A Democrat Who Is Thinking Differently

With Roe now overturned, the evangelical movement has achieved one of its decades-old political priorities. But for many evangelicals, this isn’t the moment of celebration and unity it may have first appeared to be. In the wake of the decision in Dobbs v. Jackson Women’s Health Organization, Russell Moore — a former president of the Ethics & Religious Liberty Commission, the policy wing of the Southern Baptist Convention — described the state of evangelicalism as one of “disarray.” He argues that surface-level political allegiances paint over much deeper divisions within what has become an increasingly polarized movement. Understanding those divisions and what they portend for evangelicalism is deeply important, in large part because of the movement’s immense power in American politics.Moore is the editor in chief of Christianity Today; the author of numerous books, including “Onward: Engaging the Culture Without Losing the Gospel”; and one of the most visible leaders in the evangelical movement right now. But he has also voiced some of the most stinging criticism of the movement’s current direction. He believes that evangelicals’ embrace of Donald Trump was a mistake and that the way many evangelicals are approaching the culture wars — with what Moore calls a “siege mentality” — is toxic for the faith. He encourages his fellow evangelicals to embrace their role as a “moral minority” in America instead of desperately clinging to political and cultural power. “The shaking of American culture is no sign that God has given up on American Christianity,” he writes in “Onward.” “In fact, it may be a sign that God is rescuing American Christianity from itself.”So this is a conversation about how evangelicalism morphed into the political identity we know it as today, why so many evangelicals have come to embrace apocalyptic thinking about politics and where the movement goes next now that Roe has been overturned.Mentioned“The Supreme Court Needs to Be Less Central to American Public Life” by Russell MooreBook RecommendationsThe Weight of Glory by C.S. LewisMere Christianity by C.S. LewisThe Lion, the Witch and the Wardrobe by C.S. LewisThe Resurrection of the Son of God by N.T. WrightThe Gilead Novels by Marilynne RobinsonThis episode was hosted by Jane Coaston, the host of “The Argument.” Previously, she was the senior politics reporter at Vox, with a focus on conservatism and the G.O.P. Her work has appeared on MSNBC, CNN and NPR and in National Review, The Washington Post, The Ringer and ESPN Magazine, among others.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.​​“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

23 Aug 20221h 4min

Today, we’re re-airing one of my favorite episodes of all time. It was originally recorded in February of 2022, but I've been unable to stop thinking about it ever since.When we play Monopoly or basketball, we know we are playing a game. The stakes are low. The rules are silly. The point system is arbitrary. But what if life is full of games — ones with much higher stakes — that we don’t even realize we’re playing?According to the philosopher C. Thi Nguyen, games and gamified systems are everywhere in modern life. Social media applies the lure of a points-based scoring system to the complex act of communication. Fitness apps convert the joy and beauty of physical motion into a set of statistics you can monitor. The grades you received in school flatten the qualitative richness of education into a numerical competition. If you’ve ever consulted the U.S. News & World Report college rankings database, you’ve witnessed the leaderboard approach to university admissions.In Nguyen’s book, “Games: Agency as Art,” a core insight is that we’re not simply playing these games — they are playing us, too. Our desires, motivations and behaviors are constantly being shaped and reshaped by incentives and systems that we aren’t even aware of. Whether on the internet or in the vast bureaucracies that structure our lives, we find ourselves stuck playing games over and over again that we may not even want to win — and that we aren’t able to easily walk away from.This is one of those conversations that offers a new and surprising lens for understanding the world. We discuss the unique magic of activities like rock climbing and playing board games, how Twitter’s system of likes and retweets is polluting modern politics, why governments and bureaucracies love tidy packets of information, how echo chambers like QAnon bring comfort to their “players,” how to make sure we don’t get stuck in a game without realizing it, why we should be a little suspicious of things that give us pleasure and how to safeguard our own values in a world that wants us to care about winning the most points.Mentioned:How Twitter Gamifies Communication by C. Thi NguyenTrust in Numbers by Theodore M. PorterSeeing Like a State by James C. Scott“Against Rotten Tomatoes” by Matt Strohl“A Game Designer’s Analysis Of QAnon” by Reed BerkowitzThe Great Endarkenment by Elijah MillgramGame recommendations:Modern ArtRootThe Quiet YearThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta.  Special thanks to Kristin Lin. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

19 Aug 20221h 12min

Over the past year, many places have returned to something approximating a prepandemic normal. Restaurants are filling up again. Airports and hotels are packed. Even movie theaters have made a comeback. But that hasn’t been the case for the office. Only about a third of office workers are back in the office full time. And that isn’t likely to change dramatically any time soon: Recent surveys asked executives about the share of their workers who would be back in the office five days a week in the future. In 2021 the response was 50 percent; now it’s down to 20 percent.But the alternatives — remote and hybrid work — come with their own problems. In many cases, remote work has become synonymous with meeting fatigue, the collapse of work-life balance, overwhelming amounts of email and Slack messages and awkward attempts at social connection. And hybrid work setups often represent what some have called the worst of both work worlds: long commutes to half-empty offices, just to sit on Zoom calls all day.That leaves office workers in what feels like a work purgatory: The office is dying, but a new, viable model of work has yet to be born. And that liminal space raises all sorts of new questions: What is the office actually for? What will the postoffice future of work look like? And if the future of work means working from home in some capacity, how do we make that future better for everyone involved?Those questions are at the center of Anne Helen Petersen and Charlie Warzel’s book, “Out of Office: The Big Problem and Bigger Promise of Working From Home.” Petersen is a longtime culture writer who writes the newsletter Culture Study; Warzel is a veteran technology reporter who writes the newsletter Galaxy Brain for The Atlantic. In “Out of Office” they argue that the core problem with current remote and hybrid work setups is this: Workers have left the physical office, but they have taken the broken culture of the office with them. The result is widespread dysfunction but also immense opportunity: If we take this moment to rethink not only where we work but also how we work, then the possibilities are endless. Mentioned:“The Case Against Loving Your Job” by The Ezra Klein Show“Stop. Breathe. We Can’t Keep Working Like This” by The Ezra Klein Show“Think Bigger About Remote Work” by Adam Ozimek“I’m Worried About Chicago” by Matthew Yglesias"The Nowhere Office" by Julia HobsbawmBook Recommendations:In the Age of the Smart Machine by Shoshana ZuboffThe Myth of the Paperless Office by Abigail J. Sellen and Richard H. R. HarperLiquidated by Karen HoEssential Labor by Angela GarbesThis episode is guest hosted by Rogé Karma, the senior editor for “The Ezra Klein Show.” Rogé has been with the show since July 2019, when it was based at Vox. He works closely with Ezra on everything related to the show, from editing to interview prep to guest selection. At Vox, he also wrote articles and conducted interviews on topics ranging from policing and racial justice to democracy reform and the coronavirus.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.​​“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin, Kristina Samulewski, Nicholas Bloom, Adam Ozimek, Julia Hobsbawm and Sheela Subramanian. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

16 Aug 20221h 32min

In his latest work, “The Last White Man,” the award-winning writer Mohsin Hamid imagines a world that is very like our own, with one major exception: On various days, white people wake up to discover that their skin is no longer white. It’s a heavy premise, but one of Hamid’s unique talents as a novelist is his ability to take on the most difficult of topics — racism, migration, loss — with a remarkably light touch.“How do you begin to have these conversations in a way that allows everybody a way in?” Hamid asks at one point in our conversation. “How do you talk about these things in a way that’s open to everyone?” What sets Hamid apart is his capacity to do just that — both in his fiction and in our conversation. We discuss:How Hamid experienced what it was like to lose his whiteness after 9/11What happens to a society when suddenly we can’t sort ourselves by raceThe origins of modern humans’ fear of death — and how to overcome itWhy Hamid thinks future humans will look back at the idea of borders with moral horrorWhy Hamid believes that pessimistic realism is a “deeply conservative” worldviewHamid’s process for imagining optimistic futuresWhy Hamid believes that the very notion of the self is a fictionWhy we turn to activities like sex, drugs and meditation when we get overwhelmedHow America’s policies toward immigrants and refugees should challenge our “heroic” sense of national identityWhat Toni Morrison taught Hamid about how to read and writeAnd more.Mentioned:"The Metamorphosis" by Franz KafkaExit West by Mohsin HamidBook Recommendations:Beloved by Toni MorrisonFicciones by Jorge Luis BorgesThe Epic of Gilgamesh, translated by Andrew GeorgeThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

12 Aug 20221h 16min

Today’s show is built around three simple sentences: “Future people count. There could be a lot of them. And we can make their lives better.” Those sentences form the foundation of an ethical framework known as “longtermism.” They might sound obvious, but to take them seriously is a truly radical endeavor — one with the power to change the world and even your life.That second sentence is where things start to get wild. It’s possible that there could be tens of trillions of future people, that future people could outnumber current people by a ratio of something like a million to one. And if that’s the case, then suddenly most of the things we spend most of our time arguing about shrink in importance compared with the things that will affect humanity’s long-term future.William MacAskill is a professor of philosophy at Oxford University, the director of the Forethought Foundation for Global Priorities Research and the author of the forthcoming book, “What We Owe the Future,” which is the best distillation of the longtermist worldview I’ve read. So this is a conversation about what it means to take the moral weight of the future seriously and the way that everything — from our political priorities to career choices to definitions of heroism — changes when you do.We also cover the host of questions that longtermism raises: How should we weigh the concerns of future generations against those of living people? What are we doing today that future generations will view in the same way we look back on moral atrocities like slavery? Who are the “moral weirdos” of our time we should be paying more attention to? What are the areas we should focus on, the policies we should push, the careers we should choose if we want to guarantee a better future for our posterity?And much more.Mentioned:"Is A.I. the Problem? Or Are We?" by The Ezra Klein Show "How to Do The Most Good" by The Ezra Klein Show "This Conversation With Richard Powers Is a Gift" by The Ezra Klein ShowBook Recommendations:“Moral Capital” by Christopher Leslie Brown“The Precipice” by Toby Ord“The Scout Mindset” by Julia GalefThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.​​“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

9 Aug 20221h 8min

It’s hard to think of anything changing more quickly in our society right now than our understanding of gender. There’s an explosion of young people identifying as gender nonconforming in some way or another, and others are coming out as transgender or nonbinary throughout their lives, from childhood to old age. But this sea change has brought with it an enormous amount of confusion and resistance. As of July, lawmakers in 21 states had introduced bills that focus on restricting gender-affirming medical care for transgender youth, such as hormone blockers, and 29 states had introduced bills banning transgender youth from sports. But we also know that the degree of support a young person receives when coming out — or doesn’t — can have profound consequences for their mental health.How should we process and understand this moment in gender? Kathryn Bond Stockton is a distinguished professor of English focusing on gender studies at the University of Utah and the author of the book “Gender(s).” She is incredibly skilled at explaining the fundamentals — and complexities — of what gender means and how people, including Stockton herself, have wrestled with it. In this conversation, we discuss:Why and how Stockton has always felt out of place as a womanHow her entry to the evangelical church actually advanced her acceptance of her genderWhy gender is “queer” for all of us, regardless of how we identify or how much we think about itThe ways that we perform our genders without even knowing we’re doing itHow the choices parents make concerning things as seemingly banal as clothing and toys shape children’s gender identitiesHow an expanded sense of gender can bring pain as well as pleasure and playfulnessWhat Stockton has learned from discussions about gender roles with Mormon students in her Utah classroomsWhat we would gain — and possibly lose — if we were to loosen social categories of genderWhy Pride celebrations can be so utopianAnd much more.Mentioned:Detransition, Baby by Torrey PetersButch Queens Up in Pumps by Marlon M. BaileyBook Recommendations:Histories of the Transgender Child by Jules Gill-PetersonBrilliant Imperfection by Eli ClareAsegi Stories by Qwo-Li DriskillThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin, Kristina Samulewski and Rollin Hu. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

5 Aug 20221h 15min

Today we're bringing you an episode from our friends at The Argument, about cultural appropriation in creative work. In recent years, book written by white authors like “American Dirt” and “The Help" have been criticized for their portrayals of characters of color. Artists’ job is to imagine and create, but what do we do when they get it wrong?To discuss, Jane Coaston is joined by the Opinion writers Roxane Gay and Jay Caspian Kang. In their work, both have thought deeply about the thorny issues of writing across identities — including what makes work authentic, the pressure of representation for writers of color and the roles social media and the publishing industry play in literary criticism. “I don’t think it’s that complicated,” Roxane says. “It’s not that we divorce identity from the conversation. It’s that we treat it as inherent because we can’t separate out parts of ourselves.”Mentioned:“White Fever Dreams” by Roxane Gay in Gay Magazine“The Pity of the Elites” by Jay Caspian KangThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Rollin Hu, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones and Pat McCusker; mixing by Pat McCusker; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

2 Aug 202227min

Today we're taking a short break and re-releasing one of our favorite episodes from 2022, a conversation with the novelist and Buddhist priest Ruth Ozeki. We'll be back with new episodes next week!The world has gotten louder, even when we’re alone. A day spent in isolation can still mean a day buffeted by the voices on social media and the news, on podcasts, in emails and text messages. Objects have also gotten louder: through the advertisements that follow us around the web, the endless scroll of merchandise available on internet shopping sites and in the plentiful aisles of superstores. What happens when you really start listening to all these voices? What happens when you can’t stop hearing them?Ruth Ozeki is a Zen Buddhist priest and the author of novels including “A Tale for the Time Being,” which was shortlisted for the Booker Prize, and “The Book of Form and Emptiness,” which I read over paternity leave and loved. “The Book of Form and Emptiness” is about Benny, a teenager who starts hearing objects speak to him right after his father’s death, and it’s about his mother, Annabelle, who can’t let go of anything she owns, and can’t seem to help her son or herself. And then it’s about so much more than that: mental illnesses and materialism and consumerism and creative inspiration and information overload and the power of stories and the role of libraries and unshared mental experiences and on and on. It’s a book thick with ideas but written with a deceptively light, gentle pen.Our conversation begins by exploring what it means to hear voices in our minds, and whether it’s really so rare. We talk about how Ozeki’s novels begin she hears a character speaking in her mind, how meditation can teach you to detach from own internal monologue, why Marie Kondo’s almost animist philosophy of tidying became so popular across the globe, whether objects want things, whether practicing Zen has helped her want less and, my personal favorite part, the dilemmas posed by an empty box with the words “empty box” written on it.Mentioned:The Great Shift by James L. KugelBook recommendations:When You Greet Me I Bow by Norman FischerThe Aleph and Other Stories by Jorge Luis BorgesVibrant Matter by Jane BennettThis episode contains a brief mention of suicidal ideation. If you are having thoughts of suicide, call the National Suicide Prevention Lifeline at 1-800-273-8255 (TALK). A list of additional resources is available at SpeakingOfSuicide.com/resources.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

29 Juli 202258min