140 – Pat Torpey: Drummer for Mr. Big, Nashville Drummer Jam Honoree, Fighting Parkinson’s Disease
Working Drummer2 Nov 2017

140 – Pat Torpey: Drummer for Mr. Big, Nashville Drummer Jam Honoree, Fighting Parkinson’s Disease

Pat Torpey was born in Cleveland, Ohio. At age 7, he first played the drums and in high school, Torpey immersed himself in all available music programs, concert, orchestra, marching and stage bands. In 1983, Torpey moved to Los Angeles and became a regular on the American Bandstand and Solid Gold TV shows performing with artists like Ben E. King, Mike + The Mechanics, Melissa Manchester and Bob Geldof. In 1985, Torpey auditioned for the British pop–rock singer John Parr, who was riding high on his #1 hit “St. Elmo’s Fire” and had landed the opening slot for Tina Turner on her Private Dancer tour. When that tour ended he became the drummer for Belinda Carlisle on her first solo tour, opening for Robert Palmer. In 1987, Pat joined The Knack. Playing around Los Angeles with The Knack was the pathway to Mr. Big. Billy Sheehan and Paul Gilbert were starting a new band and were on the hunt for a drummer. They saw Pat playing with The Knack and were impressed with his energy and style. Mr. Big secured a recording contract with Atlantic Records but before the band started work on the first CD Torpey was tapped to play drums with Robert Plant on his Now and Zen tour when Plant’s drummer Chris Blackwell was injured. In 1992, Mr. Big’s international hit song “To Be With You” was no.1 in the U.S. and fifteen other countries and top five in many more. For fourteen years Mr. Big toured the world, headlining as well as opening for Aerosmith, Rush, Bryan Adams and The Scorpions to name a few, garnering a reputation for their world class musicianship and totally ‘live’ performances. Pat has been noted as a great backing vocalist (with high vocal range) and he often sings some cover songs in the Mr. Big show during his encore. Also he sings some tunes from The Beatles during his drum solo. Because of Mr. Big’s popularity in Japan and Asia, Pat released two solo albums (as a singer) overseas, Odd Man Out and Y2K in 1998 and 1999. He announced on July 25, 2014 that he had been diagnosed with Parkinson’s disease and would be unable to perform all of his normal drumming duties on the band’s 2014-15 world tour in support of the album …The Stories We Could Tell. “I’ve been dealing with Parkinson’s symptoms for the past couple of years and only recently received a confirmed diagnosis as symptoms worsened,” Torpey said. “I intend to fight the disease with same intensity and tenacity that I drum and live my life by and will continue recording and performing, as always, to the best of my ability.” Torpey recently acted as a “drum producer” on Mr. Big’s latest album, Defying Gravity, and still plays percussion on tour, though Matt Starr has taken over lead drummer duties In this episode, Pat talks about: Touring around the world over the years The early days of Mr Big Meeting Mitch Mitchell Getting his start in L.A. Mr Big questions from David Parks Pat being honored at the Nashville Drummer Jam His diagnosis of Parkinson’s Disease in 2014 Recording and touring with the help of drummer Matt Starr Pat’s inspiration for his drum solo while singing Pat endorses: Promark drum sticks,Remo drumheads, Tama drums, Zildjian cymbals This episode is sponsored by Crush Drums

Avsnitt(549)

053 – Marshall Richardson: Touring with a “Legacy Artist”, Garnering Recording Tips from Pro Engineers, Taking Recommendations Seriously

053 – Marshall Richardson: Touring with a “Legacy Artist”, Garnering Recording Tips from Pro Engineers, Taking Recommendations Seriously

Originally from Memphis, Tennessee, Marshall Richardson moved to Nashville in 2000 after graduating from the University of North Texas with a BA in Music. As a sideman, Marshall has worked with a diverse list of artists, ranging from country legends to roots rockers, including Jo Dee Messina, Lorrie Morgan, Webb Wilder, Bernie Leadon, Joe Nichols, and Johnny Reid. His career in Nashville is a balance of recording sessions and live local, national, and international touring performances. Marshall endorses Paiste cymbals, Vater percussion, Gretsch drums, and Gibraltar hardware. In this podcast, Marshall talks about: Delivering a great performance when recommended for gigs Being comfortable playing with or without a click Touring with a “Legacy Artist” Getting advice from engineers about home recording Explaining phase and polarity when recording Balancing your kit Considering note length when drumming

2 Mars 20161h 10min

052 – Tina Raymond: Trusting Her Musical Instinct, Being a Woman in a Male-Dominated Field, The Power of Yoga

052 – Tina Raymond: Trusting Her Musical Instinct, Being a Woman in a Male-Dominated Field, The Power of Yoga

The Los Angeles jazz scene has been coming on strong in recent years and Tina Raymond is right in the middle of it. She performs regularly in the city’s top jazz clubs as well as internationally, with artists ranging from relative newcomers like Cathlene Pineda and Jon Armstrong to long-established greats like Bobby Bradford and Vinnie Golia. She is a graduate of the California Institute of the Arts, better known as Cal Arts, where she studied with legendary jazz drummer and master teacher Joe LaBarbara. She teaches at several high schools and colleges in the LA area and is also a certified yoga instructor. In this podcast, Tina talks about: Two very different college experiences at two very different schools How studying with Joe LaBarbara helped her use her intuition and develop her own voice Being a woman in the male-dominated worlds of drumming and jazz How yoga has affected her mentally and physically as a musician

24 Feb 201637min

051 – Chad Cromwell: Studio Legend, Drumming for Neil Young, Joe Walsh & Mark Knopfler, Creating the Perfect Part in the Studio

051 – Chad Cromwell: Studio Legend, Drumming for Neil Young, Joe Walsh & Mark Knopfler, Creating the Perfect Part in the Studio

Chad Cromwell is known as one of the most respected studio drummers in Nashville. Even before his move to Nashville, Chad had a strong history of live and recording experience with legends like Joe Walsh, Neil Young and Mark Knopfler. Chad Started recording and touring with Joe Walsh in 1986. In 1987 as well as collaborating with songwriter Neil Young that lead to several recordings and tours with Neil. Chad appears on Neil Young albums such as Freedom (1989), Prairie Wind (2005) Living with War (2006) and Chrome Dreams II (2007). He has also appeared in Heart of Gold, a documentary capturing the debut of Neil Young’s album, Prairie Wind.  Cromwell is also known for his contributions to Mark Knopfler’s solo albums Golden Heart (1996), Sailing to Philadelphia (2000), The Ragpicker’s Dream(2002) and Shangri-La (2004). He was also part of Knopfler’s band during the tours of his first solo albums. He has also worked with many other artists including Dave Stewart, Vince Gill, Amy Grant, Lady Antebellum, Diana Krall, Willie Nelson, Jackson Browne, Boz Scaggs, Wynonna, Trisha Yearwood, Miranda Lambert, Bonnie Raitt, Peter Frampton, Allison Moorer, Chris Knight, Joss Stone, Rodney Crowell, Marty Stuart, and Stevie Nicks. In this podcast, Chad talks about: The impact that home studios have had on the music industry

17 Feb 20161h 20min

050 – John Kizilarmut: The Pros & Cons of College Music, Removing Barriers Between Genres, Finding His Musical Home in Kansas City

050 – John Kizilarmut: The Pros & Cons of College Music, Removing Barriers Between Genres, Finding His Musical Home in Kansas City

John Kizilarmut spent his formative years bouncing around the Midwest and Texas, eventually landed in Kansas City. He has become a first-call drummer, percussionist, vibraphonist and composer/arranger in KC’s vibrant music scene, playing with the Kansas City Jazz Orchestra, Hermon Mehari, and many more of the area’s world-class talents. He has also maintained teaching duties as an adjunct faculty member at multiple colleges. In this interview, John talks about: How his first year of college shaped his work ethic His lesser-known but masterful and influential mentors including Al Sergel, Kevin Bobo and Doug Auwarter (read an article on Doug here). His heavy focus on marimba and orchestral percussion in college, and how the college environment can blind musicians to the wider world of musical possibilities/opportunities. The deep understanding of jazz and swing held by Kansas City musicians and audiences. How Kansas City’s fierce pride in its rich musical history is balanced with its openness to all kinds of music, and its embrace of a younger generation of musicians creating new and original music. Listen to John on Soundcloud!

10 Feb 201650min

049 – Paul Griffith: Being a Stylist, Managing Expectations, Dealing with Insecurities

049 – Paul Griffith: Being a Stylist, Managing Expectations, Dealing with Insecurities

Paul Griffith is a freelance drummer and writer based in Nashville, TN. As a musician, his unique, left-of-center style (the result of a New Orleans upbringing) has made him a first call for artists looking to add a laid back groove to their records and live performances. Combining the visceral, dance-oriented feel of New Orleans legends like Joseph “Zigaboo” Modeliste and Earl Palmer with the meticulous experimentation of session great Jim Keltner, Paul has found a home among some of the world’s most creative singer-songwriters, including Sheryl Crow, k. d. Lang, John Prine, Todd Snider, Cerys Mathews (Catatonia), Greg Brown and Jack Ingram. He has been recognized as “Best Hired Hand” by Nashville Scene magazine and was nominated for a Nashville Music Award in the drummer/percussionist category. In this podcast Paul talks about: Being a “Stylist” Caring about the gig but not worrying about it Dealing with your insecurities Dealing with peeks and valleys in the music business Managing expectations and diversifying Asking what the gig pays The right conditions for taking a gig Click here for pictures

3 Feb 20161h 19min

048 – Giuliano Mingucci: Drum Mic’ing 101, Absorbing Styles, Playing to the Song, Working With a Producer

048 – Giuliano Mingucci: Drum Mic’ing 101, Absorbing Styles, Playing to the Song, Working With a Producer

Giuliano Mingucci was born in Brazil but has spent almost his entire life in Kansas City, MO. He started playing professionally in high school and since then has been a member of Kansas City’s most beloved bands including Bixby Lane, The Barclay Martin Ensemble, and David George & A Crooked Mile. He attended college at The University of Missouri-Kansas City, but chose to get a degree in audio engineering rather than music performance. He has since made a name for himself around the region as a go-to in either discipline, and sometimes both. In this podcast, Giuliano talks about: How the jazz of his hometown and the Brazilian music of his family heritage has shaped his playing Being the house drummer in a cabaret bar Playing in a band with broad stylistic influences Giving a producer musical control of an album How drum tuning, room acoustics and drum mic’ing should be connected Relying solely on drumming vs. having mulitple sources of income Click here for pictures

27 Jan 201646min

047 – Jim Reilley: Producer, The Influence of Ringo on Modern Drumming, Getting the Right Drum Sounds in the Studio

047 – Jim Reilley: Producer, The Influence of Ringo on Modern Drumming, Getting the Right Drum Sounds in the Studio

Jim Reilley is a songwriter and producer in Nashville. Jim was also the co-founder of the late-lamented folk-rock “gangstas”, The New Dylans. Along with songwriting partner Reese Campbell, The New Dylans toured the country for 9 years sharing stages with The Band, Townes Van Zandt, Shawn Colvin, The Fleshtones, Superdrag, Syd Straw, The Silos, Steve Forbert along with old pals 10,000 Maniacs. Reilley broke up The New Dylans and moved to Nashville in 1998, signing deal as a staff songwriter with Curb Publishing. In his 8 years at Curb, over 45 of Reilley’s songs were recorded by artists including Vince Gill, Hal Ketchum, Jack Ingram, Tim O’Brien, Sam Bush, Claudia Church, Joy Lynn White, Ronna Reeves, Cowboy Crush, Lisa Brokop, Ryan Tyler, Mustang Sally, Lauren Lucas, Susan Haynes, Amy Chappell and many others. In 2003, Reilley released his first solo album “The Return of Buddy Cruel” on Silent Planet Records. Reilley recorded a second solo album (“Thank God I’m A Contrary Boy”) in 2004 with Grammy-winner Robert Reynolds (The Mavericks) co-producing and featuring a band consisting of Ken Coomer (Wilco/ Uncle Tupelo), Tom Petersson (Cheap Trick), Jen Gunderman (Jayhawks), Audley Freed (The Black Crowes), Al Perkins (Gram Parsons/Manassas), Paul Deakin (The Mavericks) and David Mead. In October 2012, Reilley signed a songwriting deal with Nashville based Rare Spark Media Group. In April 2015, The New Dylans released “Meta”, their first new album in 18 years. The Tennessean, has documented the entire process of writing and recording of “Meta”. In this podcast Jim talks about: Producing Producers and musicians working together to make the recording session happen Using musical references to give direction Ringo creating a musical landscape for pop music Less recognized session drummers from the 50’s – 70’s Audio examples of Keith Moon and Ringo Starr with the drums isolated Getting the right drum sounds for recording Click here for pictures This interview was recorded January 3rd, 2016

20 Jan 20161h 24min

046 – Matt Johnson: Committing to Your Vision, Teaching in the 21st Century, Focusing on Outcomes

046 – Matt Johnson: Committing to Your Vision, Teaching in the 21st Century, Focusing on Outcomes

Matt Johnson is a native of Southern California, where he still lives, plays and teaches. He is the drummer for the Tony Guerrero Quintet, which is also the backing band for actress and singer Jane Lynch. He is the director of drumset studies at Fullerton College in Orange County, where he created the “Digital Drumset Lab”, the largest drumset classroom of its kind. In this interview, Matt talks about: Getting his professional start at Disneyland Playing multiple styles within one show Choosing the right gear for the gig Being an entertainer Developing and executing a specific vision for your projects Tailoring his teaching to a student’s goals How creating personal relationships leads to professional work Click here for pictures

13 Jan 20161h 4min

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