
051 – Chad Cromwell: Studio Legend, Drumming for Neil Young, Joe Walsh & Mark Knopfler, Creating the Perfect Part in the Studio
Chad Cromwell is known as one of the most respected studio drummers in Nashville. Even before his move to Nashville, Chad had a strong history of live and recording experience with legends like Joe Walsh, Neil Young and Mark Knopfler. Chad Started recording and touring with Joe Walsh in 1986. In 1987 as well as collaborating with songwriter Neil Young that lead to several recordings and tours with Neil. Chad appears on Neil Young albums such as Freedom (1989), Prairie Wind (2005) Living with War (2006) and Chrome Dreams II (2007). He has also appeared in Heart of Gold, a documentary capturing the debut of Neil Young’s album, Prairie Wind. Cromwell is also known for his contributions to Mark Knopfler’s solo albums Golden Heart (1996), Sailing to Philadelphia (2000), The Ragpicker’s Dream(2002) and Shangri-La (2004). He was also part of Knopfler’s band during the tours of his first solo albums. He has also worked with many other artists including Dave Stewart, Vince Gill, Amy Grant, Lady Antebellum, Diana Krall, Willie Nelson, Jackson Browne, Boz Scaggs, Wynonna, Trisha Yearwood, Miranda Lambert, Bonnie Raitt, Peter Frampton, Allison Moorer, Chris Knight, Joss Stone, Rodney Crowell, Marty Stuart, and Stevie Nicks. In this podcast, Chad talks about: The impact that home studios have had on the music industry
17 Feb 20161h 20min

050 – John Kizilarmut: The Pros & Cons of College Music, Removing Barriers Between Genres, Finding His Musical Home in Kansas City
John Kizilarmut spent his formative years bouncing around the Midwest and Texas, eventually landed in Kansas City. He has become a first-call drummer, percussionist, vibraphonist and composer/arranger in KC’s vibrant music scene, playing with the Kansas City Jazz Orchestra, Hermon Mehari, and many more of the area’s world-class talents. He has also maintained teaching duties as an adjunct faculty member at multiple colleges. In this interview, John talks about: How his first year of college shaped his work ethic His lesser-known but masterful and influential mentors including Al Sergel, Kevin Bobo and Doug Auwarter (read an article on Doug here). His heavy focus on marimba and orchestral percussion in college, and how the college environment can blind musicians to the wider world of musical possibilities/opportunities. The deep understanding of jazz and swing held by Kansas City musicians and audiences. How Kansas City’s fierce pride in its rich musical history is balanced with its openness to all kinds of music, and its embrace of a younger generation of musicians creating new and original music. Listen to John on Soundcloud!
10 Feb 201650min

049 – Paul Griffith: Being a Stylist, Managing Expectations, Dealing with Insecurities
Paul Griffith is a freelance drummer and writer based in Nashville, TN. As a musician, his unique, left-of-center style (the result of a New Orleans upbringing) has made him a first call for artists looking to add a laid back groove to their records and live performances. Combining the visceral, dance-oriented feel of New Orleans legends like Joseph “Zigaboo” Modeliste and Earl Palmer with the meticulous experimentation of session great Jim Keltner, Paul has found a home among some of the world’s most creative singer-songwriters, including Sheryl Crow, k. d. Lang, John Prine, Todd Snider, Cerys Mathews (Catatonia), Greg Brown and Jack Ingram. He has been recognized as “Best Hired Hand” by Nashville Scene magazine and was nominated for a Nashville Music Award in the drummer/percussionist category. In this podcast Paul talks about: Being a “Stylist” Caring about the gig but not worrying about it Dealing with your insecurities Dealing with peeks and valleys in the music business Managing expectations and diversifying Asking what the gig pays The right conditions for taking a gig Click here for pictures
3 Feb 20161h 19min

048 – Giuliano Mingucci: Drum Mic’ing 101, Absorbing Styles, Playing to the Song, Working With a Producer
Giuliano Mingucci was born in Brazil but has spent almost his entire life in Kansas City, MO. He started playing professionally in high school and since then has been a member of Kansas City’s most beloved bands including Bixby Lane, The Barclay Martin Ensemble, and David George & A Crooked Mile. He attended college at The University of Missouri-Kansas City, but chose to get a degree in audio engineering rather than music performance. He has since made a name for himself around the region as a go-to in either discipline, and sometimes both. In this podcast, Giuliano talks about: How the jazz of his hometown and the Brazilian music of his family heritage has shaped his playing Being the house drummer in a cabaret bar Playing in a band with broad stylistic influences Giving a producer musical control of an album How drum tuning, room acoustics and drum mic’ing should be connected Relying solely on drumming vs. having mulitple sources of income Click here for pictures
27 Jan 201646min

047 – Jim Reilley: Producer, The Influence of Ringo on Modern Drumming, Getting the Right Drum Sounds in the Studio
Jim Reilley is a songwriter and producer in Nashville. Jim was also the co-founder of the late-lamented folk-rock “gangstas”, The New Dylans. Along with songwriting partner Reese Campbell, The New Dylans toured the country for 9 years sharing stages with The Band, Townes Van Zandt, Shawn Colvin, The Fleshtones, Superdrag, Syd Straw, The Silos, Steve Forbert along with old pals 10,000 Maniacs. Reilley broke up The New Dylans and moved to Nashville in 1998, signing deal as a staff songwriter with Curb Publishing. In his 8 years at Curb, over 45 of Reilley’s songs were recorded by artists including Vince Gill, Hal Ketchum, Jack Ingram, Tim O’Brien, Sam Bush, Claudia Church, Joy Lynn White, Ronna Reeves, Cowboy Crush, Lisa Brokop, Ryan Tyler, Mustang Sally, Lauren Lucas, Susan Haynes, Amy Chappell and many others. In 2003, Reilley released his first solo album “The Return of Buddy Cruel” on Silent Planet Records. Reilley recorded a second solo album (“Thank God I’m A Contrary Boy”) in 2004 with Grammy-winner Robert Reynolds (The Mavericks) co-producing and featuring a band consisting of Ken Coomer (Wilco/ Uncle Tupelo), Tom Petersson (Cheap Trick), Jen Gunderman (Jayhawks), Audley Freed (The Black Crowes), Al Perkins (Gram Parsons/Manassas), Paul Deakin (The Mavericks) and David Mead. In October 2012, Reilley signed a songwriting deal with Nashville based Rare Spark Media Group. In April 2015, The New Dylans released “Meta”, their first new album in 18 years. The Tennessean, has documented the entire process of writing and recording of “Meta”. In this podcast Jim talks about: Producing Producers and musicians working together to make the recording session happen Using musical references to give direction Ringo creating a musical landscape for pop music Less recognized session drummers from the 50’s – 70’s Audio examples of Keith Moon and Ringo Starr with the drums isolated Getting the right drum sounds for recording Click here for pictures This interview was recorded January 3rd, 2016
20 Jan 20161h 24min

046 – Matt Johnson: Committing to Your Vision, Teaching in the 21st Century, Focusing on Outcomes
Matt Johnson is a native of Southern California, where he still lives, plays and teaches. He is the drummer for the Tony Guerrero Quintet, which is also the backing band for actress and singer Jane Lynch. He is the director of drumset studies at Fullerton College in Orange County, where he created the “Digital Drumset Lab”, the largest drumset classroom of its kind. In this interview, Matt talks about: Getting his professional start at Disneyland Playing multiple styles within one show Choosing the right gear for the gig Being an entertainer Developing and executing a specific vision for your projects Tailoring his teaching to a student’s goals How creating personal relationships leads to professional work Click here for pictures
13 Jan 20161h 4min

045 – Danny Young: From Broadway in New York to Nashville, Beyond The Gig, Touring with Nelson
Drummer Danny Young is my first interview of 2016. After an amazing 11 months on the road with the national tour of ‘Queen’s ‘We Will Rock You‘, Danny recently relocated back to Nashville where he has jumped into a variety of session work, and has also started working with a number of new and established artists in and out of town. Prior to ‘We Will Rock You’, Danny was the drummer and drum book composer on the new Broadway bound show, ‘The Nutty Professor’; working with Jerry Lewis, Rupert Holmes and the late, great Marvin Hamlish. He also toured on Green Day’s ‘American Idiot‘, Mel Brooks ‘Young Frankenstein the Musical’, with the 80’s hair band Nelson, country artist Katie Armiger, The Platters, Derryl Perry, has made back-line appearances on NBC’s SMASH!, was the debut drummer of ‘Chicago’ and ‘Hairspray on the worlds largest cruise ships Oasis and Allure of the Seas and has many drum students. Danny has also made one time appearances with Shania Twain, Liza Minnelli, Ann Hampton Callaway, Lorna Luft, The Drifters, The Four Tops, Maureen McGovern, Andrea Clearfield and many more… In addition to touring, Danny has also started a seminar with fellow drummer and friend, Danny Taylor, called ‘Beyond the Gig‘. The program focuses on the business, networking and promotion side of the music industry. By touching on topics that go beyond just “playing”, it offers students the knowledge and direction they need to be one step ahead of the game. In this interview, Danny talks about: Auditioning for Queen musical in front of Roger Taylor and Brian May Playing Green Day musical while band members were on stage Writing the drum book for Broadway show The Nutty Professor Learning the music from the recordings Not relying on charts alone Being a music supervisor on cruise ships Teaching others how to market themselves with “Beyond The Gig” Applying large musical skill set to create work beyond drumming Click here for pictures this interview was conducted January 2nd, 2016
6 Jan 20161h 12min

044 – Chuck Tilley: Drumming on TV, Playing in “House Bands”, Being a Pro – Always
Chuck Tilley has worked with many artists over the years including the great Felix Cavaliere from The Young Rascals, Richard Marx, Lee Greenwood and most recently the country super group Alabama as of five years ago. Chuck’s own band Six Wire, competed in a reality show called the next great American band back in 2007. The talent and the work ethic of the band was quickly recognized as an asset that the producers felt like they could use for future shows and projects. Some of these shows include “Nashville Star”, “Can You Duet”, “Next Superstar” as well as many live award shows. This is one of the many examples of Chuck’s experience as the drummer for a “house band”. Chuck also has a reoccurring role as the drummer for the character Rayna Jaymes played by actress Connie Britton in the hit TV series “Nashville”. Along with touring, Chuck rounds out his busy schedule by staying active in the Nashville recording scene. In this podcast, Chuck Tilley talks about: playing drums on live award shows working in house bands interpreting artists’ needs juggling many gigs Chuck uses: Pearl drums Zildjian cymbals Evans drum heads Click here for pics This interview was conducted November 30th, 2015
16 Dec 20151h 35min





















