Brahms Clarinet Quintet

Brahms Clarinet Quintet

The muses were Ancient Greek goddesses of inspiration. Throughout history, the term muse has been used to describe any number of people, all of whom inspired works of great art and/or literature. In the popular imagination, muses are almost always women, inspiring brilliant men to their greatest artistic achievements. Why am I bringing this up? Because in the case of the piece we are going to talk about today, the Brahms Clarinet Quintet, the muse, and the source of inspiration, was very different. In 1890, Brahms retired from composing. In a way this was very rare. Composers very rarely retired, and most went on composing until their deaths, leaving unfinished works, but Brahms declared that he had nothing left to contribute, and that a younger generation should take over. He was only 57 years old, but he had become embittered both with the world of music and with the world as a whole. His 4th symphony had ended in a kind of apocalyptic destruction of the symphonic genre as a whole; a paroxysm of disillusionment with the direction music was going and with the direction of politics in Europe. But in March of 1891, Brahms heard a clarinetist named Richard Muhlfeld. Muhlfeld quickly became, for lack of a better word, Brahms' muse. His playing directly inspired Brahms to write 4 works for the clarinet, a trio, 2 sonatas, and a quintet, the topic for today's show. The clarinet quintet is practically the definition of the so-called autumnal Brahms. The clarinet quintet is one of Brahms' most expansive chamber works, and it is Brahms at his most wistful, nostalgic, and even tragic. Today on the show I'll take you through this magisterial work, exploring all of the things that make this piece so special, so touching, and so unforgettable. Join us!

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Mahler Symphony No. 6, Part 1

Mahler Symphony No. 6, Part 1

Mahler's 6th Symphony is one of his most complex and ambitious pieces, though it retains a firmly classical structure throughout. It has notorious performance problems such as the order of the middle movements, and the symphony within a symphony final movement. It is also one of Mahler's most emotionally profound pieces, embracing life, death, and the struggles between these two forces. In the first movement, Mahler sets up the stakes for the battles to come and it's this movement we discuss today.

2 Juli 202041min

Founding an Orchestra, w/ Eric and Colin Jacobsen of The Knights

Founding an Orchestra, w/ Eric and Colin Jacobsen of The Knights

Eric and Colin Jacobsen are co-founders of the The Knights. The orchestra has claimed a spot over the last 10 years as one of the most dynamic and adventurous orchestras in the world. Colin and Eric are some of the most interesting people in classical music and so we talked about a lot of things, including founding an orchestra, what they felt was missing in the classical world, what it means to play chamber music in an orchestra, and of course, the current situation and what it means for the future.

29 Juni 202044min

Saint-Saens Symphony No. 3, "Organ"

Saint-Saens Symphony No. 3, "Organ"

Saint-Saens considered his 3rd symphony his greatest work: "I have given all that I had to give. What I have done I shall never do again." Later in his life, Saint-Saens would be known as an arch-conservative, but at the time he was writing the Organ symphony, Saint-Saens was enamored with the formal and structural innovations of the music of Liszt. Today we'll explore the dualism between the piece's Romantic aspirations and Classical grounding, plus of course, the role of the organ in this Organ Symphony.

25 Juni 202046min

The Organ, Competitions, Filmmaking, and more w/ Alcee Chriss and Stacey Tenenbaum

The Organ, Competitions, Filmmaking, and more w/ Alcee Chriss and Stacey Tenenbaum

I had a chance to sit down with the award winning duo of organist Alcee Chriss and filmmaker Stacey Tenenbaum for a fascinating interview about the organ, competitions and more. We talk about Chriss' experience at the Canadian International Organ Competition, the pressures of performing and whether Jazz works on the organ, and I got a chance to pepper Tenenbaum with some questions on filmmaking, and her process of understanding the organ from the point of view of a total outsider. This is a fun one!

22 Juni 202037min

Beethoven Triple Concerto

Beethoven Triple Concerto

Beethoven's Triple Concerto might be his most heavily criticized work. Musicians look down on it, critics always complain about it, conductors hate conducting it, orchestral musicians hate playing it, and yet it still gets performed fairly regularly. But I'm here today, thanks to Brooke who sponsored today's show on Patreon, to say that I think all of this criticism of this much maligned piece is totally unfair. I love the Beethoven Triple Concerto, and I think I can convince you to as well.

18 Juni 202051min

Encounters with Milhaud, Messiaen, Stravinsky, Lutoslawski, and Ligeti, with John Heiss

Encounters with Milhaud, Messiaen, Stravinsky, Lutoslawski, and Ligeti, with John Heiss

John Heiss teaches composition, flute, and music history at the New England Conservatory. I first encountered Mr. Heiss in his legendary Schoenberg/Stravinsky class at NEC and have been an admirer of his ever since. Mr. Heiss spearheaded visits to NEC from composers such as Milhaud, Messiaen, Stravinsky, Lutoslawski, and Ligeti, the subjects of today's conversation. You'll notice I don't say much - today is like coming to class with a master teacher, an experience I'm so glad to be able to share with you.

15 Juni 202056min

The Life and Music of Le Chevalier de Saint-Georges

The Life and Music of Le Chevalier de Saint-Georges

Just a glance at a biography of Le Chevalier should have every movie producer salivating. He was the son of a 17 year old slave and her white owner. He was an expert athlete, known as the greatest fencer in all of France. He led a legion of black troops to fight during the French Revolution. On the musical side, he was a virtuoso violinist and wrote some truly wonderful music that is only recently being rediscovered by mainstream institutions. Join Sticky Notes as we explore his remarkable life and music.

11 Juni 202046min

Stephen Hough on Practicing Through the Pandemic, Composing, and Classical Music as Entertainment.

Stephen Hough on Practicing Through the Pandemic, Composing, and Classical Music as Entertainment.

First, I want to let my listeners know that Thursday will begin a new commitment to exploring the works of minority composers. It's long past time to begin doing that. For today, please enjoy this thoughtful and deeply entertaining conversation with the great pianist, composer, and writer Stephen Hough. Hough is one of the great pianists of our time and is also a deep thinker about classical music of yesterday and today. I had so much fun with this conversation, recorded about three weeks ago. Enjoy!

8 Juni 202045min

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