Ep. 70 – Ryan Lee: Lessons from Bobby Watson, Cross-Genre Collaborations, Looking Beyond Your Local Scene
Working Drummer29 Juni 2016

Ep. 70 – Ryan Lee: Lessons from Bobby Watson, Cross-Genre Collaborations, Looking Beyond Your Local Scene

Ryan Lee was born and raised in Kansas City, MO, and earned a bachelor’s degree in music from The Conservatory at The University of Missouri-Kansas City. New York, Nashville and LA are established as places from which to launch an international performing career, but Ryan has stayed in Kansas City and found many opportunities to perform around the world with artists including Jose James, Tony Tixier, and A Bu. He remains a fixture on the Kansas City scene, having established himself as a creative voice in many circles including jazz, hip-hop, funk, gospel, and the projects that often result from KC’s various musical camps joining forces and overlapping. In this podcast, Ryan talks about: How new skills, from bass to piano to Ableton and in-ear systems, help him conceptualize his creative projects Studying with Bobby Watson, and how he’s just beginning to understand some of what Bobby taught Recording Watson’s big band album, Gates BBQ Suite His collaborations with KC trumpeter Hermon Mehari How a huge opportunity came at the worst possible time, and the learning experience that ensued Being part of a local scene while still exploring opportunities and experiences around the world.

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366 - Brian Steever: Finding and Exploring His Unique Voice in Kansas City, Letting Sounds and Ideas Guide The Way

366 - Brian Steever: Finding and Exploring His Unique Voice in Kansas City, Letting Sounds and Ideas Guide The Way

Brian Steever is a drummer on a mission to inject joy into every musical situation that he finds himself. One of the most in-demand drummers on the Kansas City scene, the drums have been his passion since he was born. He began his studies with Loyd Warden in Columbia Missouri and is an alumnus of UMKC where he studied with Doug Auwarter, Brandon Draper, Curtis Lundy, Michael Carvin and Bobby Watson. Brian enjoys many performance opportunities in the Kansas City area and beyond. He can be seen around town with Mike Metheny, Matt Otto, Bob Bowman, Jeff Harshbarger, and Hermon Mehari. Brian has also had opportunity to play with musicians from all over the world including Ben Allison, Javon Jackson, Deborah Brown, Bob Sheppard, Tony Tixier, Shunzo Ohno, and Sam Newsome among others. In this episode, Brian talks about: Having the three strong influences of a mentor, a peer, and a community all before he left high school How the Kansas City jazz scene is supportive of everyone's unique voice His experience at University of Missouri-Kansas City The influence of Matt Wilson - being effortless and intentional Exploring sounds and ideas vs. practicing drums The never-ending matched vs. traditional conundrum

28 Apr 20221h 12min

365 - Shannon Forrest: Performing With Spirit and Intent, The Confidence of Jeff Porcaro, Staying in Contact With Your Muse

365 - Shannon Forrest: Performing With Spirit and Intent, The Confidence of Jeff Porcaro, Staying in Contact With Your Muse

As a session drummer, Shannon Forrest has contributed to the work of many well-known artists, including Brooks & Dunn, Taylor Swift, Rascal Flatts, Carrie Underwood, Mary Chapin Carpenter, The Chieftains, Willie Nelson, Ricky Skaggs, Trisha Yearwood, Lee Ann Womack, Jerry Douglas, Merle Haggard, and many others. Shannon is also a producer and engineer. Born in Easley, South Carolina and now living in the countryside just outside of Nashville, Shannon's recording career is unparalleled. In his twenty-plus years as one of Nashville’s top session drummers, he's constantly in demand for practically every top artist that town produces. The list includes mega stars Brooks & Dunn, Taylor Swift, Rascal Flatts, Carrie Underwood, Toby Keith, Faith Hill, Sugarland, Tracy Lawrence, LeAnn Rimes, The Chieftains, Michael McDonald, Willie Nelson, Alabama, Art Garfunkel, Ricky Skaggs, Trisha Yearwood, Blake Shelton, Martina McBride, Lee Ann Womack, Gretchen Wilson, Merle Haggard, Trace Adkins…and countless others. Shannon Forrest is a recipient of the Academy of Country Music’s Top Drummer/Percussionist Of The Year. In this episode Shannon talks about:    The confidence of Jeff Porcaro    The “inter-dynamics” of the Rosanna shuffle    What separates the “session musician” from others    The intent of building his own studio    The production of the Tom Bukovac record - Plexi Soul    Performing with spirit and intent    Developing a good working relationship with the click    Recent recording project - Judson McKinney and the Wanderers    Shannon’s YouTube channel

21 Apr 20221h 43min

364 - Corey Fonville: The "SuperBlue" Project with Kurt Elling & Charlie Hunter, Playing with Butcher Brown, Evolving Through Self-Acceptance

364 - Corey Fonville: The "SuperBlue" Project with Kurt Elling & Charlie Hunter, Playing with Butcher Brown, Evolving Through Self-Acceptance

After spending the first part of his career in the New York-based jazz world, Corey Fonville has evolved into playing and producing more groove-based music. With his band Butcher Brown and most recently with Charlie Hunter and Kurt Elling on new album SuperBlue, Corey is exploring playing and tones that are firmly in the supporting role rather than the more explosive/interactive jazz role. Corey is the product of a couple of non-traditional educational environments; The New School in New York and the Dave Brubeck Institute in Stockton, CA, and his jazz resume includes Christian Scott, Nicholas Payton, Jacky Terrasson and many more. But he has found himself moving past that world in search of drumming and music that's more true to his musical identity and values. In this episode, Corey talks about: How the SuperBlue project came about, and how Charlie and Kurt turned to him to help shape it Being a bridge between Kurt's energy and Charlie's energy Being influenced by Kareem Riggins, Kendrick Scott, Obed Calvaire, and other New York jazz drummers How sounding like other drummers is a step in the journey to sounding like you Ways he's thinking about combining his new musical identity with the jazz world he used to inhabit, and approaching jazz with a production mindset How turning something down or moving away from a certain music requires self-acceptance

14 Apr 20221h 7min

363 - Nate Felty: Being Yourself on the Session or Gig, Seeking Out New Music and Experiences, Teaching and Learning

363 - Nate Felty: Being Yourself on the Session or Gig, Seeking Out New Music and Experiences, Teaching and Learning

Originally from Syracuse, New York, Nate Felty is an experienced live/session drummer and educator who enjoys performing a wide range of musical styles. Nate has been living and working in Nashville, Tennessee since 2012 and earned his Masters in Commercial Music at Belmont University in 2014. Nate is the drummer for Nashville-based, nationally touring country/roots artist, Kelsey Waldon. With Waldon, he has shared the stage on tour with Grammy Award-winning artists such as Ricky Skaggs & Kentucky Thunder, Marty Stuart and His Fabulous Superlatives, and John Prine. Since his arrival in Nashville, Nate has performed and recorded with notable touring bands from Nashville. Among these are The Amanda Broadway Band, Abby Anderson, Devon Gilfillian, Dan Smalley, Marquee Mayfield, and a 9-piece funk/fusion group Dynamo. While with Dynamo, the group earned Nashville Industry Music Awards (NIMA's) in 2015 for "Best Funk/Fusion Band" and "Album of the Year" for their 2015 release, Find Your Way. When not on tour, Nate is an adjunct professor of drum set at Sewanee University of the South. Nate continues to make his imprint on Nashville's local music community, performing with notable musicians such Roy Agee (Prince), Jeff Coffin (Dave Matthews Band), Micah Hulscher (Margo Price), Jay White (Amos Lee, Cory Henry), Mike Hicks (Rascal Flatts), David Rodgers (Keb Mo), De Marco Johnson (Marc Broussard) and Paul Horton (Alabama Shakes). In this episode, Nate talks about:    Being yourself on the session or gig while paying reverence to the genre/style    His early influence and exposure to jazz    Following his “North Star” and seeking out new music and experiences     Playing in the house band for “The Pitch Meeting”    Understanding musical references when creating parts    His award winning band Dynamo    Teaching and learning    Recovering after snapping a tendon in his left hand

7 Apr 20221h 34min

362 - Jordan Perlson: An East Coaster Finding His Way in Nashville, Being Intentional About Saying Yes or No,"Async" Drum Coaching

362 - Jordan Perlson: An East Coaster Finding His Way in Nashville, Being Intentional About Saying Yes or No,"Async" Drum Coaching

Jordan Perlson has spanned about as wide a stylistic reach as one can imagine. Be it with jazz legends Seamus Blake and Gary Burton, folk heroes Alison Brown and Missy Raines, reggae giants Matisyahu and Trevor Hall, cutting edge music innovators like Becca Stevens, Snarky Puppy, and Jeff Coffin, progressive innovators Adrian Belew or Kaki King, or fusion megastar Hiromi, Jordan has become a known force in these many circles. With credits on 100+ recordings, including national and international ad campaigns, Jordan is as at home in the studio as he is on stage. Having taught at prestigious institutions such as Berklee College of Music, New York University and masterclasses all over the world, Jordan is a passionate educator. An author of 2 books for Mel Bay publishing, Jordan’s books have been translated into several languages and are used the world round by teachers and students of many levels. In this episode, Jordan talks about: Why he moved to Nashville after 12 years in New York Curating musical situations that line up with momentum in a direction, even if the end goal is abstract Being more intentional about not just what he says yes to, but why he says yes How New York shaped his personality, and how that shapes his musical identity Trusting that his instincts and intentions will make good music, even if the execution isn't quite perfect His "asynchronous" drum coaching approach to private teaching

31 Mars 20221h 10min

361 - Michael Bland: The Demands of Working for Prince, The Power of Mentorship, Drumming for Soul Asylum

361 - Michael Bland: The Demands of Working for Prince, The Power of Mentorship, Drumming for Soul Asylum

At age sixteen, Michael Bland won the "twin cities' best drummer" contest and was the beginning of a rewarding career. With his recognition as a prodigy, Michael was actively sought by many local acts. At seventeen, Hiram Bullock snagged him up, and took him to Pittsburgh and New York to do some one-nighters. That same year, he joined Dr. Mambo's Combo, a house band at Bunker's Music Bar and Grill, a local club where many Minneapolis musicians cut their teeth. Bunker's is where Prince first spotted Michael, Michael joined prince in 1989 and he toured, recorded, and performed with the new power generation for the next seven years. In 1996, immediately after his tenure with Prince, Michael went on tour with Paul Westerberg, which led to tours and recordings with other national acts, such as Chaka Khan, Maxwell, Dionne Farris, George Benson, Phil Upchurch, Howard Hewitt, and many others. Since 2005, Michael has been a member of the band Soul Asylum. In this episode, Michael talks about:    The demands of working for Prince    How he got the gig with Prince     The podcast, MUSIPOLITIX he ran during the pandemic    Drumming for Soul Asylum    The power of mentorship    Stories of working for Chaka Khann, Madonna

24 Mars 20221h 46min

360 - Quinton "Q" Robinson: Touring with "Ain't Too Proud," Making a Career Transition into Musical Theatre, A Different Kind of Musical Fulfillment

360 - Quinton "Q" Robinson: Touring with "Ain't Too Proud," Making a Career Transition into Musical Theatre, A Different Kind of Musical Fulfillment

Over the last decade plus, Quinton "Q" Robinson developed a busy and sustainable career drumming with Gospel and R&B acts such as Avery Sunshine, Peebo Bryson, and Anthony David, and recording in his home studio. But he got interested in musical theatre and started spending time in New York meeting Broadway drummers, musical directors, and contractors, and playing readings and off-Broadway productions. He also got in with the Alliance Theatre in Atlanta played a litany of shows there. That legwork has culminated in Q landing the drum chair for the touring production of "Ain't Too Proud," the Tony-winning Temptations musical. In this episode, Q talks about: The process of getting on the radar of decision makers in the musical theatre world His experience at The Alliance Theatre in Atlanta How he got on Clayton Craddock's radar, and how Clayton came to recommend him for "Ain't Too Proud" The intricacies of the show The qualities required of a musical theatre drummer His goals for the new studio he's about to build

17 Mars 20221h 16min

359 - Clifford Koufman: Studying Drumming in West Africa, Completing the Cycle of Music Through Sharing, "Clif Chats" Interview Series

359 - Clifford Koufman: Studying Drumming in West Africa, Completing the Cycle of Music Through Sharing, "Clif Chats" Interview Series

Clifford Koufman is a Nashville-based, award-winning drummer who founded Sound & Rhythm Drumming School in 2000. With over 20 years of experience, Clifford carries a world of experience to every scenario, whether creating music, performing or teaching. He's honored to be the recipient of multiple grants, the Thrive award to build community through community drumming classes, performances, and drum circles, and the Regional Arts & Culture Council professional development grant to study music in Guinea, West Africa. He's toured internationally, throughout the US, and in Alaska. Clifford has spent time living and learning from master musicians in Ghana and then Guinea, West Africa, and has performed, taught, and worked with thousands of people as well as working with numerous bands, songwriters, and composers throughout the United States. In an effort to share in his musical experience, inspiration and to connect with creative people through conversation, he began "Clif Chats" where he's has conducted over sixty interviews of creative people at the top of their fields. Clifford teaches people in Nashville as well as traveling to schools, colleges, and universities as well as teaches internationally online. He creates play-along tracks for drum circle facilitators as well as making music for licensing. Clifford embraces the spirit of collaboration in Nashville, performing and recording and writing, collaborating with songwriters, bands and composers. He is continually experimenting with a hybrid drum set, incorporating percussion and drum set elements with various hand drums. He facilitates leadership development events using the drum circle as the vehicle. Clifford continues to teach students all over the world and is excited to collaborate with songwriters, bands, and composers. He continues Clif Chats and is always looking to geek out about people living creatively, drums, art, and music. In this episode, Clifford talks about:       His journey into hand drumming    Studying and adventures in Ghana and Guinea, West Africa    Completing the cycle of music through sharing    Building a teaching practice    Clifford’s interview series: Cliff Chats

10 Mars 20221h 26min

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