Jason McCue - When He Drinks

Ivy Sole - "BITTERSWEET" from the 2020 album SOUTHPAW on Les Fleurs Records. Ivy Sole wasn't even sure she wanted to release a new album this year, but thankfully, she did, with her brand new release SOUTHPAW. "Me and my manager have been hesitant to release any music to distract or make light of what is happening, and this is prior to George Floyd and how that has changed the COVID era," she admitted to DJBooth.net. "To be honest, I was gonna drop an album this year and decided to hold off on that to sit with what is happening right now. I don’t want to 'lend' my voice to the movement. By virtue of being an abolitionist and endeavoring to be a radical thinker, anything that I would release was going to add to that conversation. With 'Bittersweet,' I wanted to release something that spoke directly to it rather than shying away from it." She adds, "I started writing it just on some, 'Damn, I miss the feeling of summer.' This summer feels bittersweet to me. I can’t touch and be touched the way I’m usually experiencing summer. Summer is such a sensory period — it’s hot, you sweat, you’re in the park, on rooftops. I was on some nostalgic shit with the first verse, and then the George Floyd uprising happened, and I was like… At this point, everything is changing, so I don’t want the change to be piecemeal at all. I don’t want the minimum. That’s what the powers that be tend to expect us to accept. I’m in a headspace where I finally have a taste of what it could be like to be free, so I just refuse to settle in any way, shape, or form. All of us deserve that. More and more people are starting to realize they don’t have to accept what they’ve been given." Proceeds from the track are being donated to Black womxn experiencing housing instability or facing eviction in the NY/NJ/PA area. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

15 Dec 20203min

Ego Ella May - "Girls Don't Always Sing About Boys" from the 2020 album Honey For Wounds on UpperRoom Records. On her debut album Honey For Wounds, South London-based artist Ego Ella May provides sweet relief from troubling times with her jazzy neo-soul sound. On today's Song of the Day, she asks listeners, "What if I wanna talk about suffering?" “I will, of course, continue to write about love,” May said in an interview with Bandcamp. “But I’m also conscious of other things that happen in life, and I like to address them in song form. There are so many different themes on the album that it felt like a diary, even. ‘Girls Don’t Always Sing About Boys’ came about because I was sick of hearing songs about relationships on the radio. I wanted to talk about other things, and at the time I wasn’t thinking about love. Grenfell [the 2017 West London Tower fire that killed 72 people and injured just as many] had just happened, and my mind was awake. I was reading about sustainability and pollution, and training to be a counsellor — I just had lots to think about. I wanted to challenge myself to put it all into song form.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

14 Dec 20204min

Byland - "Mine" from the 2020 self-released album Gray. For her latest LP Gray, Albuquerque-based artist Alie Renee Byland (who records under the name Byland) immersed herself in the Seattle music scene, collaborating with producer and multi-instrumentalist Nathan Yaccino (known for his work with Soundgarden, Noah Gundersen, Brandi Carlile). For today's featured track, she invited local musicians Abby Gundersen and Meagan Grandall (aka Lemolo) into the Ballard recording studio. In a press release, she tells us: “Mine” is about realizing that my energy is finite and that I have permission to say “no”. I grew up idealizing the notion of giving without limit. When I felt drained, I thought there was something wrong with me. Last Summer, I was feeling especially emotionally and relationally exhausted. I wrote this song while I had an overwhelming amount of calls, emails and texts to respond to. I intentionally wanted “Mine”’s rhythm and offset melody to feel abrupt at times, to express the sense of being pulled in polarizing directions. I was nervous to bring another track to my producer, Nathan Yaccino, given that we were well into the recording process already. But after sharing a simple phone demo, we promptly sat down together and fleshed out the piano tracks, vocals and overall vision for this song. Abby Gunderson’s cinematic strings and the haunting harmonies of Meagan Grandall helped fortify and exemplify the internal expanse this song symbolizes. A liberating anthem, “Mine” is perhaps the most emblematic of the record’s ode to prioritizing mental health, by giving a voice to subconscious thoughts, and creating space within, a space that’s mine.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

11 Dec 20203min

The Weather Station - "Tried To Tell You" from the 2020 album Ignorance on Fat Possum. The Weather Station (a project of Toronto-based artist Tamara Linderman) returns early next year with her fifth full-length, titled Ignorance, out February 5, 2021 via Fat Possum; today, we get a sneak peek at the new release with today's Song of the Day, "Tried To Tell You." In a press release, Linderman tells us the track is about “reaching out to someone; a specific person, or maybe every person, who is tamping down their wildest and most passionate self in service of some self (and world?) destructive order​.” The accompanying video was directed by Lindeman herself, and was set near the house where she grew up. She adds: The video portrays a person who is beset by miracles and visions of beauty, which emanate from inside of and all around him, but rather than reacting with awe or joy, he reacts with annoyance, indifference, and mistrust​. ​We are taught not to see the natural world that we still live in, preferring instead to dwell on the artificial, which is so often a poor substitute for the vibrant real. Flowers really do rise up from mud, and many of us are full of treasures and beauty, but we often discount these things or throw them away.​ Read the full post on KEXP.org Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

10 Dec 20203min

GDRN - "Vorið" from the 2020 album GDRN on Les Freres Stefson. When GDRN (real name: Guðrún Ýr Eyfjörð Jóhannesdóttir) played KEXP Iceland Airwaves broadcast last year, she had just swept the Iceland Music Awards with her debut Hvað Ef, scoring best female artist, best pop song, best pop album, and music video of the year. With her follow-up full-length, released earlier this year, Jóhannesdóttir experiments with a new approach. As she told KEXP's Dusty Henry last year: The next album is a bit more... It has more live instruments in it and more of me singing with more power. Just the lyrical ideas – they're all in Icelandic, I'm sorry for your English speaking listeners – but they are just fully formed ideas, I would say. They have this uptempo feel and a little bit more jazz, live instruments and everything. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

9 Dec 20204min

Molchat Doma - "Discoteque" from the 2020 album Monument on Sacred Bones. Belarusian trio Molchat Doma (a phrase that translates to “Houses Are Silent”) formed in 2017, crafting darkwave synth-pop from their hometown of Minsk. Their just-released third full-length Monument was written and recorded in quarantine during the COVID-19 pandemic, but with today's featured track "Discotheque", they invite the listener to imagine the now-forbidden dance floor. In a press release, they describe the song as “a light dance composition, which was created in order to make the listener move to the beat of the music. A kind of answer to 'Just Can’t Get Enough' by Depeche Mode…Ideal for both mood elevation and unbridled fun.” The accompanying music video, directed by Alexey Terehoff, was filmed at the Memorial Museum-Studio of Z. Azgur, and while the clip finds the band performing to statues of Lenin and Stalin, Terehoff aimed to focus on the aesthetic. “This is the city that embalmed and revived all the idols from the era of the Soviet dictatorship,” he declared. “There are no politics in the video, only the STYLE, a mixture of pure, concentrated neo-totalitarian aesthetics and acidic post-punk.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

8 Dec 20204min

Young Jesus - "Faith" from the 2020 album Welcome to Conceptual Beach on Saddle Creek. Earlier this year, Los Angeles-based quartet Young Jesus released their fifth full-length Welcome to Conceptual Beach; turns out, it's a sandy shore frontman John Rossiter has visited for years, originally as a physical zine in 2016. He told Uproxx.com: It became a kind of diary, where I could become a character — as it turns out, is really helpful for sorting out your own health and psychology and soul, to be able to separate yourself out a little bit into different figures. It would really help me sort through my feelings, anger, guilt, sadness, shame, unworthiness, creativity, joy. At that point in time, I was living really deeply in my own mind, and that’s a really isolating place to be. So it helped me dive into the heart of that. This record, I hope, is my life opening up a little bit, and leaving my mind, joining a community, and being more in my body. As an album, Welcome to Conceptual Beach finds the band expanding on their emo roots, adding jazzy elements to their post-rock sound, while Rossiter explores a new vulnerability. He confides to music blog Grandma Sophia's Cookies: This is the first record where I’m not just saying how good I want to be, or what I want the world to be, or if only people did this it would be great, or look at all these people who are fucking up, or look at how much I’ve fucked up, but it’s more this is what’s happening and there’s so much work to be done. But there’s also so much that’s being done, and a lot of it is beautiful. A lot of what’s within me and what’s within my friends and loved ones is beautiful. It’s the first time — I’m emotional right now — that I believe it. I don’t know if I really believed it before. I didn’t really listen to our music and its lyrics, and especially their delivery, until a year ago. When I listened, I was like, Oh my god, I’m screaming the whole time, I’m so angry. This is the first album where I’m emerging from that and being like, Okay, I could do better myself. I want to hear these lessons that are on the album and keep living them. I hope some people get some of that from it. I hope they see how much I love other people. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

7 Dec 20207min

SassyBlack - "Therapy" from the 2020 self-released EP Stuck. Throughout her career, Seattle's own SassyBlack has tackled the topic of mental health, from her 2019 song “Depression” and the accompanying short film released early in 2020. On her latest EP Stuck, and today's featured track, in particular, she continues the conversation around self care, encouraging listeners to reach out when they're feeling "nothing at all," repeating the lyric "lay it on me" in a soothing rhythm. In conjunction with KEXP’s Music Heals: Mental Health, we’re asking Song of the Day artists to spotlight a different organization, and in a perfect complement to today's Song of the Day, SassyBlack chose the Black Emotional and Mental Health Collective, a "collective of advocates, yoga teachers, artists, therapists, lawyers, religious leaders, teachers, psychologists and activists committed to the emotional/mental health and healing of Black communities." Learn more about the Black Emotional and Mental Health Collective here. Donations are accepted here.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

4 Dec 20204min