TN:154 Jeff Goldblum & The Mildred Snitzer Orchestra

In this episode we look back over Season 8 picking out a selection of highlights and some of the most memorable moments from the artists and producers we were lucky enough to speak to. If you haven’t heard every episode from the last season, this is a good way to introduce yourself to some of the guests we’ve had on and hear some of their top studio tips, writing processes and all-round philosophies towards creating a record.    You’ll hear highlights from:  Royal Blood Girl In Red and Matias Tellez Rostam Dodie and Joe Rubel Johnny Flynn and Charlie Andrew Fred Again.. Easy Life and Rob Milton   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to the albums featured this season with the links below. Royal Blood - ‘Typhoons’ Girl In Red and Matias Tellez - ‘if i could make it go quiet’ Rostam - ‘Changephobia’ Dodie and Joe Rubel - ‘Build a Problem’ Johnny Flynn and Charlie Andrew - ‘Lost in the Cedar Wood’ Fred Again.. - ‘Actual Life (April 14th – December 17th 2020)‘ Easy Life and Rob Milton - ‘Life's A Beach’   Intro Music - Sunshine Buddy, Laurel Collective   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk  - http://www.tapenotes.co.uk    ‘Typhoons’ - Warner Records UK, Imperial Galactic Limited, Black Mammoth  ‘if i could make it go quiet’ - World In Red, AWAL Recordings ‘Changephobia’ - Matsor Projects ‘Build a Problem’ - doddleoddle, The Orchard ‘Lost in the Cedar Wood’ - Transgressive, Johnny Flynn ‘Actual Life (April 14th – December 17th 2020)’ - Warner Music UK Limited. An Atlantic Records UK, 2021 Fred Gibson ‘Life's A Beach’ - Universal Music, Island Records

14 Sep 202155min

In this episode, John is reunited with Murray Matravers from Easy Life and producer Rob Milton, to talk about how they wrote, recorded and produced the band’s debut album ‘Life’s A Beach'. From recording in and around lockdowns, in basements, bedrooms and studios, Murray and Rob reflect on the writing process, singling out the sounds, ideas and samples that encapsulate the meaning within the songs. As well as thoughts on retaining fun in the music and creating joke ideas, we hear stories of intentionally not wanting things to sound good, along with the not very Easy Life elements that are crucial to an Easy Life track. Listen to find out what to do when you’re stuck in garage MC mode, how many times Rob recorded the word ‘Skeletons’, and which synth line made Murray cry (and still does). Tracks discussed: skeletons, ocean view, homesickness   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Life’s A Beach’ here. ‘Life’s A Beach’ - Universal Music, Island Records Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Shure SM7B Neumann M149 Roland Juno 106 Sequential Prophet Rev2 Sequential Prophet 5 Sequential Prophet 6 Arturia Synth Emulators Waves J37 Tape Plugin   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk

7 Juli 20211h 44min

In this episode, John catches up with Fred Gibson, better known as Fred Again.., to talk about how he wrote, recorded and produced the album ‘Actual Life (April 14 - December 17 2020)’. Having written and produced almost all of the album outside of the studio, Fred talks us through his recording and sampling process, digging into the ways in which each new environment helped shape the individual sound of each track. Fred enlightens us on the best bits about recording on an iPhone and why it’s so key to his writing process. We’re treated to stories of recreating the voice notes compressor in Logic, jamming along with tracks in the club and playback sessions in the pub. Listen to find out how a small change in harmony can completely reframe emotion, why mixing will never solve any song problems, and the best ways to fill time when you're not feeling inspired. Tracks discussed: Sabrina (I Am A Party), Me (Heavy), Angie (I’ve Been Lost)   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Actual Life (April 14 - December 17 2020)’ here.  ‘Actual Life (April 14 - December 17 2020)’ - Warner Music UK Limited. An Atlantic Records UK, 2021 Fred Gibson   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Samplr Morph Plugin Logic - Silver Compressor Logic - Retro Synth Logic - Step FX Albino Synth Native Instruments Battery Teenage Engineering OP1  Shure SM7B  Roland TR-808  Neumann U47 Yamaha NS10 Zoom iPhone Mic   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk

28 Juni 20211h 56min

In this episode, John ventures up to The Old Workshop Studio to catch up with Johnny Flynn and producer Charlie Andrew about how they wrote, recorded and produced the album ‘Lost in the Cedar Wood’. From the summer walks with co-writer Robert Macfarlane to tracking the bones of the album in a solar-powered woodland cottage, Johnny recalls shaping the world of the record, combining both timeless sonics and the ancient stories that are relatable even today.  Getting into the technical elements, Charlie pulls apart some of the detailed sounds and techniques used to enhance each song's energy. We hear stories of stairwell recording, unpredictable gear and creating rhythmic textures from everything except drums. Listen to find out why impatience in the studio is often a good thing, why Johnny had to make a last-minute Charango order, and the best way to shut your kids up when recording. Tracks discussed: Ferryman, Bonedigger, Ten Degrees of Strange   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Lost in the Cedar Wood’ here. ‘Lost in the Cedar Wood’ - Transgressive, Johnny Flynn   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS National Trojan Resonator Guitar Fender P Bass Space Echo Chorus Echo Tape Delay Vox AC30  Ampeg Roland Juno 60 MicroKorg Rhodes ProTools Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk

22 Juni 20211h 46min

In this episode John heads over to Pixel Studios to chat with Dodie and producer Joe Rubel about how the album ‘Build A Problem’ was written, recorded and produced. Unearthing Dodie’s first phone recordings made in her bedroom, the pair dig into the ways in which they preserved and developed her DIY/scrapbook sound in the studio.  As well as lots of sumptuous album easter eggs, Joe indulges us in a multitude of audio tricks. We find out how they managed to flawlessly capture Dodie’s incredibly quiet, intimate vocals, as well as the sounds of windows, Tupperware, screaming and people's thighs. Listen to hear tales of mood-matching songs and lyrics (then the doing the opposite), how Dodie’s Instagram followers influenced a guitar tuning, and the effects of revisiting songs in different head spaces. Tracks discussed: Special Girl, Sorry, Before the Line   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Build a Problem’ here.  ‘Build a Problem’ - doddleoddle, The Orchard   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Shure SM7B Kemper Amps Thermionic Culture Vulture Tube-Tech CL 1B Compressor Sibelius Any Sponge   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :-)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk

14 Juni 20211h 32min

In this episode, John catches up with Rostam to talk about how he wrote, recorded and produced his new album ‘Changephobia’. Giving us a full tour, Rostam talks us through his incredibly varied songwriting processes, from demoing beats on a Japanese bullet train and jamming with the TV, to improvising parts in the studio and simply writing without his brain.  Going in deep, we’re treated to beat constructions, reverb breakdowns and sax playing that is just all feel, all alongside the subtle sounds that completely transform the emotion in a track. Listen to find out which plugin changed the way he thinks about recording vocals, why clarity can sometimes completely destroy a vibe, and how to treat an addiction to groove. Tracks discussed: From The Back of a Cab, 4Runner, Starlight   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Changephobia’ here.  'Changephobia’ - Matsor Projects Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Moog Voyager Korg Trident Solaris Synth Roland Juno 60 Line 6 Pedals ELA M 251 Mic AKG C414 Eventide H3000 Eventide Swell Reverb UAD Eventide H910 Harmoniser Neve BCM 10  Vari-Mu Compressor Tube-Tech CL 1B Compressor Neve Preamp 500 Series 1073LB Waves CLA Vocal Plugin Universal Audio 1176 Compressor Valhalla Shimmer McDSP M404  Ableton Sibelius ProTools   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk

8 Juni 20211h 38min

In this episode John links up with Marie Ulven, aka girl in red, and producer Matias Tellez, to talk about how they wrote, recorded and produced her debut album ‘if i could make it go quiet’. With Marie’s original bedroom recordings to hand, the pair take us through how they built on the framework of her demos, singling out the minuscule details in each track that you probably wouldn’t notice, but are completely responsible for the vibe.  Alongside stories of recording without reverb and taking energy from different genres, Marie discusses the sentiment behind her lyrics as well as the individual syllable and pronunciation changes that had such big impacts.  Listen to find out how to create an electronic beat from acoustic instruments, why you should always check things with a tremolo on, and what the appropriate response is when Taylor Swift posts about your album! Tracks discussed: Body And Mind, Did You Come?, Apartment 402   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘if i could make it go quiet’ here.   ‘if i could make it go quiet’ - World In Red, AWAL Recordings Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Stam Audio SA-47 Neve Preamps Retro Instruments Sta-Level Compressor Soundtoys Devil-Loc Soundtoys Alter Boy   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk

1 Juni 20211h 36min

In this episode, John heads down to Royal Blood’s secret studio near Brighton to catch up with Mike and Ben about how they wrote, recorded and produced their chart-topping album ‘Typhoons’. Having written the majority of the record apart from each other in lockdown, the duo reflect on their creative process, from forming demos on the living room sofa to dipping their toes in musical moves they’ve never had the guts to do before. Incorporating the dance floor into their world for the first time, we hear how they combined disco influences with sounds from the depths of hell, as well as the inside details on song structuring, adapting drum parts, and tricks to help nail vocal writing.  Listen to find out how a looped mistake can become the basis of a hook, how a £30 amp from eBay helped form the majority of the record’s sound, and how Brad Pitt almost made a feature. Tracks discussed: Typhoons, Limbo, Mad Visions   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Typhoons’ here. ‘Typhoons’ - Warner Records UK, Imperial Galactic Limited, Black Mammoth    Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Universal Audio Apollo Twin Universal Audio Preamps Shure SM7B  Spectrasonics Keyscape Soundtoys Pan Man Overstayer   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk

24 Maj 20211h 48min