Heritage and Hope

Heritage and Hope

Episode #383: The 4th International Conference on Burma/Myanmar Studies (ICBMS) was hosted at hosted by Chiang Mai University. This major event brought together many scholars and experts to discuss Myanmar’s ongoing challenges, including the 2021 coup, conflicts, peace efforts, and human rights issues. Hosting over 800 participants over its three day event, it was one of the largest events dedicated to Myanmar studies.

Insight Myanmar Podcast recorded exclusive interviews with a number of guests at the conference. These short conversations covered a broad range of topics, and this episode closes out this four-part series. Our guests are:

Gar, representing the Myanmar Internet Project, focuses on digital rights and security. She describes the military's use of internet restrictions and surveillance technologies to suppress dissent. Her organization works to raise awareness, provide digital security support, and document online propaganda and surveillance to protect those at risk.

Jaivet Eolom, affiliated with the Myanmar Policy and Action Knowledge Hub at the University of Toronto, views Myanmar as being at a critical juncture for being able to reshape its future. He emphasizes the need to unlearn decades of military propaganda in order to avoid repeating past mistakes. This includes particularly harmful narratives like those surrounding the Rohingya.

Napas Thein, a research fellow at the University of British Columbia and the Myanmar Policy and Action Knowledge Hub, emphasizes the importance of linking research and humanitarian efforts inside and outside Myanmar, with filmmaking as a vital tool for sharing stories from conflict-affected ethnic regions. He adds that many people abroad continue to contribute significantly to efforts within Myanmar.

Sharon Bell, involved in Myanmar's agricultural development through a resilient horticulture project funded by New Zealand, emphasizes the vital role of grassroots civil society organizations in sustaining progress despite COVID-19 and the coup. She advocates for the international community to support local efforts and recognize the legitimacy of ethnic armed groups as key development and political actors.

Tin Maung Htwe, a research fellow at Chiang Mai University’s RCSD, focuses on human rights, migration, and the Rohingya crisis. He notes the complexity of the conflict, and advocates for empathy and dialogue between communities. He also touches upon the impact of Chinese investment on conflict resolution.

Kham Mai, a representative from the Shan Women's Action Network (SWAN), emphasizes the organization's efforts to support Shan women through healthcare, education, and leadership training, particularly in conflict zones. She calls for greater women's participation in political decision-making and providing essential services like reproductive health and support for survivors of gender-based violence.

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The Revolution's Roving Eye

The Revolution's Roving Eye

Moe, a photojournalist, has long chronicled the inhumane injustices that the Tatmadaw had committed in his country. From the jade mines of Kachin to the Rohingya camps in Rakhine, he had seen first-hand how ruthless and evil the regime could be.His first fame came in the form of pictures he took of Aung San Suu Kyi after she had been released from house arrest, and was starting to campaign in 2012. He later exposed the horrible conditions at the lucrative jade mines region of Kachin state. After that, Moe began reporting on the unfolding Rohyinga situation. In his reporting, Moe managed something that very few journalists had been able to do for the Bamar people, in that challenging and complex situation: humanize the Rohingya.When the February coup hit, Moe was faced with a somewhat unique decision: whether to document events as an objective reporter, or join in the resistance as an activist. He chose to be a journalist, and started taking pictures that very afternoon. He tried to trained himself to “just focus in my viewfinder and try to capture what's happening in the best way possible of the atrocities. But there were times where I couldn't make it. It was too intense and I couldn’t keep shooting.”Moe’s archive of work was recently recognized by the prestigious Bayeux War Correspondents in Paris, who awarded him first prize for his photojournalism. Ironically, he had to accept the award anonymously for security reasons, preventing him from receiving well-deserved, widespread recognition (at least for now) for his high achievements in the field he has devoted his life to.And while he could have decided to remain in the safety and security of France, he chose to return to Myanmar to continue his work to document the country’s continuing revolution so that the world may see. He believes that the Burmese people will soon be triumphant, and he wants to be there to take their pictures when they are!

26 Dec 20211h 40min

Artists Against Tyranny

Artists Against Tyranny

As many already know, the situation in Myanmar continues to be intolerable. Day by day innocent civilians are being killed, maimed, starved, and forced from their homes, and the military continues their campaign of terror. The need for financial support is a dire one, in so many ways. And towards this end, the Art Against Tyranny auction is being held. This supportive and hopefully inspiring event will be held over two days: the 11th and 12th of this month (Eastern US time), or 12th and 13th for those in Asia. Using art to combat tyranny might feel somewhat dissonant. But art in whatever form is essentially communication that expresses the human condition.It is through art that Burmese rappers, painters, poets, graffiti artists, video editors, and others have expressed their opposition to the junta, and inspired their compatriots to continue their march to ultimate victory. It is through art that the true horror and carnage of the military's reign of terror can be conveyed to people all over the world. A New York City art gallery, the Jane Lombard, has graciously donated its space for free to showcase revolutionary art from Myanmar artists, in order to highlight the plight of the Myanmar people. And virtually, artists from around the world have united through their art to fight against dictatorship, oppression, terror, and tyranny. Some pieces on display today are biting, while others are hauntingly beautiful… but all of it is inspiring. Please take time to see what art is on display, listen to artists speak of their work, and maybe buy an exquisite piece for a good cause! The more money raised, the more lives saved, and the sooner the military's campaign of death and destruction will end.

10 Dec 20212h

The Story of Magway

The Story of Magway

“It's really sad that our young people had dreams, but after the military coup, every dream of theirs has been destroyed.” So starts the interview with May, who tells us why she became a revolutionary, and updates us on how the Magway Division has fare since the coup.May had been studying in New Zealand, and had only just returned to Myanmar when the coup hit. Like many, she was unsure how to respond at first, but faced with a real-life struggle against evil, she committed herself to activism, delving into fundraising work. Because her father was so concerned for her safety, May had to keep her activities secret and stay in safe locations away from home in order to carry out her work. Her level of involvement has carried with it a serious mental and emotional burden, and May turned to a combination Buddhist meditation and a practice of “positive psychology.” She observes the mental content in her mind, and tries to give less food to those negative emotions and thoughts, which has the result of making her “relaxed and focused on the the right things.”May waxes poetic about her home region, the Magway Division, which is famous for its ancient pagodas, and a common pilgrimage destination for devout Buddhists. But sadly, the military has instigated repeated, targeted assaults in and around Magway, which have resulted in thousands of newly Internally Displaced Peoples (IDPs). May has added this issue to her mission portfolio, and is desperately trying to locate funds to support them. Compounding this even further is that the conflict has prevented farmers from tending to their crops, increasing dangers of a looming starvation. May clearly more than has her hands full! In closing, she has just one message for listeners. “To end the military regime, we have to stand together and fight back… If not, we will never, ever decrease their evil. So please become involved in this revolution.”

29 Nov 20211h 50min

Bart Was Not Here

Bart Was Not Here

Imagine a conversation that ranges from The Life of Brian to the modern Burmese Sangha, from The Godfather to trashy Burmese style romance movies, from Eminem to Ashin Wirathu… and lots more in between. That is the discussion that follows with the artist, "Bart Was Not Here." Bart employs an unpredictable blend of classical influences with modern, often Western pop influences in support of his main underlying theme: social commentary on contemporary Burmese society. Bart’s primary artistic inspirations specialized in “worldbuilding”—the creation of a unique world, with all the elements of that world, believable—and that is his own creative motivation. As one might imagine, the present situation has deeply affected Bart, both as a Burmese citizen, and an artist, and he has used his artistic talent to support the movement. His works this year are strong, artistic statements on his feelings about the current situation. Perhaps surprisingly, though, Bart did not intend any of these pieces as “political statements,” per se. He views this artwork as a kind of diary about the protest movement. One of his most well-received recent works is a rendition of a photograph of a military truck being attacked and bursting into flames. For Bart, like for so many Burmese, this moment was the first time that the bully who had been terrorizing them had finally been finally punched in the nose. Staying true to his artistic inspirations, Bart continues to temper his driving home of powerful messages with a sideswipe of parody or satire. Hs explains that humor exposes the generals not as karmically-endowed divine leaders, but rather poorly-educated, deteriorating old men.

23 Nov 20212h 19min

Dave Leduc: A champion stands with the people

Dave Leduc: A champion stands with the people

Dave LeDuc loves all things Myanmar. But maybe more than anything, Dave loves stepping into a fighting pit without gloves or shoes, and giving well-placed head butts that knock an opponent cold! Dave is Myanmar’s first— and only— foreign champion of Lethwei, a traditional martial arts boxing practice that dates back centuries.Dave became interested in mixed martial arts and trained in a variety of forms. He eventually went to Thailand, and began looking for fighting opportunities. He landed a controversial bout through the Department of Corrections, which invited Dave into a Thai maximum security prison to spar with a convicted felon. The stakes were high: if the criminal beat Dave, he would be released from prison. But Dave won, and is currently in talks about a movie being made about that encounter. That bout was also the springboard for him to enter Myanmar and learn Lethwei. From the moment he arrived in Myanmar in 2016, he knew he had found a home. His first opponent was the then-undefeated Lethwei champion, Too Too, and after beating him became a cultural phenomenon in Myanmar. He even got the very painful Lethwei tattoos, a rite of passage in the sport.Now living in Turkey, Dave was, like so many, horrified when the coup broke in February. He knew that refusing to stay silent would close off any potential business he hopes to build in Myanmar, along with ensuring that he won’t personally be able to visit for the foreseeable future. And yet he has chosen to speak out, highlighting the struggles of the democracy movement in light of the naked aggression faced by the Burmese military. He closes with, “Keep fighting, stay strong! You're not alone. There's a lot of love from around the world.”

15 Nov 20211h 52min

Revolution As Art

Revolution As Art

This is the fifth show in the “Love Letters to Myanmar” series, focusing on the role of artists in the democracy movement. It is part of an ongoing conversation about the role of art in the democracy movement, with several past and future shows continuing this exploration.At the present moment, the Burmese people are in the middle of a life-or-death struggle against an organized military that is attacking, shooting, bombing, raping, abducting, torturing, and killing their friends and family every day for the past year, and with no end in sight. Artists are now in the forefront of that movement, which insists upon basic human rights, dignity, and freedom. Far from just being a luxury to pursue when times are safe, artistic inspiration is essential in this struggle!The first guest is music producer, Aye Win. He recently assembled a dozen hip hop artists from across the country for an album, Rap Against Junta’s “Dickcouncil,” to call out the military while helping the people keep their spirits up during these difficult times. Next up is May, a poet and writer. She has also been drawing dozens of portraits of people around the world, with proceeds going entirely to her organization’s fundraising mission to help people within the Civil Disobedience Movement. The final guest is Alex. He is an Australian living in Montreal who, with a friend, designed a mural depicting the country and showing his support for the democracy movement, with a central tribute to Angel, a young woman who was tragically killed early on in Mandalay. It is our hope that this episode educates listeners about more of the great art being produced in resistance to the Tatmadaw and their cruelty.

9 Nov 20212h 32min

The Side Effect of a Revolution

The Side Effect of a Revolution

Burmese artists are rightly gaining global recognition for their courage and bravery, standing up for freedom of expression against a murderous regime. While this is somewhat of a new phenomenon for the younger generation of Burmese artists, Darko has been at the intersection of protest and music for some time, as the lead singer of the Indie band "Side Effect."Darko grew up under the prior military regime, when one could be arrested for simply expressing oneself, and so has been well-trained in the art of hiding meaning and keeping a low profile. He feels disappointed that younger musicians don’t appreciate how hard he and his generation of artists had to struggle against the limits of censorship. Yet in spite of that, Darko continues to support their creative expression not only by his 20 years of ground-breaking artistic work, but also through creating platforms and opportunities for younger artists to get their voices out. Aside from music, Darko’s other passion in life has been spirituality and meditation, but he’s not a traditional Burmese Buddhist, especially after he looked into growing anti-Rohingya activity. He visited the camps, and was stunned at what he saw. He was overcome by guilt, and heartbroken to see how the Rohingya were being treated. This experience led to his song “Meiktila”, named after the city where terrible anti-Muslim violence had recently occurred. Because Burmese Buddhists started referencing the Buddha in order to justify violence against Muslims, he began to question everything about how organized religion was manipulating— and perhaps even perverting— the Buddha’s teachings.Ironically, moving away from traditional Buddhism is what allowed Darko’s nascent meditation practice to really take off. He became fascinated with “brainwave entrainment,” which explores how brain waves can be synced with auditory or visual stimuli.He doesn’t have a proper meditation teacher, but finds inspiration in Alan Watts, as well as the Satguru philosophy. Essentially, his practice can be boiled down to simply observing the mind without judgment. However, the military’s brutal behavior has challenged his non-judgmental observation of unfolding reality, to put it lightly.

29 Okt 20212h 11min

David Eubank: A Man of Faith and Action Fights for Burma

David Eubank: A Man of Faith and Action Fights for Burma

David Eubank didn't know that a single moment on a jungle path in 1997 would prove to be so eventful for not only his own life, but an entire nation as well. Living in Thailand at the time, David was growing distressed hearing about a Burmese military operation that was displacing over half a million people. So loading up four backpacks with medicine, he decided to travel the border to see if he could find anyone who needed help. One thing led to another, and that trip ultimately give birth to the Free Burma Rangers (FBR).In this episode’s wide-ranging interview, David goes into his background of 25 years living and supporting those many ethnic communities, sharing what he’s learned from the different groups, the various hardships they’ve faced, and even the strange and exotic foods he’s sampled. As a Christian, David’s faith in a higher power has been a major factor in his work. To this day, his faith animates all of his humanitarian work. “That's the heart of why I do it,” he says. Even in these most difficult of times, he draws on the reservoir of his faith; in spite of his first-hand knowledge of 25 years of Tatmadaw cruelty, he still tries to love his enemy. Still, this does not mean allowing entire populations to be victimized without recourse, and David acknowledges that self-defense, whether on an individual or communal level, is a basic human right everywhere in the world.Compounding the Myanmar military’s brutal tactics used has been the almost total lack of response or engagement by any international actor, a fact which has surprised and greatly distressed David, especially given the extent of the unfolding humanitarian disaster and Myanmar’s geopolitical importance. He believes there is so much good that other nations and foreign entities could still do now, if only they chose to.

21 Okt 20212h 6min

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