Until Death Do Us Laugh With MATT BATY From PIGS, PIGS, PIGS, PIGS, PIGS, PIGS, PIGS

Until Death Do Us Laugh With MATT BATY From PIGS, PIGS, PIGS, PIGS, PIGS, PIGS, PIGS

Interview by Kris Peters
In case their band name wasn't enough of a hint for you, listening to their music will ram the point home that Newcastle, UK outfit Pigs, Pigs, Pigs, Pigs, Pigs, Pigs, Pigs are a musical force unto themselves and their care factor should you disagree is a resounding zero.
Since bursting onto the scene in 2014, Pigs have almost gone out of their way to ensure they drank from no-ones well of musicality other than their own, uniting normally opposing forces of music with flawless inhibition for maximum results.
Essentially a rock band but with enough alter egos and personalities to conquer the world, Pigs have always quietly gone about their business, in the process drawing fans and their peers increasingly into their own sonic paradise and sweeping all before them in eclectic waves of passion.
In setting their fifth musical child out into the wilderness earlier this month, Pigs also unleashed a powerhouse of musical disparity that highlighted their growing stature while simultaneously sending purists reaching for their notepads to scribble down notable forms of blasphemous intent. That album is titled Death Hilarious, an album name that says pretty much everything you need to hear about Pigs without lowering the needle to the record and setting off down another magical and whimsical adventure, destination unknown but satisfaction guaranteed.
Openly touted as a body of work infinitely more hostile than previous release Land Of Sleeper, Death Hilarious evokes the same type of reaction as a person would feel standing in the mosh pit at one of Pigs notoriously frenetic live shows.
It was a deliberate hardening of the arteries by Pigs, once more showing their disdain for familiarity as their journey into the abyss grows darker and more dangerous along the way.
Vocalist Matt Baty kindly gave up some of his time to chat with HEAVY in what turned out to be an engaging, informative view of the music industry as a whole and Pigs place in it.
"We're a weird band," he shrugged when we ask what Pigs were going for musically with Death Hilarious. "In the sense that we don't all get together before we start writing an album and discuss what direction we'd like to take it in, which I think is pretty odd and probably not very efficient (laughs). We just get together in a room and everyone will have worked on different things or have different fragments of ideas for songs. And we just get together in one room and present those with each other. Some things kind of click amongst all of us, and some things don't. And those things we'll just park for a rainy day and see if it works at a later date. But we'll kind of focus on everything that people bring that all of us as a five-piece unit are all in on. From that point, once we start developing the skeletons of what the songs are, Sam - he also records and produces our albums - takes them further."
"I think with this one, the songs were presenting themselves as being a bit more… maybe a bit more assertive and a little bit more aggressive," he continued. "A little bit more immediate. So that's where Sam took the production as well and maybe just pushing things a little bit harder and slamming it against the wall a little bit more than they were on Land of Sleeper."
In the full interview, Matt shared insights into the positive reception of the album and the tour, describing it as their best experience yet due to enthusiastic fan engagement. He emphasized the challenges of measuring success in the current music landscape, where streaming metrics often overshadow live performance feedback. Matt elaborated on the band's collaborative songwriting process, which allows for organic song development without a predetermined direction. He noted that their latest album aims for a more straightforward sound compared to previous works, with production enhancing the music's immediacy. The title Death Hilarious, inspired by Cormac McCarthy's Blood Meridian, was chosen for its representation of the band's identity and humour.
Matt highlighted the band's journey in defining their sound, showcasing a variety of styles across albums, and mentioned specific tracks that exemplify their creative exploration before admitting he still doesn't know exactly what Pigs definitive sound is, but is also happy to keep exploring the realms of musical possibility.


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Avsnitt(1000)

Deeper Wells And Deeper Laughs: Dyssidia’s MITCH BRACKMAN Gets Real

Deeper Wells And Deeper Laughs: Dyssidia’s MITCH BRACKMAN Gets Real

Interview by Ali WilliamsIf you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY’s own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl snobbery to deadly Frisbees and Adelaide’s criminally underrated music scene.Dyssidia just dropped their sophomore album Deeper Wells of Meaning—only five years after their debut, because, you know, global pandemics and musicians’ creative “pauses.” Mitch spills on the pain of planning an album launch, only to have COVID crash the party two weeks later. The silver lining? More time to marinate, mature, and, presumably, stare at the ceiling thinking about vinyl colour options. Forget digital downloads; Mitch’s passion for vinyl is a religion. The band doesn’t just release albums—they curate tactile experiences. The latest artwork, painted by Adam Burke (with an actual brush—no AI here, people), is so gorgeous that Mitch reckons at least 20% of positive feedback is just fans drooling over the cover. Want a double LP with wild colours? Dyssidia’s got you. Want a band-branded stubby cooler? Even better—just watch out for Mitch’s plans to weaponize plastic frisbees at shows. Rock and roll, but with dental insurance. The band’s gearing up for their album launch in Adelaide, with Adriatic, Wings of Thanatos, and Kuiper joining the chaos. Touring across Australia is like prepping for the Olympics—distances are brutal, costs are bonkers, and sometimes even the koalas get confused by daylight savings. Perth fans: you’re loved, you’re loyal, but unless someone donates a private jet, don’t hold your breath for monthly Dyssidia visits.Dyssidia have re-joined forces with Wild Thing Records—mainly because the contracts are so chill they’re basically handshakes, and the friendships are the real glue. According to Mitch, it’s not about the business as much as it is about the hang. “Most of the time, you’re just trying to survive and connect with other bands, so your mini-tour isn’t just you in a van talking to yourself.”There’s no road map for being a modern prog-metal band. Dyssidia is all about that flexible, DIY, make-it-work spirit—embracing the weirdness of the times, working from home, and enjoying the freedom to create on your own terms. New music is brewing (eventually), Adelaide is still underrated, and at least Ali and Mitch are now Facebook friends. In the words of the great philosopher: Thanks babe.”Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

12 Dec 202518min

Backstage chats with ALL TIME LOW At GOOD THINGS 2025

Backstage chats with ALL TIME LOW At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela gets cozy with All Time Low.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Dec 20258min

Backstage Chats With YOURS TRULY At GOOD THINGS 2025

Backstage Chats With YOURS TRULY At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela get up close with Yours Truly. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Dec 202513min

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

In 1994, Season to Risk had been on tour for the past four years, playing as a young opening band on legendary shows with Killdozer, Unsane, Neurosis, Prong and Killing Joke. Their first album had sold well, with songs charting on radio and getting music video airtime on MTV and Canada's Much Music. There was an opportunity to take advantage of the popular wave of alt rock and nu metal dominating the air waves and being signed unexpectedly to major label Columbia Records put them in the position that they had amazing support as artists, but also someone to answer to and the machine must be fed.The band decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock, In A Perfect World. The album has become a cult classic and over the course of the past 30 years, some of the songs off In A Perfect World became mainstays in live shows.And now, Season To Risk have decided the time is right to revisit that timeless album, having In A Perfect World remastered by Duane Trower (Weights & Measures Soundlab), creating a reissue that gains new clarity without losing its raw urgency. Released on Record Store Day in the United States, In A Perfect World has been rejigged to embrace the modern sound, with Season To Risk using the experience to harness their focus and energy into live shows and a new record.Singer Steve Tulipana joined HEAVY to take us behind the scenes. We start by asking if the nerves are any different, releasing the same album three decades later."I mean, it's weird," he smiled, "It's 30 years old, which is kind of a trip obviously for us. To think about how much time has passed… It doesn't feel like 30 years ago by any means, which is over half my life. I'm more nervous because we have some US dates we're going to start. It's a pretty gruelling little run of shows we're doing, and we haven't done that in many, many years. So that's got me nervous, more than the record coming out".Going into In A Perfect World back in 1994, Season To Risk had just finished four years on the road and were understandably more than a little jaded. We ask Steve if this had any effect on the finished product."Yes, I do think we were (jaded)," he nodded. "So a lot of the material from the first record - and it's a cleaner record for sure - we were young, and it was our first material that you take a bunch of years to write. Then you get signed, and then it was delayed forever. We were always trying to challenge ourselves, and we were wanting to be more… it's not like it was incredibly conscious. I mean, we didn't want to sell out, but we were trying to find this heavy thing. We had some road on us, and we had some life experience on us at that point so it was darker and things were a little more fucked up. To be candid, I was a little more fucked up in my head, but that's the experience you go through, right?"In the full interview, Steve focused on the reissue of In A Perfect World, reflecting on the surreal nature of the album's 30-year anniversary. The remastering process was highlighted, with improvements made by guitarist Duane Trower being explained, although digital rights for a remastered version have not been granted by Sony, leaving fans without a digital option for now.The conversation also explored the band's artistic evolution, with Steve discussing their maturation and the incorporation of new elements like synthesizers in their upcoming material. The importance of clarity in lyrics while maintaining a unique sound was emphasized. We spoke about the release of a new album, with the aim for completion by the first quarter of the next year.Steve discussed the natural evolution of Season To Risk and how it has impacted their music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Dec 202523min

Backstage chats with COBRA STARSHIP At GOOD THINGS 2025

Backstage chats with COBRA STARSHIP At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela sits down for an awesome one on one with Cobra Starship.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Dec 20258min

Backstage chats with WINDWAKER At GOOD THINGS 2025

Backstage chats with WINDWAKER At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra gets to know Aussie metal sensations Windwaker.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Dec 202511min

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Interview by Angela CroudaceAfter years of anticipation, Born of Osiris are finally set to return to Australia this coming March and for drummer Cameron Losch, the excitement is doubled. While the band last toured the country six years ago, Cameron himself hasn’t performed on Australian soil for roughly a decade due to an injury during their previous run. “I am just so excited. It’s been way too long,” he says, reflecting on how much he loved every visit in the past.Some of his clearest memories include being pranked about “drop bears” moments after landing, and wandering through bushland stunned by wild kangaroos an experience far removed from his Midwest home. This time, he’s hoping for more of those uniquely Australian moments, plus a chance to reconnect with fans face-to-face, something he’s grown to treasure deeply on recent tours.Australia will also be among the first to witness a major milestone: the 15-year anniversary celebration of The Discovery. The band is performing eight tracks from the beloved album, reworked with fresh flair. Cameron promises surprises, intensity, and some of the most challenging drumming of his career.Sharing the bill with the crushing Signs of the Swarm, Born of Osiris’ March run is shaping up to be an unmissable blend of nostalgia, evolution, and explosive energy. Australia, get ready, they’re coming back stronger than ever.BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour DatesWednesday 18th March ADELAIDE, Lion Arts FactoryThursday 19th March MELBOURNE, Max WattsFriday 20th March BRISBANE, Brightside OutdoorsSaturday 21st March SYDNEY, Manning BarTickets From: https://thephoenix.au/born-of-osiris-2026/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Dec 202526min

Backstage chats with LORNA SHORE At GOOD THINGS 2025

Backstage chats with LORNA SHORE At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela chat with the most brutal band on the bill, Lorna Shore. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Dec 202515min

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