IFH 544: Filmmaking Lessons: The Art of Adaptation with Joe Wright

IFH 544: Filmmaking Lessons: The Art of Adaptation with Joe Wright

Today on the show we have Oscar® nominated filmmaker Joe Wright.

Joe has established himself as one of Hollywood’s top directors with his rare ability to captivate global audiences through his extraordinary cinematic craft.

Most recently, Wright directed the psychological thriller THE WOMAN IN THE WINDOW, starring Amy Adams, Julianne Moore, and Gary Oldman. The film follows an agoraphobic psychologist whose life is turns upside down when a befriended neighbor suspiciously disappears. The film was released by Netflix in May 2021.

Previously, Wright directed the war drama the Academy Award winning film DARKEST HOUR. Written by Anthony McCarten and starring Gary Oldman as Winston Churchill, the film follows Churchill’s early days as the British Prime Minister during World War II. At the 90th Academy Awards, the film earned four nominations, including ‘Best Picture’ and won for ‘Best Actor’ and ‘Best Makeup and Hairstyling’. The film was also additionally nominated for nine BAFTA Awards including ‘Best Film’ and ‘Best British Film’, four Critics Choice awards, and a Golden Globe award.

Wright made his directorial debut in 2005 with the critically acclaimed film PRIDE & PREJUDICE. Starring Keira Knightley, Matthew Macfadyen and Donald Sutherland, the film was adapted from the Jane Austen novel of the same name and garnered commercial and critical success.

Wright received the BAFTA Award for ‘Most Promising Newcomer’ and also won the ‘Best Director of the Year’ award from the London Film Critics Circle. The film also received an additional five BAFTA nominations including ‘Best Screenplay-Adapted’, four Academy Award nominations including ‘Best Actress’ for Knightley and ‘Best Original Score’ and two Golden Globe nominations including ‘Best Film’.

His sophomore directorial feature was an adaptation of Ian McEwan’s ATONEMENT, which was released in 2007 by Universal Pictures. Reuniting with Keira Knightly and also starring James McAvoy and Saoirse Ronan, the film opened the 64th Venice International Film Festival, making Wright the youngest director to ever open the event.

The film went on to receive thirteen BAFTA Award nominations in major categories including ‘Best Director’ for Wright and ultimately won for ‘Best Film’. At the 80th Academy Awards the film also picked up seven nominations including ‘Best Picture’ and won for ‘Best Original Score’ and earned seven nominations at the Golden Globes, winning ‘Best Motion Picture – Drama’ and ‘Best Original Score’.

In 2012, Wright released his film adaption of Leo Tolstoy’s historical romantic drama ANNA KARENINA, which first premiered at the Toronto Film Festival. Marking his third collaboration with Keira Knightley, the film depicts the tragedy of Russian aristocrat and socialite ‘Anna Karenina’, whose affair with ‘Officer Count Vronsky’ leads to her ultimate demise.

His adaptation earned four nominations at the 85th Academy Awards, six nominations at the BAFTA Awards including ‘Best British Film’, a Golden Globe nomination, and two Critics Choice Awards.

Additional filmmaking credits include the 2015 prequel PAN starring Hugh Jackman; the 2011 action thriller HANNA with Saoirse Ronan; and the 2009 drama THE SOLOIST starring Jamie Foxx and Robert Downey Jr.

His new film is the magical Cyrano starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr.

Too self-conscious to woo Roxanne himself, wordsmith Cyrano de Bergerac helps young Christian nab her heart through love letters. This musical adaptation of Edmond Rostand's classic play tells the story of Cyrano de Bergerac as he pines for the affections of the beautiful Roxanne, who has fallen in love with another man named Christian de Neuvillette. Though Cyrano understands that his social status and physical appearance will forever keep him apart from his lady love, he offers his skills as a gifted poet to Christian in an effort to bring the two lovers together once and for all.

Enjoy my enlightening conversation with Joe Wright.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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IFH 535: Getting Your First Feature Off the Ground with Leroy Kincaide

IFH 535: Getting Your First Feature Off the Ground with Leroy Kincaide

Today on the show we have filmmaker Leroy Kincaide.With over 15 years’ experience in the entertainment industry, both in front of and behind the camera, Leroy has featured on shows created by companies such as ITV, BBC, WWE and PARAMOUNT.Before turning his creative hand to the film industry, Leroy was one of the UK’s top professional Wrestlers, holding a heavyweight championship and at the peak of his career had a televised match on WWE’s SMACKDOWN at the O2 arena.It was around this point in his life, Leroy realised that he wanted to be the creator of his own destiny, so after what was looking to be a very promising future in the wrestling business, he found his true passion for the film industry, and decided to embark on becoming a film director.Wanting to express his storytelling creativity, he founded Nocturnal Pictures in 2014 and has since written and directed several short films, music videos, and has successfully completed his debut feature film The Last Rite.A medical student suffering from sleep paralysis finds herself plagued by a demonic entity, after moving in with her boyfriend.With a distinctive style, dark vision and thought evoking take on story narrative, Leroy is currently building a slate of genre movies fitting for what his imagination can create in a dark cinematic universe.Following the success of the world premiere of The Last Rite, Leroy was nominated for the Screen International “Genre Rising Star” Award for his debut feature film.Enjoy my inspiring conversation with Leroy Kincaide.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Dec 20211h 31min

CHRISTMAS THROWBACK: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay!

CHRISTMAS THROWBACK: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay!

CHRISTMAS THROWBACK: I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Dec 20211h 46min

IFH 534: Swingers, Scream & Rudy - The Art of Producing with Cary Woods

IFH 534: Swingers, Scream & Rudy - The Art of Producing with Cary Woods

Today on the show we have legendary film producer Cary Woods. Cary Woods is a film producer best known for producing worldwide blockbusters such as Scream and Godzilla, the beloved independent films Kids, Cop Land, and Gummo, and modern classics like Rudy and Swingers.Woods is also responsible for producing the breakthrough features of such notable directors as James Mangold, Doug Liman, M. Night Shyamalan, Alexander Payne, Harmony Korine, and Larry Clark, as well as the screenwriting debuts of Jon Favreau, Kevin Williamson, and Scott Rosenberg.Woods' filmography features a lineup of A-List actors, including: Robert Downey, Jr., Robert De Niro, Sylvester Stallone, Marisa Tomei, Christopher Walken, Harvey Keitel, Mike Myers, Laura Dern, Heather Graham, Ray Liotta, Burt Reynolds, Drew Barrymore, Matthew Broderick, Courteney Cox, Timothy Hutton, Andy Garcia, Neve Campbell, Sean Astin, Michael Rapaport, Jean Reno, and Steve Buscemi.Born and raised in the Bronx, Woods graduated from the USC Gould School of Law before beginning his career at the William Morris Agency (now WME). As an agent, Woods represented - and in many cases introduced audiences to - the likes of Gus Van Sant, Uma Thurman, Jennifer Connelly, Milla Jovovich, Charlie Sheen, Matt Dillon, Todd Solondz, and most prominently, Gregory Peck.At WMA, Woods also represented many of the industry's most successful stand-up comedians including Sam Kinison, Andrew Dice Clay, Gilbert Gottfried, Sandra Bernhard, Tommy Davidson, and Jackie Mason.After developing the Indie favorites Heathers and Drugstore Cowboy as an agent, Woods accepted a position at Sony Pictures Entertainment (the parent company of Columbia Pictures and TriStar Pictures) as a Vice President - Office of the Chairman, reporting directly to Peter Guber. Woods later segued to a production deal at Sony, resulting in the release of a succession of iconic films, including So I Married An Axe Murderer, Rudy, Only You, and Threesome.After starting his own production company - Independent Pictures - the explosive release of the 1995 cultural phenomenon Kids (starring then-newcomers Rosario Dawson and Chloe Sevigny) began a streak of culturally significant, critically-acclaimed independent films produced by Woods under his banner.The next few years saw the releases of Citizen Ruth (the first film from future two-time Oscar winner Alexander Payne), Beautiful Girls (which introduced American audiences to Natalie Portman), and Swingers (springboarding Vince Vaughn to comedy mega-stardom).His 1996 film Scream (the most successful film of "Master of Horror" Wes Craven's career) marked a turning point for the entire genre, grossing over $170 million and setting a box office record that would stand for 22 years. The film instantly and single-handedly pivoted horror toward postmodernism, spawning a massive billion-dollar franchise (consisting of successful sequels, a TV series, toys, and Halloween costumes), as well as inspiring countless knock-offs in the years since.Gummo - the directorial debut of Kids' screenwriter Harmony Korine - received the FIPRESCI Prize at the 1997 Venice Film Festival. Bernando Bertolucci, the famed director of Last Tango in Paris, praised the film, calling it "The one revolutionary film of the late 20th century."In 1998, the first US-produced entry of the iconic Godzilla film franchise would become Woods' and Independent Pictures' single highest-grossing film, earning nearly $400 million.Woods would go on to serve as co-Chairman, and Chief Creative Officer of Plum TV, in which he was a founding partner. Broadcasting in the nation's most affluent markets (i.e. Aspen, the Hamptons, Miami Beach), the luxury lifestyle network would go on to earn eight Emmy Awards.Enjoy my conversation with Cary Woods.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Dec 20211h 15min

IFH 533: From James Cameron to Steven Spielberg, the Life of Lance Henriksen

IFH 533: From James Cameron to Steven Spielberg, the Life of Lance Henriksen

Today on the show we have legendary actor Lance Henriksen. I had the pleasure of work with Lance on my film Red Princess Blues: Genesis and if was a surreal experience.Lance has been in over 300 films through-out his remarkable career.He's mentored Tarzan, Evel Knievel and the Antichrist, and fought Terminators, Aliens, Predators, Pumpkinhead, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean-Claude Van Damme and Steven Seagal.He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigelow, Sidney Lumet, Francois Truffaut, John Huston, Walter Hill, David Fincher, John Woo, Jim Jarmusch and Sam Raimi, but this is just skimming the surface.An intense, versatile actor as adept at playing clean-cut FBI agents as he is psychotic motorcycle-gang leaders, who can go from portraying soulless, murderous vampires to burned-out, world-weary homicide detectives, Lance Henriksen has starred in a variety of films that have allowed him to stretch his talents just about as far as an actor could possibly hope.He played Awful Knoffel in the TNT original movie EVIL KNIEVEL, directed by John Badham and executive produced by Mel Gibson. Henriksen portrayed Awful Knoffel in this project based on the life of the famed daredevil, played by George Eads. Henriksen starred for three seasons (1996-1999) on Millennium, Fox-TV's critically acclaimed series created by Chris Carter (The X-Files).His performance as Frank Black, a retired FBI agent who has the ability to get inside the minds of killers, landed him three consecutive Golden Globe nominations for "Best Performance by a Lead Actor in a Drama Series" and a People's Choice Award nomination for "Favorite New TV Male Star."Henriksen was born in New York City. His mother, Margueritte, was a waitress, dance instructor, and model. His father, James Marin Henriksen, who was from Tønsberg, Norway, was a boxer and merchant sailor.Henriksen studied at the Actors Studio and began his career off-Broadway in Eugene O'Neill's Three Plays of the Sea. One of his first film appearances was as an FBI agent in Sidney Lumet's DOG DAY AFTERNOON, followed by parts in Lumet's NETWORK and PRINCE OF THE CITY.He then appeared in Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND with Richard Dreyfuss and François Truffaut, DAMIEN: OMEN II and in Philip Kaufman's THE RIGHT STUFF, in which he played Mercury astronaut Capt. Wally Schirra.James Cameron cast Henriksen in his first directorial effort, PIRANHA II: THE SPAWNING, then used him again in THE TERMINATOR and as the android Bishop in the sci-fi classic ALIENS. Sam Raimi cast Henriksen as an outrageously garbed gunfighter in his quirky western THE QUICK AND THE DEAD.Henriksen has also appeared in what has developed into a cult classic: Kathryn Bigelow's NEAR DARK, in which he plays the head of a clan of murderous redneck vampires. He was nominated for a Golden Satellite Award for his portrayal of Abraham Lincoln in the TNT original film THE DAY LINCOLN WAS SHOT.In addition to his abilities as an actor, Henriksen is an accomplished painter and potter. His talent as a ceramist has enabled him to create some of the most unusual ceramic artworks available on the art market today.His new film is called Alpha Rift.Nolan Parthmore was just a regular guy, hanging with friends, working his game store, flirting with his co-worker, then one day, destiny came calling. A courier delivers a mysterious antique helmet with no note or description. When Nolan puts it on, his whole world changes. The helmet comes to life and calls out to an evil demon, Lord Dragsmere, who was imprisoned by Nolan's deceased father.Nolan soon discovers he is next in the bloodline, heir to The Nobleman, destined to become a hero whether he wants to be or not. Since the Dark Ages, the Noblemen have been guardians against the 13 Devil's Apostles: dark forces escaped from hell and let loose upon on earth. Generations later, it's the heirs of these original knights that possess the power to open the Alpha Rift:the only defense against these supernatural foes.Enjoy my conversation with Lance Henriksen.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Dec 20211h 13min

IFH 532: Epic Cinematography, David Fincher & the Art of Lighting with Oscar® Nominee Jeff Cronenweth

IFH 532: Epic Cinematography, David Fincher & the Art of Lighting with Oscar® Nominee Jeff Cronenweth

Today on the show we have Oscar® nominee Jeff Cronenweth A.S.C. Cronenweth worked as a loader and 2nd assistant before graduating high school, and then enrolled in film school at USC where he studied cinematography. Among his classmates were John Schwartzman and Robert Brinkmann, as well as [director] Philip Joanou.After graduation, Cronenweth resumed working with his father, joining a core camera team that included operators John Toll and Dan Lerner, and 1st assistants Bing Sokolsky and Art Schwab.Jeff worked with father Jordan Cronenweth (cinematographer most notable for Blade Runner) as a camera loader and second assistant camera during high school, working his way up to first assistant camera and then camera operator until the mid-1990s.Moving up to first assistant, Cronenweth began working with Toll, who was just beginning his work as a cameraman, and veteran Sven Nykvist."I couldn't have learned from better people than John, Sven and my father,"Cronenweth relates."They were all soft-spoken, but very tenacious in achieving their goals. It was a great experience to watch them, learn set etiquette and see how they delegated responsibilities and dealt with producers and crews. I did six pictures with my father and eight pictures with Sven." [From American Cinematographer Magazine.]The first major motion picture where he acted as a DP was on David Fincher's masterpiece Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, K-19: The Widowmaker, Down With Love, The Social Network, Hitchcock, The Girl with the Dragon Tattoo, and Gone Girl.Enjoy my conversation with Jeff Cronenweth A.S.C.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Dec 20211h 18min

IFH 531: Shooting Red Rocket on 16mm Anamorphic & Guerrilla Filmmaking with Sean Baker

IFH 531: Shooting Red Rocket on 16mm Anamorphic & Guerrilla Filmmaking with Sean Baker

You are in for a treat today. We have returning champion writer/director Sean Baker. Sean Baker is a writer, director, producer and editor who has made seven independent feature films over the course of the past two decades. His most recent film was the award-winning The Florida Project (2017) which premiered at the Cannes Film Festival and was released by A24 in the U.S. Among the many accolades the film received -- including an Oscar nomination for Willem Dafoe for Best Supporting Actor -- Sean was named Best Director by the New York Film Critics Circle.His previous film Tangerine (2015) premiered at the Sundance Film Festival and won an Independent Spirit and two Gotham Awards. Starlet (2012) was the winner of the Robert Altman Independent Spirit Award and his previous two features, Take Out (2004) and Prince of Broadway (2008), were both nominated for the John Cassavetes Independent Spirit Award.His remarkable new film is Red Rocket. The audacious new film from writer- director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny, humane portrait of a uniquely American hustler and a hometown that barely tolerates him.I watched Red Rocket and I have to tell you it's one of the best films I've seen this year. Sean and I discuss his creative process, how he shot Red Rocket with a 10 person crew and a very limited budget, during COVID. Red Rocket opens today in theaters. Enjoy my conversation with Sean Baker. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Dec 202157min

IFH 530: Directing Your 1st Hollywood Feature with Nora Fingscheidt

IFH 530: Directing Your 1st Hollywood Feature with Nora Fingscheidt

Today on the show we have writer/director Nora Fingscheidt.Nora Fingscheidt was born in 1983 in Germany and spent her youth partly in Argentina. From 2003 onward she participated in the development of the self-organized film school filmArche in Berlin. At the same time, she completed her training as an acting coach under Sigrid Andersson. Nora studied fiction directing at the Film Academy Baden-Württemberg. Her graduation film, the full-length documentary WITHOUT THIS WORLD about a conservative Mennonite colony in Argentina, won the Max Ophüls Prize and First Steps Award in 2017.Her narrative film debut, SYSTEM CRASHER, premiered at Berlinale 2019, where it won a Silver Bear (Alfred Bauer Award), won eight German Film Awards and many international awards. SYSTEM CRASHER was Germany’s entry for the Oscars in 2020. She continues to work both in documentary and narrative, as well as with full-length films and shorts.Nora directed her new film THE UNFORGIVABLE starring Sandra Bullock which will premiere on Netflix December 2021.Released from prison after serving a sentence for a violent crime, Ruth Slater (Academy Award-winner Sandra Bullock) re-enters a society that refuses to forgive her past. Although she feels a pull to the place she once called home, only harsh judgment awaits her there.Ruth’s only hope for redemption is in finding her estranged younger sister Katie (Aisling Franciosi), who she was forced to leave behind. In her quest to reunite with Katie and adjust to life on the outside, Ruth encounters obstacles she expects and those she never saw coming from those whose lives are disrupted by her release.Bullock produces along with Academy Award winner Graham King(Bohemian Rhapsody, Traffic) and stars alongside Vincent D’Onofrio, Jon Bernthal, Richard Thomas, Linda Emond, Aisling Franciosi, Rob Morgan, Emma Nelson, Will Pullen, Thomas Guiry and Viola Davis.Enjoy my conversation with Nora Fingscheidt. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

9 Dec 202139min

IFH 529: How I Got My First Feature on HBOMax with Lissette Feliciano

IFH 529: How I Got My First Feature on HBOMax with Lissette Feliciano

Today on the show we have writer, director and producer Lissette Feliciano. She is a Tribeca Film Institute AT&T Untold Stories grant recipient, was named as one of Shoot Magazine's new directors to watch, and has served as an ambassador for The Wraps Power Women Summit.Her production company Look at the Moon Pictures develops original content that shines a hero's lens on underrepresented groups, joining the ranks of creators filling the market gap in storytelling for a new young multicultural audience.Under Lissette's leadership, Look at the Moon was among the first production companies to mandate 50% BIPOC representation across leadership positions on and off-camera - a metric they are proud to consistently achieve. An avid supporter of young women’s education, she sits on several committees for an all-girls high school serving low-income students in her hometown of the Mission District of San Francisco.Her latest film projects is Women is Losers.In 1960s San Francisco, a once-promising catholic school girl, Celina Guerrera, sets out to rise above the oppression of poverty and invest in a future for herself that sets new precedents for the time.The film was produced independently and picked up by HBOMax as a major release on its platform. A true cinderella story. We discuss how she financed the film, her struggles with production, getting her amazing cast and much more.Get ready to be inspired. Enjoy my conversation with Lissette Feliciano.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

7 Dec 202151min

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