even in setbacks—like getting fired from a film he poured his soul into—Marc finds the lesson, finds the momentum. Instead of sulking, he pivots. He doubles down. He makes another movie. And another. By the end of the month, he’ll have two features under his belt. He’s not chasing Hollywood; he’s chasing the muse, armed with a battered camera, a mischievous grin, and a hell of a lot of heart.And perhaps most beautifully, Marc wears his humanity like armor. He laughs at himself, calls out his own missteps, and embraces the contradictions of the creative life. From living broke with roommates in London, to pitching ridiculous Star Wars spin-offs, to dreaming of snow-covered Westerns in the UK, he embodies what it means to stay playful—even when things get dark.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

27 Maj 1h 32min

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